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The third film in the "Hooly Bible" documentary series.

After hiding in the mountains for a century, a Miao ethnic village choir is discovered by an outsider and becomes a national sensation. Two young Miaos and all the villagers must reconcile their faith, identity, and love with the real world of China.

The film documents a pigeon pair family that preference boys over girls.

Director Lam Can-Zhao leads a small film crew as they shoot a film about a stray dog in the streets of Guangzhou, leading viewers into an unpredictable, peculiar and incredible journey.

Digitizing union newspapers in the quiet of a dark room, a filmmaker reflects on their relationship to labor.

"Actor" is China's first documentary film to explore the virtues and skills of actors. The film takes the "Twenty-Two Big Movie Stars of New China" as the starting point. It will explore the film experience and artistic achievements of the older generation of artists, explore their insights and thinking about the profession of actors for more than half a century, and pay tribute to the century-old Chinese film with the classic film images they created.

Marking the 30th anniversary of Derek Jarman's passing, close friend and collaborator Tilda Swinton leads a poetic tribute to the late artist and filmmaker with a slow, meditative journey into Jarman’s poem "Chroma" during a visit to Beijing.

In a remote mountain village, the lives of three generations of a family are defined by hardship and loss. The aging grandmother fears death while her son struggles to find work and becomes increasingly anxious and impoverished. Meanwhile, her grandson returns from the city to start a chicken farming business, only to fail and go into debt. The village, named after a mythical rock representing a fallen turtle, seems to bind its inhabitants to a shared destiny of defeat and struggle.

SYNOPSIS Towards the end of 1989, several artists moved to an area near the ruins of Yuanmingyuan, the former Beijing Summer Palace. Farewell, Yuanmingyuan documents the trials and tribulations of the artists in their nubile makeshift community.

A brief journey and a glimpse into a man's heart and his simplicity. In the mountains of Huizhou, Mr. Fang, a wise elder, craftsman, and poet, shares his world with the person behind the camera, a foreigner, from his backyard. Through deep convictions and a connection to their roots, an interaction of culture and humanity flourishes between them, organically and without barriers, inviting us to savor the essence of life's simple pleasures. This poetic documentary embodies the truth that life, in its purest form, is often found in quiet moments, celebrating profound connections that transcend language, culture, or money, and the timeless lessons of a life well-lived.

In May 2010, Ye Hongmei, a native of Dujiangyan city in Sichuan province, started her Odyssey to get pregnant again. Her eight year old daughter was killed in the devastating Wenchuan earthquake of 2008, a catastrophe that killed and maimed more than 6000 children. Due to China's one-child policy, most of the grieving families were left childless.

Springtime, Maoshan Town, Taizhou Shi, north Jiangsu Province in China. As the villagers of Maoshan prepare for their annual temple fair to pay their respects to Chairman Mao, tempers are reaching boiling point. Organizing this festival is a not easy matter, as director Jin Shifang will attest. Not only does he have to deal with wayward loudspeakers and corrupt police, but he also has to put up with infighting and subordinates just waiting for him to make a wrong move. This observational film captures the lives of ordinary people in rural China caught in changing times, letting audiences to think it over.

After a massive earthquake razed a Chinese city to the ground, thousands of parents who lost their children are encouraged to give a new birth so that they can move on with their lives. AFTER THE RAIN follows two of these families for over a decade. Haunted by fear, resentment, and unspeakable grief, the families find hope beyond their intergenerational trauma is hard to build.

The struggles of Wang Tiancheng, an elderly and cantakerous street vendor in Wuhan, China, whose business is threatened by the development of a new retail district.

In many times, people exist as a part of just background to each other. This desolate scenery brings you a certain feeling. As time overlaps on the cold street, you will get caught in a deeper hole.

China and animal love - it is an unlikely association in a country where almost everything that crawls, walks or flies disappears into the pot. Yet there are also avid dog lovers in Hong Kong and filmmaker Chen Angie sought them out. She spoke to the founder of a dog shelter, a homeless man who considers his dog his only companion and other eccentric dog crazy people who all call for more respect for the four-legged friend.

Fairy Fantasia is the first Japanese fan meeting held by Kep1er. It was held on October 27 and 28, 2023 offline at Tokyo Garden Theater.

Baobao is a member of the floating population of Jinan city, he works diligently, from managing a small restaurant to running a tea house and bar. This film documents Baobao is part of the gay community of Jinan city.

Ying, the son of a Chinese fisherman, devotes his heart and soul to contemporary dance. After founding his own company in Beijing, he is confronted by the challenges of the pandemic and the harshness of urban life. He eventually returns to his village to stage a monumental performance in honor of the ocean gods, in the very place where he danced for the first time.

Despite the increasing number of people entering the field of documentary filmmaking, historical subjects are less popular due to limited materials and the difficulty in handling them. Hu Jie has chosen to stay in this field and work hard. "I know that shooting these historical subjects is very dangerous, so how can you ask others to do it? It can only be their choice after they have seen your work." Since 2014, due to health reasons, Hu Jie has not been actively making documentaries. This year, in response to an invitation from the Lung Ying-tai Cultural Foundation, he still provided the film "A Sidelight of the 1968 Up to the Mountains and Down to the Countryside Movement." Over the past three years, he has primarily engaged in printmaking, producing about 70 to 80 pieces, in addition to many small print bookplates.

This is a short documentary about a daughter who has been searching for the truth about her father’s death during the Cultural Revolution, but whom has found nothing.

This is a documentary movie focusing on the common problems of governance in the world's mega cities. Using the calls received by the 12345 hotline in Beijing as a clue, the movie presents the vivid stories of citizens' lives in Beijing, a mega-city with a population of more than 21 million, through documentary filming.

This film tells the story of a war in Tibet in 1912 through information and descendants of the Western Expeditionary Army.

A love story engulfed by the turmoil of Hong Kong, 2019. A city at war with itself. social and political conflicts insinuate themselves into every citizen’s life. families fragment, loyalties are questioned and long-cherished relationships succumb to the slow-motion disintegration of a once iconic city – tearing itself apart.

Small-town kid Boy K is fleeing his job at the duck-down factory when he stumbles into a motley crew of urchins boogieing on the pavement for likes and shares. This is gaga dance: a form of spirited freestyle championed in China by ‘the king’, Pink Hair. Boy K quickly becomes the rising star in Pink Hair’s crew, amassing thousands of subscribers. Will he win the affections of fellow gaga dancer B Girl, or cause trouble in his gang – and the gaga dance underworld beyond it?

A man, that animal which shapes its environment, which also shapes its brain. A fog, a bit harder than the air – the dust of stones. A hexagonal structure, like a monolith of which one dare not ask questions. Two hundred kilometres from Beijing I found a sculpture factory where men lived amidst rocks that were waiting to be broken, cut, polished. The same gestures come back again and again to write a history of deterioration and repair. This history is obliterated in the making of monuments. With the wind that inexorably scatters the traces of these actions.

Hello Life is a documentary film about the real life of 15 people in 2017. Those people involved live in north and south of China, contains peddlers, the visual impaired, pub dancer, veteran, single mother, window cleaner, free-lancer, voluntary bike sharing maintainers, rickshaw puller, screw-seller, heart disease patient, forest ranger and so forth. Each of them makes great efforts to tough life while those efforts are exactly the light of life itself.

Three family cope with having lost their only child in 2008 deadly Chinese earthquake.

A once-prosperous coal mining town is now in decline, as Chinese economic policy has pivoted away from coal. Through the director’s own family, the film depicts the source of life—mined from the darkness of 800 meters underground—that has given, as well as taken away from them.

A young woman goes on an anonymous journey to her late husband's hometown Leshan, a small city in Sichuan province. There, she meets an old friend, a local theatre actress preparing for an adaptation of Bertolt Brecht's The Good Person of Szechwan (Sichuan). In a home-place unfamiliar, the traveling woman meets the imaginary. Ghosted by Shen Te the protagonist of the play, the actress loses the self at the intersection between fiction and reality. Unprepared, the filmmaker loses control of her camera. Together, they drift into a polyrhythmic experience of stasis.

Containing never-before-seen footage spanning 20 years, this monumental documentary tells the definitive story of the rise and fall of Chinese freestyle battle rap.

The Shanghai authorities rejected Feng Zhenghu, originated from Wenzhou, Jiejiang, China, from returning to the country for a total of eight times in 2009. On November 4, 2009, Feng Zhenghu attempted to return home for the ninth time but the police from Shanghai used violence and kidnapped him to board a flight to Japan. Feng refused to enter Japan and decided to live in the Immigration Hall at Terminal 1 of the Narita Airport in Tokyo, as an act of protest.

Street Life documents the lives of Chinese migrants in Shanghai, one of the world’s largest and most vibrant cities, now symbolic of China’s economic might. The film centers on Nanjing Road, one of China’s oldest commercial streets and today a popular destination for tourists and moneyed Chinese. The street has also become a Mecca for uprooted and homeless Chinese, who make ends by collecting garbage and recyclables. These characters and their stories are the focus of the film. The central character in Street Life is a migrant known as “Black Skin.” Black Skin faces numerous pressures in the course of the film, including police violence. In the end, these pressures are too much for him to bear and he goes mad. Black Skin’s story intersects with those of fellow bottle collectors, enterprising thieves and even a young boy who has been abandoned.

In this vulnerable documentary, the filmmaker captures how their family resorts to spiritual interventions in an attempt to rid them of their queer identity. The grandmother believes they must be possessed by a ‘demon girl’ – the unborn girl their mother was forced to abort before she became pregnant with Hao. Undergoing prayers, therapies, treatments and ceremonies, Hao paints a wry portrait of these complex relationships with admirable clarity and compassion.

Spark was an underground publication that emerged in Gansu province in 1960, and was centered on the ongoing famine and the Great Leap Forward. Ultimately, 43 people, including the Rightist teachers and students who were connected with the publication, the peasants and the rural cadres who sympathized with them, were arrested and given long prison terms. Among them, three key figures were executed during the Cultural Revolution.

Between 2009 and 2015, Wen Hai followed the lives of workers and worker activists in southern China, the world’s factory. His astonishing film gives nameless workers a face, shows their vital sense of justice and resistance to owners who are only interested in profits – and how they escape the role of victim.

This movie explores the history, traditions and culture of Chinese New Year food.

Liu Xianhong, a Hebei peasant, contracted HIV from a routine hospital blood transfusion. This documentary is the story of her arduous but successful litigation against the hospital responsible. The film documents the fates of several families infected with HIV in the same manner, and reveals rural China's awakening social consciousness against the backdrop of the camaraderie, support, and love that the victims find in each other.

Eric is a young blindman who as always tried to fight for an independent life and better conditions. When the imagination is used as a wonderful tool to create images, we can discover more about us. "How you imagine the world determines how you live in it.”

The village in the mountains of China that the director has long made the subject of her camera. The traces of memories and landscapes that fade away before one’s eyes. An 85-year-old man is recounting the story of half of his life, while a young girl draws portraits of the village elderly.

My Father's Journey explores how an individual of 82 years of age built his own spiritual castle to protect himself and his precious culture against constant political upheavals and the assimilation of the dominant Chinese modern culture.

Documentary on the political topic of economic reform.

Set in a quasi-ghost town that once thrived with oil in China's arid northwest, Yumen is a haunting, fragmented tale of hungry souls, restless youth, a wandering artist and a lonely woman, all searching for human connection among the town's crumbling landscape. One part "ruin porn", one part "ghost story”, and entirely shot on 16mm, the film brings together performance art, narrative gesture, and social realism not only to play with convention and defy genre, but also to pay homage to a disappearing life-world and a fading medium.

The Yuanhai Migrants Children’s School, which serves children of migrant laborers in Beijing, is shut down by city officials for reasons never made clear. The students and teachers manage to continue class, first by sneaking into the shuttered campus, then moving inside a ruined factory, and even setting up class on the street. Following the personal journeys of students as they battle bureaucratic corruption for their right to learn, Cui exposes a crisis of social values in the wake of China’s economic reforms.

On the outskirts of Beijing, a group of Mongolians work in a stable owned by a wealthy Chinese businessman. Between the repetitive work and the hope of a return to their homeland, time seems to stand still. Yet behind the farm gates to the lands of Inner Mongolia, China continues to evolve at a rapid pace.

Mixing narrative, experimental, and vérité footage, director Yu Gu explores themes of exile, art, and family in this touching documentary. In the process, she discovers that the desire for freedom of speech is a force that unites three generations of her family.