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Filmmaker Christian Philibert takes a tongue-in-cheek look at his old hometown in this mock-documentary about a small French community and the people who live there. In Les 4 Saisons d'Espigoule, Philibert returns to the town where he grew up (and left when he was 25) to film the residents for a year. In addition to capturing Espigoule's annual Goat Rodeo and New Year's Eve costumes, the audience gets an inside look at the backbone of the local economy (sheep herding) and a night of big excitement (a bingo match). We also meet a few of the locals, who show off their talents (painting, classical piano, imitating Liza Minnelli). While scripted in advance by Philibert, the film was indeed shot in his hometown, and the "actors" playing the citizens of Espigoule actually do live there.

After leaving the psychiatric facility where they had been wrongfully confined, Katya and Yulia, two young Russian women whom I have been filming for many years, finally achieve independent lives. This newfound freedom, which they have fought so hard to attain, promises to make their dreams of a new future come true. But how can one be free and pursue their aspirations in today’s Russia?

On 13 January 1977, Henri Langlois died. For forty years, he had been the world's foremost film archivist, establishing the French Cinémathèque and its Museum of Cinema. Fourteen years later, on 13 January 1991, in the Montparnasse cemetery, his friends gathered to unveil his monument, a collage of photos on stone. The film records that day and includes testimonials from Marcel Carné, Samuel Fuller, and others, as well as archival footage of Langlois. At the dedication, they played a recording of Langlois' last interview: "[There can be] no compromise in art." Of Langlois Fuller says, "He was poetry."

Damien Degueldre recounts day after day the Battle of Qala-I-Jangi, as seen by his own eyes: a young French reporter in the middle of extraordinary circumstances. Damien Degueldre caught exclusive footage of the Mazar-el Sharif uprising where John Walker – better known as the ‘American Taliban’ – was captured as he fought on Taliban frontlines. An incredible testimony on the aftermath of 9/11 and the events that took place in Afghanistan in the early days of the War on Terror.

A journey upstream the Amazon river where Modernist constructions have been abandoned like the memories of an engulfed civilisation of the future. A science-fiction documentary evoking the colonization of nature, former utopias in the Latin America forests and their cohabitation with the present.

It is the 27th anniversary of Thomas Sankara's assassination. Children busy themselves in the piles of rubble, buffeted by the wind... They walk tirelessly in search of plastic bags, which they exchange with adults for a small wage. Once their work is done, they can become children again, laughing and playing, before another hard day's work begins.

After delivery of a parcel, on leaving a restaurant, hotel or train, or following an exchange with the customer service department of your telephone operator, the same request: to rate. On a scale from 0 to 10, embellished with colors, or by awarding pretty, playful little stars. A simple, mechanical and painless action for the rater. But behind this harmless gesture lies a brutal management system, operated directly by the customer, without their knowledge. Even more worrying: without knowing it, we are all being rated, to feed the algorithms of opaque companies that claim to be able to predict the future. The film questions this invasion of rating systems, and the consequences of this practice for our individual realities and collective freedoms.

After having walked the streets of Mellila, Malik, Mehdi, and Hassan now beat the cobblestones of Paris, discovering its lights and its chimeras, its joys and its violence...

A 100-second cinema trip with music and neon light.

The film starts by a visit to bucolic Normandy before the events. This peaceful atmosphere is shattered by Operation Overlord, minutely described in the second part of the documentary. The landing on D-Day and the ensuing battles and bombings martyr the peaceful area giving the earth thousands of body instead of seeds. In the last part, the dreadful aftermath of the steel storm is shown both with sympathy for the victims and hope for the future, since all these sacrifices, whether military or civilians, have not been in vain.

In Epinay-sur-Seine, in the neighborhood called « la Source », Ali’s grocery store is the only shop still in business of the decayed shopping center. It’s also the only place left for the forsaken inhabitants of the surrounding tower blocks to meet, a shelter where they can get together and exchange. This documentary film takes us into the everyday life of a small grocery store. As customers pass by, Ali, the charismatic shopkeeper, also part-time singer, is benevolently welcoming them. This moving and often amusing chronicle shows the importance of such a place, a small shop “around the corner”, in the middle of the Projects, where in spite of difficulties and poverty, people still share user-friendliness, laughter, human warmth.

A documentary that explores the life styles of various otakus in Japan. Various interviews are given to selected otakus who express how interesting it is to be an otaku as oppose to not being one at all. Along with various shots of various Japanese city landscapes and the inside of an average otaku home from rooms filled with videos, models, and the latest in technology.

A man in Leeper, Pennsylvania receives a package that he suspects is a bomb; enter America's oldest law enforcement service, the Postal Inspection Unit.

Christine Spengler's colorful personality contrasts with the darkness of her works. In an intimate setting, Philippe Vallois invites us to a dialogue with the artist about her life and work, on all fronts, from her childhood in Spain to her most striking portraits.

A hypnotic plunge into the evening horse-racing events at Vincennes. The highly charged energy of the young punters pervades everything in what is now a deserted venue.

The Iranian revolution leads to the Shah’s downfall and installation of the Islamic Republic. Avoiding the more sensational elements of the news this film questions Iranian society as a whole to try to understand what this wave of change means for the Muslim world.

Bertrand Tavernier talks about Losey's M.

Despite their children's reluctance, Radi and Mounira, a 65-year-old puppeteer couple, set off on tour between Israel and Palestine in their outdated van. They are exhausted from having to set up and take down the stage, from performing three shows in a row in front of hundreds of wild children under a burning sky. Lost in Jericho, frightened by the bombs falling near Majd Al Shams, destabilized by the Bedouin children of the Negev unable to determine their own identity, they no longer know if their mission is still relevant. Safeguarding the identity of their people through their shows, but at what cost? A quest for Palestinian identity.

In the second part of the trilogy on anxiety (in continuation of White Epilepsy), the only light source that reflects on the screen is the naked human body. Its surface, full of bones and muscles, flexes and vibrates in a frantic rhythm. The livelier the reflection, the deeper a viewer feels his/her mortality, as he recognizes between the convulsions the forces he/she cannot control.

The Mandrin Cave in southern France has been attracting the attention of archaeologists for 30 years. The cave was regularly occupied in prehistoric times, and a remarkable record of human habitation going back thousands of years has been preserved by its soils. In 2015, the remains of a Neanderthal were uncovered, and the archaeological evidence points to this individual, named Thorin, living in close proximity to newly arrived Homo sapiens. This documentary follows an international team of scientists as they discover and investigate precious relics of the Paleolithic period, resulting in groundbreaking revelations about the human populations of around 50,000 years ago as researchers uncover some of the secrets of the Mandrin Cave.

This film portrays the Quatuor Mosaïques from the first rehearsal of Beethoven's Quartet No. 14 opus 131 until the day of its premiere. Santiago's camera spies on the rehearsals and witnesses the meticulous analysis of the musicians deciphering the score. It is not a scholarly or virtuous film; is a passionate document about the perfectionism of technique

The Brussels Business is a docu-thriller that dives into the grey zone underneath European democracy. An expedition into the world of the 15,000 lobbyists in the EU-capital, of the PR-conglomerates, think tanks and their all embracing networks of power and their close ties to the political elites.

This short documentary revisits the 1976 Olympic Marathon. A modern-day addition to the Games, the marathon commemorates the soldier who ran cross-country, in 490 B.C., to announce the Greek victory at Marathon and then died. Here, great film footage of the 1976 Summer Olympics captures the physical demands of the race, while its emotional counterpart is related by Waldemar Cierpinski, the event’s 1976 gold medalist. This emotion-charged film proves that although the winner of the Decathlon is the best all-round athlete, the “toughest” is the winner of the Marathon

Composed of serious and funny musical scenes, an exploration of the virtues of translation and desire for communication between humans and birds. Told by a narrator from the future, after the sixth mass extinction, an observation of the attempts made to establish a possible exchange.

Eustache’s grandmother Odette Robert was a key figure in his life, serving as a substitute mother during much of his childhood (My Little Loves was dedicated to her). In 1971, he recorded an interview with her that went largely unseen until 2003—Eustache never screened the complete film publicly, although a radically truncated version was presented on television. In a string of long, stationary takes, the camera watches over Eustache’s shoulder while he pours countless glasses of whiskey and Odette tells the stories of her life. A number of her themes resonate with those of Eustache’s films: cruelty, male philandering, the Rosière festival of Pessac. Number Zero is a return to origins—of cinema and of the self—and an experiment in narration, both restrained and deeply personal.

After a painful break-up, Amsterdam-based researcher Noa is in mourning. She keeps dreaming about meeting her ex-lover Anna in the dunes by the sea, and about a mysterious glass hammer. When Noa tries to uncover the meaning of this object, she meets Saffron, a fellow lover of literature, poetry and theoretical research.

A documentary on women photographers in present-day Iran, exploring their motivations as well as the many obstacles they face along the way.

A film that comprises in itself a form of dance – rather than a film about dance; an encounter between film and dance – rather than a film about a dancer. A documentary exploring Kō Murobushi’s dance and inner worlds, with purely cinematic means.

In Russia, love, sex and family are personal matters. But increasingly, they are also political ones: Putin himself is a vocal proponent of patriarchy and large families. This is especially challenging for women, young people and the LGBTQIA community. Through a steady dose of propaganda, the state is attempting to reinforce outdated gender roles - in part, to combat the country's shrinking population. But the majority of Russian marriages fail. The most common causes include the husband's alcoholism, domestic violence or infidelity. Yet single mothers receive little support, protection, or even recognition from the state. The LGBTQIA community, or couples who do not fit into the "traditional" family model, face stigmatization and violence. But there are pockets of resistance. In Moscow, for example, a small group of young people is organizing a sexual revolution of sorts. Their goal? To break free of both the Christian Orthodox Church and the Russian state’s rigid dogmas.

Azerbaijan, Turkmenistan and Kazakhstan are dictatorial regimes that constantly violate the most basic rights of their citizens. However, thanks to a successful combination of soft power and corruption, they have been able to clean up their reputation and become trading partners of many Western countries, whose governments choose to ignore the long list of their notorious crimes.

Confined alone in Paris, a young woman talks about her experience of solitude: her lacks, her desires, her dreams, in a night that seems infinite.

Based on television news footage, a look-back at the 2005 riots in France, which erupted following the death of two teenagers being chased by the police.

For months filmmaker Thierry Knauff lived with the Cameroonian tribe, the Baka. This is his document of that time.

While AIDS may be one of the most feared diseases of modern times, there is still a degree of scientific debate over the subject of just how the disease originated, and how the first cases spread. Two filmmakers explore a controversial theory about the beginnings of the disease. Using interviews, newsreel footage, and documented research experiments, The Origin of AIDS examines how a combination of benevolence, careless lab procedures, and the need of a desperate few to cover their tracks could have led to one of the most serious pandemics of the 20th century.

Ibiza. Bodies on the sand, a warm wind, an eternal sunshine, the chatter of crickets. A child’s eye, a women’s voice. She’s calling her mom, recalling: « Maud, four years old, eczema on the face, knees, arms… »