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The Lacosse family goes on a roadtrip to Rockglen, SK.

Home movies shot on Nauru in 1973.

À qui appartient ce gage? (1973) is a powerful documentary from Quebec that explores the urgent social issue of state-run daycare and parental responsibility.

This documentary examines the meanings of peace movements, from a socialist-feminist perspective. Beginning with civil disobedience actions at Litton Systems Canada in Toronto, supplier of parts for cruise missiles, and expanding into just wars in Latin America, major feminist organizers in Toronto like Mariana Valverde and Carmencita Hernandez ponder the rise in militarism in the Mulroney-Reagan era. The film tries to make connections between Canadian and U.S. participation in the arms race, and liberation struggles in the global south.

Take a look back at all the highs and lows of the 2024-25 Montreal Canadiens season, complete with exclusive, never-before-seen footage.

Emerging from the multiple perspectives of this film, a memory of a neighbourhood is recreated which tells of the fragility of working class habitats residents and workers from southwest Montréal recount its tragic history: The immigration and settling of the Irish in the 19th century the expropriation of Griffintown the destruction of Goose village. The industrial decline of Pointe-Saint-Charles and surroundings.

From ancient cave paintings to Twitter feeds and deep fakes, propaganda's rapid progression hasn't compromised its potency. Tracing its effective use by religious figures, politicians and marketers, director Larry Weinstein crafts a persuasive study of the mechanics behind propaganda. This fascinating investigation confronts us with timely questions: If we grow up surrounded by propaganda, how do we know what is true? What risks are inherited by a society tricked into their perceptions? Freedom of speech is critical to a democracy's survival, yet demagogues have consistently exploited that freedom to coerce willing supporters. Contemporary artists, including Kent Monkman, Shepard Fairey and Ai Weiwei, analyze their politically motivated work, creatively co-opting the conventions of disinformation that have permeated their respective cultures. As our platforms for spreading ideas continue to expand in a digital age, dangerous lies have never been better disguised.

In Colombia's La Guajira desert, three Wayuu guardians fight corporate powers exploiting their ancestral land, as green energy projects and a vital reservoir serve everyone but them.

Following a psychologist specializing in conflict-related trauma, Unspoken Tears pays tribute to the admirable resilience and survival strategies of these “small adults,” whose spirit the bombs and camps have not completely crushed, at a time when it is vital to raise awareness in Western societies of migration-related issues and children’s rights.

Something of a formal and thematic template for his subsequent work, Frank Cole’s first short film brings a terrifying mixture of intimacy and distance to bear on his aging grandparents.

The director Félix Lamarche questions our relationship with the St. Lawrence River during the winter. Aboard the Amundsen, a Canadian coast guard icebreaker, we follow passionate scientists who explore the mysteries of an inaccessible nature. Combining the landscapes of the ice floe and the invisible movements of underwater life, the film takes us on a documentary journey to the heart of this still little known river.

Oscar-winning documentary filmmaker John Zaritsky returns to the story that has fascinated and compelled him for years - thalidomide and it's effect on the survivors of "the worst drug disaster in history." In this, his third film on the subject, he reconnects with some of the thalidomide victims he originally profiled when they were young, and introduces us to some new people who have been active in the fight for justice. He also highlights some recently released information about German pharmaceutical giant Grünenthal, who aggressively marketed the drug, and are now selling it again under a different usage, but still with no compensation for those who's lives they affected so deeply. The indefatigable spirit of the extraordinary thalidomide victims is cast against the callousness disregard of the drug's manufacturers in a film that lays out the story from it's beginnings in the late 50s to the current state of affairs in the present day. —Philip Webley

A collection of unused visual and audio concepts from Patrick Richardson presented in the rough state they were abandoned in before becoming fully realized.

In 2011, Steve Matthews had a bright idea. With his kids completely hooked on snowboarding, he rallied a few friends and set out to build Yellowknife’s first and only rope tow. Without city permission or permits, Steve quietly went to work on the abandoned gravel mine on the outskirts of town, inadvertently creating the epicentre of snow-sliding in the Northwest Territories. This film tells the story of Bristol Pit - and the community that it's created - from the perspective of those who hand-built the pit and keep it running today.

Film is made out of gelatin that comes from horses. They’re waiting to be slaughtered, so that pictures can be made. Many years ago we learned the language of our masters. Though we couldn’t help wondering why so few of you bothered to learn ours. Three scenes featuring horses, remembering Jacinto. The first is a daytime forest haunting that winds up at a carousel, the second a rainy street in Portugal, the finale a nighttime vigil of fire and water.

The Smalls...er Whatever charts the highs and lows of Alberta rock cowboys The Smalls as they cross Canada and tour France and Belgium for the first time. Features European riot footage, backstage antics, studio recording footage from 1998's My Dear Little Angle, van breakdowns and band fights in France.

A feature documentary about a family defying erasure and preserving home away from home.

This documentary is a true tribute to the Percheron, the superb draft horse. We talk about its origins, its characteristic traits, its performance in competitions and its value on the farm or for the heavy draft service in the cities.

In 2015, Jaene turned 40. This lead them to become introspective about their unusual life history. From a childhood of severe abuse, neglect, psychiatric institutionalization and being in care, they grew to become a street involved sex worker by 20. They met Elder Isaac Day from Serpent River First Nations in the early 2000's. Through his teachings and ceremonies at Thunder Mountain, Jaene was able to turn their life around. This film is a narrative driven experimental self portrait of that journey.

Freedom Besieged is a feature-length documentary concerning the economic and political climate of Greece and specifically how such has impacted the development and psychology of the nation's youth. Treading fearlessly into what has been called a "humanitarian catastrophe", the film explores the pursuits of Greek youth living within the country's crisis. Freedom Besieged is an intimate portrait of a young Greek generation who serve as the focal point for the future of European youth today.

A travelogue along the scenic highways of Cape Breton Island—particularily along the Cabot Trail near Keltic Lodge.

A film record of M.E.T.E.I. (Medical Expedition to Easter Island), one of the most unusual scientific enquiries ever launched, headed by a McGill University research team. While the film is concerned mainly with the physical condition of Easter Islanders, it also provides glimpses of island activities, a village wedding, and the famous long-faced stone sculptures.

The Nishiyuu walkers made the trek from Whapmagoostui in Quebec to Ottawa, a 1,600-kilometre journey whose roots date back millennia. At the heart of legendary director Alanis Obomsawin’s latest short documentary, her 51st film in 50 years of filmmaking, is the idea of walking as activism, as well as a symbol of decolonization and an embrace of the traditional.

One hundred years ago. Banana workers went on strike in Colombia. A US-owned fruit company refused to negotiate. A massacre ensued. This is the story of how the Company and the Colombian military used a photograph to identify workers, and how the violence of December 1928 mutated into oblivion.

Toronto-based, award-winning dancer, teacher, and choreographer Joanna De Souza takes us through her journey as a non-South Asian dancer in the classical dance form of Kathak.

“Early in the morning on Thursday Feb 26, 1976, a young First Nations man named Eugene Lloyd Pelly was fatally stabbed in an apartment at 4272 Watson Street, east of Main near 28th. After escaping out a window Pelly collapsed in the middle of the road and, as snow fell, succumbed to his injuries. That same morning Jeanette Reinhardt noticed Pelly’s bloody body from her window. Paul Wong, whom she was living with at the time, shot a roll of 35mm film documenting the scene – first from their window, and later at roadside. The quiet violence of the scene captivated Wong, and together with collaborator Kenneth Fletcher, the two embarked on a project to research the crime in full detail." – Allison Collins & Michael Turner, Mainstreeters: Taking Advantage 1972-1982

"The Challenging Dance"—a lively short film that documents the first dancer of color in Les Grands Ballets Canadiens—tracks Vanesa G. R. Montoya as she mounts her first major solo piece. Conveying a sense of the intense work that goes into each dance production, the film also represents a new initiative highlighting filmmakers from Quebec’s immigrant community: for this first edition, the two laureates were directors Gabriela de Andrade and Alexandre Paskanoi.

Living in the shadow of Canadian sports legend Lionel Conacher (1900–1954), whose legacy spans five sports, is a daunting challenge for any relative. For great-grandchild Lionel IV, better known as Chas, that challenge extends beyond athletics into the realm of self-discovery. As a non-binary individual navigating identity in the 21st century, Chas explores both the weight of their family’s star-athlete lineage and the evolving landscape of queer identity in a documentary that bridges nostalgia with forward-looking reflection.

In sixteen chapters containing four and a half hours of materials, Tracks Across Sand offers a unique chance to travel to the edge of the Kalahari, to a struggle for indigenous rights, and into the heart of contemporary South Africa. Driven from their lands, forced into a life of destitution, and denied the right even to speak their own languages, the ‡Khomani San fight for their heritage. Culled from over 130 hours of video recorded between 1996 and 2010, Tracks presents a unique record of the ‡Khomani San, bringing together the story of Africa's first Bushman claim, from preparation through to ten years after the claim was granted. Seen through the eyes and told in the words of the ‡Khomani San themselves, this film chronicles the struggle for indigenous rights by a people who are defying a history that has attempted and failed to make them disappear.

Filmmaker Éli Laliberté explores Nitassinan, an Innu territory north of Sept-Îles. His camera follows Clément and Tekuanan. The first is a modern-day coureur des bois, the other returns to Nutshimit, his ancestral family territory.

Two Filipino couples in Canada as political refugees, the Ordonez and the Yuitungs, return to the Philippines of Cory Aquino.

André-Charles is a boxer. Sports changed his life. He hopes his journey will inspire others to regain their pride and hold their heads high when facing life’s adversities.

Five childhood friends, former top athletes, reunite after five years of college. Their one-week reunion slip into excessive alcohol, lucid self-reflection, and unconditional friendship.

The urban on-line dictionary defines queercore as “Gay-themed, underground, independent music; usually punk rock (Team Dresch, Pansy Division, The Butchies, The Need, etc.)”. See for yourself.

Released just a few years after her death, this forms a picture of who Janis was through interviews and performance clips.

A contemplative documentary on the life of bees and the repercussions of the climate crisis on their existence.

Documentary presenting the different stages of General de Gaulle's trip to Quebec in 1967, accompanied by extracts from his speeches.

This provocative documentary uncovers a lost chapter in Canadian military history: how the Armed Forces dealt with homosexual behaviour among soldiers, during and after World War II. More than 60 years later, a group of five veterans, barely adults when they enlisted, break the silence to talk about how homosexual behaviour "was even more unmentionable than cancer." Yet amidst the brutality of war, instances of sexual awakening among soldiers and officers were occuring. Initially, the Army overlooked it, but as the war advanced, they began to crack down: military tribunals, threats of imprisonment, discharge and public exposure. After the war, officers accused of homosexuality were discharged. Back home in Canada, reputations and careers were ruined. For the young men who had served their country with valour, this final chapter was often too much to bear. Based on the book Courting Homosexuals in the Military by Paul Jackson.

"Collective Unconsciousness: The Not Dead Yet Story" explores the annual Not Dead Yet festival that takes place in Toronto. This documentary dives into what makes the festival great and the impact it makes on the city's hardcore/punk scene. "Collective Unconsciousness: The Not Dead Yet Story" also features performances from bands that played in 2015, shot up close to give the viewer the feel that they are there. Features performances by S.H.I.T., V.C.R., Power Trip, Title Fight, Career Suicide and more alongside interviews with members of Dress Code, Title Fight, I.C.E. and more.

A fast-paced documentary about a second generation of punk rockers living in Toronto. It offers insight into this segment of culture by videotaping in the streets, bars, and homes of punks. Conversations are intercut with the music of the punk bands at the core of the scene.

See the ups and downs, talent and determination of the exceptional LeBlanc Family of New Brunswick. Guided by their father, three young sisters are preparing a trip to France to present their Acadian musical roots.

An experimental portrait of a place, Scotland. You are looking for something. What you find is something else. "Stravaig / Errance" (Gaelic for wandering) is techno tourism of a personal nature. Forrest visits a Scotland that only she may show us. The artist is an informed tourist with a curious eye. The viewer is lead, but there is no sense that the artist holds to a definitive way to see/record. Travelogues are referenced in "Stravaig," but their form is never embraced. This is not tourism, but memory and sense. Forrest looks beyond the architecture and must see sights of the place(s) to unearth an ethereal essence of space/time.

"Unarchive" juxtaposes the filmmaker's father's life with the political history of Chile – his birthplace – over the past century. It reflects on how we remember and how we forget, and the role of the camera in transcending the complex space in between.

This short documentary filmed in Pangnirtung features 2 elders reminiscing about the dances held in their community 50 years ago. One of the elders is master accordion player Simeonie Keenainak, and soon he's making toe-tapping music with his instrument. In this celebration of the pleasures of music and dance, Keenainak plays for the enjoyment of friends, family, and the community at large.

During the Feria of Nîmes, a bullfight is filmed from the perspective of the animal, relegating the matador and public to off-screen spectators. A ritual at the frontiers of mysticism, carried by the sacrificial figure of the bull, revealer of our humanity.

This short animated film is about Wop May, one of Canada's leading bush pilots in the 1920s.

What could a person gain by cycling across Canada? The cyclists on this trek know nothing about cycling. It is clear from the start that a lot of learning will take place throughout the seven-week journey this summer. The elements of wind, sun, spandex and road construction tame the wildest spirits on the team. Everyone has a wall to go through, but how badly does each one want to smash through it. Does the fear of what lies on the other side prevent someone from finishing the trip?