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He Makes Me Feel Like Dancin'

Why do over 1,000 New York City schoolchildren audition for a modern dance program that requires them to sacrifice free time and involvement in sports and music? For a chance to study with the charismatic Jacques d'Amboise at the National Dance Institute. His philosophy--that creativity exists within everyone and that trying one's best ensures success--forms the foundation of a unique dance program. This documentary chronicles one school-year-long program including initial auditions, rehearsals, and the creation of an exclusive "SWAT" team, and culminates in an amazing, year-end performance at New York's Felt Forum. D'Amboise's enthusiasm is infectious--children, parents, teachers, professional dancers and musicians, and even local law enforcement officers find themselves involved in his productions. This Academy Award-winning documentary details the inspiring story of how one talented dancer's vision flourished into a coveted New York City dance program.

He Makes Me Feel Like Dancin'

6.1 1983
Blazing Boards

Shot completely with 16mm film. The original classic cinema surf flick, featuring Hawaii, Australia, California, Mexico and Exotic Isles. “Blazing Boards” captures the very essence of what riding waves is all about. If you love the ocean then be sure to check out the best surf film of the 1980’s. “It never drags, it’s full of red hot surfing. Bystrom satisfies the hunger for high performance surfing” – Surfer Magazine “The best surf film since Endless Summer” – Channel 7 TV Brisbane. “Too savage for words” – Surfing Magazine.

Blazing Boards

NR 1985
Multi-Handicapped

This film shows the day to day activities of multi-handicapped and sensory impaired students and their teachers, dormitory parents, and counselors at the Helen Keller School. The primary mission of the school is to meet the total and living needs of deaf and/or blind children, some of whom also have other disabilities. The film presents situations involving personal hygiene, mobility training, concepts of time and money, self help and independent living, dormitory life, recreation, sports, vocational training, and psychological counseling.

Multi-Handicapped

6.8 1986
The Police: Around The World

During 1977-1981 The Police went on a truly global tour which took them through more than a dozen countries, including many that most Rock bands of the period would fail to reach. This film features highlights of the tour which include stops in Japan, Hong Kong, India, Egypt, Australia and Latin America. Recorded live during the tour are 16 songs featured in this film, However this is more than a video rock concert - including many humourous off-stage shots that show the band sampling some of the sights, customs and culture of the lands their fans call home

The Police: Around The World

8.3 1982
Jean-Luc Godard à la Cinémathèque française

After offering spectators a projection/comparison of extracts from 17 films (each time, the first 5 minutes of their second reel) entitled "Une histoire A/B du cinéma" (A/B history of cinema), Jean-Luc Godard becomes a film historian, reflecting live and in public on his future Histoire(s) du cinéma (History(s) of cinema), which will not be considered complete until 1998. Edited from Betacam cassette rushes recovered in 2023 and digitized by the Cinémathèque française.

Jean-Luc Godard à la Cinémathèque française

NR 1985
The Crossroad Of Rock

Documentary film written by music critic Artemiy Troitskiy. It depicts the variety of Soviet and Baltic rock music and offers its viewer an idea that all this forbidden music is not really dangerous for society. Featuring music bands: "Круиз" (Tambov), "In Spe" (Estonia), "Новый мир" (Estonian hard-rock), "Великие Луки" (punk-rock from Tallinn). Moscow music scene represented by: "Тупые", "Нюанс", "Звуки Му". Leningrad music scene: "Джунгли", "Алиса". Also appearing: "Воплі Відоплясова" from Kiev and "Антис" from Lithuania. Not credited: Roman Neumoev with "Инструкция по выживанию" and Oleg Sudakov with "Гражданская оборона".

The Crossroad Of Rock

NR 1988
The Outcasts

Roaring through the streets in dirty denims and leather, The Outcasts present a menacing appearance to the respectable folk of East Anglia. Theirs is an alternative world of wild parties, arrest and sudden death. This film shows a group most people would cross the street to avoid. It's a life which borders on the edge of society and the law, but one which is governed by strict rules and traditions. There are two faces to The Outcasts. One exists in the pounding of heavy metal music and the exhaust fumes of powerful customised motorbikes. The other lies in the day-to-day grind, where even Outcasts have livings to earn, children to feed and bills to pay.

The Outcasts

6.0 1985
Marcellin Babey, Turner

Marcellin Babey, from the Swiss Jura, is thirty-five years old. He works in an old workshop in the heart of Lausanne, concious that building speculators will oust him some day. As there are no longer any apprenticeships in wood turning in Switzerland, Babey learned his craft from the former owner of his Lausanne workshop, and by going, on foot, to visit old turners in France and Spain. When he learned from old documents that the inhabitants of the Swiss canton of Vaud used to play bagpipes on holidays before the Bernese Protestants forbade it in belief that it was an instrument of the devil, Babey decided to build the instrument as it used to be. In the film, we see him make and play the bagpipes.

Marcellin Babey, Turner

NR 1989