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Special Works School

‘Special Works School’ was the codename used by the British War Office between 1917-1919 for a group of artists tasked with the job of ‘camoufleur’ - painters, textile artists, scenographers, designers, sculptors and scenic painters who were employed by the military to work specifically on developing camouflage technology. The artist, armed with the skill of rendering their surroundings with utmost acuity, was appointed to remove things from the realm of perception. Bambitchell’s ’Special Works School’ takes its name from this military unit to investigate the connections between artistic practice and surveillant technologies. With this video, the duo ask what an overtly aesthetic approach to surveillance can render visible, or invisible. By framing surveillance as an aesthetic practice, ‘Special Works School’ hones in on the psychic, embodied and material dimensions of surveillance - both from the position of the surveillor and the surveilled.

Special Works School

NR 2018
Shooting War

In a world where a photograph is worth a thousand words, we rely on photojournalists to bring us closer to the human side of wars and conflict. It's a job that has serious physical and psychological risks. In an effort to share their stories, the Globe and Mail has brought together several of the world's most renowned war photographers, including four-time Pulitzer Prize winner Carol Guzy and renowned Reuters photojournalist Goran Tomaševic. One by one, they tell of the moments that have shaped their work. But what happens when they leave their jobs to return home? With confronting honesty, the photographers describe their struggles to disengage from an all-consuming profession. Full of haunting and sometimes disturbing images, Shooting War pays homage to the people who sustain themselves through traumatic experiences to provide us with deeper insights into the agonies of the human race.

Shooting War

NR 2022
Inside the Hothouse 4

Inside Hothouse 4 takes an informal look into the personalities and frenzy behind the fourth iteration of the NFB Animation Hothouse. A hand-held-mini-doc, reflective of the youthful iconoclasm of the eight emerging filmmakers (6 Canadians and 2 Brazilians). The Hothouse filmmakers and their NFB collaborators offer candid and oftentimes pithy comments on the nature of auteur animation filmmaking, the place and role of the NFB in that world, and the excitement and fear of making a first professional film. This year's Inside Hothouse mini-doc includes the process of generating podcasts for the Hothouse 4 web site.

Inside the Hothouse 4

NR 2007
Jeppe on a Friday

Part travelogue, part urban allegory – and a fresh perspective on Jozi. Filmmakers Lalloo and Walsh, drawing on a rich tradition of city- centred direct cinema practitioners, bring together a team of women directors, and offer a curious record of life in urban Jozi that de-mystifies the oft-maligned metropolis. Shot over the course of a single day and along the length and breadth of Jeppe, we meet 5 charming characters. Familial love is behind Congolese restaurateur Arouna’s success, nostalgia binds Ravi to his dusty framing shop that has been in his family for over 3 decades, ambition drives JJ’s ruthless property development, tradition is at the heart of acapella singer Robert’s all male Zulu choir, and everyday philosophy gives urban recycler Vusi his momentum. In one day these characters reveal the city’s textures and breathe life into the decayed inner city neighborhood.

Jeppe on a Friday

NR 2013
Mexico Dead or Alive

A portrait of the country of Mexico, as seen through the eyes of Mario Rojas Alba, a physician and former member of Congress, who fled to Montreal as a political refugee after surviving a brutal physical assault. During a cautious trip home, he guides us through the workings of political repression and violence in Mexico. The resulting film reveals the darker side of this vast country which became our official trading partner in 1994 under NAFTA (the North American Free Trade Agreement), an accord criticized by a great many Mexicans, especially the indigenous people of Chiapas, who rose in revolt, demanding a more just and democratic society. On the Day of the Dead, families and friends remember those who have "disappeared"; widows lay flowers on the graves of husbands slain for opposing the ruling party. By their side, Alba reaffirms his commitment to a peaceful transition toward true democracy.

Mexico Dead or Alive

9.0 1996
Family: A Loving Look at CBC Radio

Family offers a candid look at CBC Radio in action and the unique cast of characters who make up Canada's coast-to-coast radio family. The film brings home the enormous complexity of producing across six time zones, with the mandate to deliver quality programs, often live, throughout the country. Accomplished filmmaker Donald Brittain was able to capture critical moments of live radio in progress and documents the history and development of CBC Radio.

Family: A Loving Look at CBC Radio

9.0 1991
The First Indigenous Female Pornographer

A mockumentary that blends and bends archival, pornography, re-enactments, and the only existing interview with Audrey Little-breast, “the first Indigenous female pornographer,” as she refuses to be labelled or represented as anything but herself. She is interviewed about her notorious pornography that exploits settler desire of “Imaginary Indians”. The film is a comedy that playfully engages the subjects of Indigenous identity, the politics of recognition, the “playing Indian” phenomenon, and Canada’s hottest piece of tail - The Beaver. We are invited to ponder how deeply historical and contemporary settler-indigenous relations impact our sexuality.

The First Indigenous Female Pornographer

NR 2025
Unakuluk, Dear Little One

Rooted in tradition, adoption is a reality that all Inuit families have experienced. In Inuit culture, adopting a child from a relative, friend or acquaintance is a common practice. Marie-Hélène Cousineau, the adoptive mother of Alexandre Apak, lived in Igloolik, a small island southwest of Baffin Island in the Arctic, for many years. This documentary, which she directed in collaboration with Mary Kunuk (an old friend and colleague), explores Inuit family relations through the personal histories of women who have experienced adoption in one way or another. In a parallel thread, the film documents the creation of an intricate felt wall-hanging that depicts key moments from their lives. All skilled seamstresses, these women of Igloolik use fabric to draw, cut, and embroider their personal life stories – an intimate portrait of family ties and a vibrant illustration of the role adoption has always played in Inuit culture

Unakuluk, Dear Little One

NR 2005
Loved by All: The Story of Apa Sherpa

Apa Sherpa has climbed Mount Everest 21 times, more than any other human. But he wouldn’t wish this upon anybody. Having grown up in the remote Khumbu region of Nepal, Apa was forced to leave school and work as a porter at the age of 12. His dreams of being a doctor forever lost. It is a story all too common for the Sherpa people of Nepal, a story Apa aims to change with his work at the Apa Sherpa Foundation. In this visually stunning short documentary, we follow young Pemba Sherpa, a young child who must walk six hours a day to attend school. Pemba’s story is a present day reflection of Apa’s past, one where the draw of being a high altitude porter conflicts with the dreams of Nepal’s rural people, dreams made possible only through education and knowledge.

Loved by All: The Story of Apa Sherpa

8.5 2017