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Anonymous Artists of America

While touring the U.S. in a brightly painted school bus, the psychedelic rock collective Anonymous Artists of America stops to hold a performance at an alma mater, the University of Chicago. Inspired by LSD, the group once opened for the Grateful Dead and played at Ken Kesey’s infamous Acid Test Graduation. The band also featured one of the first analog synthesizers designed by Don Buchla. Kartemquin's Gordon Quinn is behind the camera, and in the audience are Jerry Temaner and his family. (Kartemquin)

Anonymous Artists of America

NR 1970
Jean Carignan, Fiddler

Man of the people, taxi driver, Jean Carignan is above all else one of the world's greatest violinists. In his hands reels become complex, intelligent creations, played with a virtuosity worthy of Paganni, and which continue the traditions of a genre passed on orally. A genre which has retained its popularity, and whose giants include Skinner, Coleman, Allard. Jean Carignan tackles their repertoire, as well as reaping the harvest of his exploration of Irish and Scottish musical traditions, which has made of him an internationally renowned specialist in Celtic music. This film is also a love story between an impoverished child and his violin, and provide a unique window into a remarkable era.

Jean Carignan, Fiddler

8.0 1975
Teddy

Teddy narrates a snapshot of his life in Watts, California in 1971. He describes his relationship to religion, education, and radical politics, as well as his family and social life, against a backdrop of his neighborhood. He talks candidly about the War in Vietnam, the devaluation of education for Black young people, and the recent raid on the Black Panther Party Headquarters, with a clear-eyed sense of injustice. Social Seminar Film produced by the University of California at Los Angeles Extension Media Center for the National Institute of Mental Health. Preserved by the A/V Geeks from the Prelinger Archives.

Teddy

NR 1971
At Folsom Prison with Dr. Timothy Leary

At Folsom Prison with Dr. Timothy Leary is an extraordinary counterculture document, filmed during Leary’s incarceration there. Under 30 minutes in length, this 1973 film shows Leary at his most engaging and personable. It’s a testament to his considerable charm that he was able to pull off such a performance, considering that the prison warden and other officials were sitting across the room listening as this was filmed. Leary discusses his jailbreak (intimating that the daughter of a United States senator he refuses to name helped him), the revolution in consciousness and drugs, Eldridge Cleaver and what it feels like to be an imprisoned philosopher.

At Folsom Prison with Dr. Timothy Leary

5.2 1973
Soji-ji

Soji-ji (1979) is a video work documenting a chant recitation at a Zen temple. The chant recited by many monks does not proceed in unison like group singing. Each monk recites in sync with his breath, so that the intake of breath occurs at different moments. That is to say, each monk articulates the chant differently. Since there is no unified division, when the multiple chants overlap, an endless wave of chant (sutra) appears as a collective density or modality (at the same time, each monk’s steps form a totally different rhythm from the individual chants).

Soji-ji

NR 1979
Where the North Begins

“Where the North Begins” was one of the 4 original regional portrait films commissioned for the first season of Ontario Place (the others being "North of Superior" (IMAX), "Seasons in the Mind" (70mm), and "Home By The Waters" (35mm anamorphic). The film was directed by David MacKay who was the producer for "A Place to Stand" and then directed "Ontario-oh!". Although "Where The North Begins" was commissioned by the Ontario government, Dave's subversive and wicked sense of irony does come shining through, as does his heartfelt beliefs.

Where the North Begins

7.0 1971