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An aspiring filmmaker decides to study documentary filmmaking in Cuba, without knowing how to speak Spanish. During the course, she meets Ari, a nine-year-old girl who teaches her new words. Together, they discover a connection that goes beyond language.
For the first time, Esporte Clube Macapá will compete in the Copinha, the world’s largest under-20 football tournament. For young prospects from Amapá, the competition represents a rare chance to gain visibility. In Brazil’s Amazonian north, they are often overlooked — but in the Copinha, their matches will be broadcast nationwide, watched by scouts and agents connected to major clubs.
The feature film that brings together 12 shorts by youngsters of the suburbs of São Paulo, addressing issues such as the lack of work perspective, racism, right to housing and homophobia.
Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.
How to exist in a sexist and listening structure? Gabriela, Celma and Klicia, three deaf women with different realities, share their struggles and trajectories in the deaf feminist movement.
A view on the issues of misogyny, feminicide and how it affects and harms women around the world. The documentary presents the stories of real women who survived the abuse from their spouses, and a performance from three actresses who play the victims that didn't make it.
A panorama of the Brazilian black experience, starting with the figure of the semi-illiterate popular artist and employee of a salt mine Gabriel Joaquim dos Santos.
This allegorical docufiction provides the viewer with a lightly meditative and at the same time modern impression of the Christian holiday while paying witness to the transformation of the sacral space and the holiday's religious message. The film's anonymous protagonists from opposite sides of the world discuss the paths of their faith in this visually stylized and stylistically edited film.
Chronicles the life and career of Hugo Carvana, brazilian actor and filmmaker.
Mangue Beat, a musical and aesthetic movement which emerged in Pernambuco in the 1990s, transformed the visibility of the peripheries and cultural manifestations of the metropolitan area of Recife and placed the state on the map of the world music market with the launching of bands like Chico Science and Nação Zumbi and Mundo Livre S.A. The film experiments with the freedomn of thought of the Mangue using a plural language, which brings togther ideias and ideals, refleting the daring which resulted in the great symbol of the movement: a satellite dish planted in the mud of the estuaries - the Mangue.
Declared dead by accident, Iolanda Bambirra lives like a ghost between life and death in Belo Horizonte, Brazil, a town in ruins and with no trace of time.
The documentary tracks 19 hours of broadcasting from several brazilian TV channels making live surfing between channels. The result was edited latter.
How can a queer, androgynous Brazilian, son of a saint in Candomblé, an immigrant from Santo Amaro da Purificação in Europe, for 23 years bring together more than 60 thousand people dancing to the sounds of atabaques in the streets of Paris? This ritual, the Lavagem da Madeleine, which washes the steps of the French church, is intertwined with the life of his creator, the dancer from the Paradis Latin cabaret, Robertinho Chaves. In search of his identity in the Afro-Brazilian diaspora of Paris, he is about to cross the border of masculine and feminine, between the sacred and the profane.
Shots fired inside a club frequented by black Brazilians in the outskirts of Brasilia leave two men wounded. A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.
A cautionary tale for these times of democracy in crisis—the personal and political fuse to explore one of the most dramatic periods in Brazilian history. With unprecedented access to Presidents Dilma Rousseff and Lula da Silva, we witness their rise and fall and the tragically polarized nation that remains.
A symmetrically divided building: on one side, an important public hospital, on the other, a bewildering ruin. On the horizon, Rio de Janeiro, public health, education and Brazil’s aged modern project. Shot entirely in the monumental and only partially occupied modernist edifice of the University Hospital of UFRJ. A material metaphor of the Brazilian public sphere and its political maze. A synthesis architecturally expressed of the modernist utopia/dystopia.
Leci Brandão is a pioneer of socially conscious music in Brazil. A samba singer, communist party activist and the second black deputy elected in the history of the Legislative Assembly of São Paulo, she transformed her life into a fight for more diversity. As she herself says, "samba is Brazil's identity card". Several personalities reflect on the importance of Leci, at 80 years of age and with 50 years of career, in building a Brazil with less hate and more opportunities.
An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.
Three times a memory.
October 13th, 1977. Sport Club Corinthians Paulista hadn't won a major title in 22 years, 8 months, and 7 days. PLACAR magazine, launched in 1970, was in imminent danger of closing. Winning the Campeonato Paulista was crucial to the survival of both: the team with the second-largest fan base in Brazil and the longest-running sports magazine in Latin America.
Documentary about the people who came from all over Brazil to work in the construction of the city of Brasilia, their stories, and the abuse and humiliation they suffered in the process.
An european artist writes about his experience in portraying life in Brazil during the colonial period. Aporteiro – concierge and security guard in one – watches the surveillance cameras in a residential building, while reflecting on his profession and the relationship with his employers. Between the exotic idyll of front yards and deterrent technology, his task is to establish security and normality. Brazil’s troubled past and complicated present come together in this highly charged film.
Jão's show in São Paulo is divided into four acts that explore the elements of nature: earth, air, water and fire.
If football belongs to the people, why isn't everyone welcome in stadiums and lawns? "Camisa Proibida" shows the impact of homophobia on sport, starting with the choice of professional players not to wear the shirt 24.
"Impressões" rescues the history of the Brazilian press since 1808, when the "Correio Brasiliense" clandestinely reached Rio de Janeiro after being edited in London by Hipólito José da Costa, and spans until 1986. It's the first documentary to depict the history of the Brazilian journalistic press.
Reunion of four reportages made by production company "Olhar Eletrônico" between 1983 and 1986, in which an irreverent reporter, Ernesto Varela, a creation of actor/director Marcelo Tas, tackles some hot topics, such as money evasion in Brazil, gold-digging at Serra Pelada, the homeless in São Paulo and a love story spoof.
A documentary about the controversial businessman Henning Boilesen Jr. and his involvement with the military regime as one of its most enthusiastic supporters, financing it and participating in the tortures of political prisoners. Those actions later culminated in his assassination in 1971 by members of militant groups opposed to the regime.
Luis Fernando Verissimo watches the world around him bristle as he approaches his 80th birthday.
Antônio Tenório and the Brazilian Paralympic Team are invited to a rare training camp in Japan. Passing through the main temples of Judo, our visually impaired athletes face the many challenges of training in an unknown country. The encounter with their Japanese hosts generates strangeness and difficulties, but also discoveries and joys. Step by step, these situations strengthen our athletes, who find themselves increasingly united. Led by the charisma and sensitivity of champion Tenório, a new generation of judo is revealed and inspired.
Argentine filmmaker Andrés Habegger embarks on a deeply personal journey in this documentary, seeking to recover memories and information about his father, Norberto Habegger, a journalist and Montonero activist who disappeared in Brazil in 1978 during a joint operation between the Argentine and Brazilian military. Traveling to places that were part of his life and revisiting old photos and his childhood diaries, the director fills in the gaps in a family history that was interrupted.
A satirical documentary portraying KISS' visit to Brazil in 1983 during their tour celebrating 10 years of the band and the album Creatures of the Night. Centered on the historic Morumbi Stadium show in São Paulo, the film captures the vibrant spirit of 80s rock youth.
Filmed during Rogge’s stay in the United States between 1927 and 1928, the film moves through the streets of Hollywood, Los Angeles, aiming to reveal to Brazilian audiences the inner workings of the major studios, as well as famous actors and actresses, local culture, and curiosities. With the flavor of a cinematic newsreel, this nearly century-old “Paranaense” film reveals, behind its informative intertitles and peculiar portraits, the interest of businessman-turned-filmmaker Arthur Rogge in the development of a local film industry.
What is the future of cinema? In 1982, in Cannes, Wim Wenders invited many movie makers to answer this question. 26 years later, the question remains, but Wenders is now on the other side of the camera.
A tribute to the actor Leonardo Villar who, in his debut on the big screen, immortalized one of the most memorable characters in Brazilian cinema, Zé do Burro from the classic O Pagador de Promessas.
A musical documentary and tribute about "choro", an older style of playing that forms the foundation of all Brazilian composition, including samba and bossa nova.
Video dedicated to the celebration of the centenary of Edison Carneiro’s birth, one of the great exponents of folklore studies in Brazil, whose contribution remains present to this day, forming important documentary collections and influencing the institution’s mission.
The film gets into the underworld of crimes involving homophobia, soccer organized fans, and gangs in Sao Paulo city. It shows the team’s work routine of DECRADI, the only unit specialized in this field, as they search for people who have made hate speech into cruel murders.
During a series of travels and experiences, a young filmmaker records fragments of days marked by doubts, silences, and memories in formation. Between the impulse to record and the need to simply be present, the documentary follows a delicate search for belonging.
Hello, Hello, Terezinha! is a feature-length documentary about the country's biggest communication phenomenon. Politically incorrect, radical, renewing, Chacrinha changed Brazilian television forever and expressed a Brazil that was around it, but was not perceived. The film tells the great adventure of Abelardo Barbosa through the eyes of the presenter. It gathers the nuclei of its constellation - chacretes, fledglings and artists who passed through its programs - to identify their individualities and their emotions.
