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Henry Moore: London 1940-42

A montage, using documentary material filmed during the war, shows the beginnings of an air attack and Londoners entering shelters. From the silent deserted streets, the film moves underground into the world of Henry Moore's shelter drawings. People sit along subway platforms, looking after their children, settling down for the night, sleeping in bunks and on the floor. Above ground London burns. Henry Moore used the eye of a sculptor in portraying the stolidity and enduring patience of a besieged people. This film brings together a unique series of drawings which are some of the most remarkable achievements of an artist during wartime. Eliminating all narration, it explores, on several metaphoric levels, the very nature of human consciousness and creativity.

Henry Moore: London 1940-42

NR 1963
Humit's Zoo

Humit, the kibbutz Dachshund dog, travels to Tel Aviv to see the animals in the zoo. She sees the animals in small cages, unlike the kibbutz monkey, who roams freely and plays with the children, or the pair of porcupines that the children feed with milk from a bowl, and the deer that was adopted and became the friend of the kibbutz’s lamb. There are also turtles, cats, chamalions, and a giant peacock moth in Humit’s kibbutz “zoo,” all of them free to go wherever they like, except for the golden hamster. Bedouins arrived with their herds in the area next to the kibbutz, and the kibbutz children went to watch a camel calf being born.

Humit's Zoo

NR 1961
I Am a Country

Produced for the NFB by Crawley Films Ltd. for the Canadian Department of Industry Trade and Commerce. This film provides a showcase for products manufactured in Canada, from aircraft designed for special duties, to pre-cast bathrooms that can be installed in one simple operation. There is heavy-duty machinery developed for the special needs of Canadian industry. There are women's fashions of universal appeal. All bear the 'Made in Canada' label and can be viewed in this film in colour and at close range.

I Am a Country

NR 1967
Hardcore

Filmed in Nevada's barren Black Rock Desert in July 1969, "Hard Core" opens with an establishing shot of an expansive blue sky immediately evoking the American West, which sets the scene for De Maria's innovative and experimental film. The work intercuts two differing cinematic approaches: one that explores the observational potential of the medium through wide-angle, 360-degree shots that pan over the changing desert landscape, and the other that appropriates familiar visual tropes taken from the Hollywood Western movie genre—such as pistols, Levi's jeans, boot spurs, and leather chaps—and implements them in a performance. The soundtrack is an edited compilation of two of De Maria's "drum compositions," "Cricket Music" (1964) and "Ocean Music" (1968), which creates a sense of anticipation for the viewer. In the last minute of the film, a series of unexpected events unfolds in rapid succession, producing a dramatic climax.

Hardcore

6.0 1969
Highways of Agony

An ultra-grim Highway Safety Films title, thanks to narration that’s even more dour than usual and a chilling musical score by Hungarian composer Zoltan Rozsnyai. This is not the TV series, "Emergency!" These are real people who are hurt. You not only get a glimpse of the gory results of accidents; you see emergency care before the paramedics came into vogue (1969). Miami rolled out the first paramedics that year while Los Angeles County (basis of "Emergency!), along with Portland, began providing street medicine.

Highways of Agony

9.0 1969
Crucero Bolognesi ¡Presente!

Formerly named HMS Ceylon (C-30), it was a British light cruiser that had served in World War II and the Korean War. As part of the Peruvian Navy, it participated in international exercises and relief operations for the populations affected by the 1970 Ancash earthquake. The ship was decommissioned on September 20, 1982, with the name Pontón Perú (UAI-113). Months earlier, the name "Coronel Bolognesi" had been assigned to a Friesland-class destroyer acquired from the Netherlands.

Crucero Bolognesi ¡Presente!

NR 1960
Mexico: The Land and the People

This film portrays the changes that are taking place in Mexico, including the growth of a middle class society which is developing as a result of education and industrial progress. It includes views which show Mexico as an old country with new ideas, striving to provide a better life for its people, pointing out the Indian village and primitive open-air markets within a few minutes' drive of a city with beautiful parks, fine theaters, and office buildings.

Mexico: The Land and the People

NR 1961
Acropolis of Athens

Educational documentary by Robiros Manthoulis, Fotis Mestheneou and Iraklis Papadakis, shot under the archaeological guidance of Yiannis Miliadis, Director of the Acropolis Museum, who is also the narrator. It is a wonderfully consistent mapping of the Acropolis space, in the objects, the spaces, the iconography, the connection with history and tradition. From the opening moments and the presentation of the complexity and specificity of the location of the Acropolis, and through the presentation of every impressive detail, but also of a wider artistic context, the film takes us on a journey through time connecting the centuries of glory of Athenian history with today, with the monument framed not only as the shining relic of an old civilization, but also in its current location, above a large, modern city.

Acropolis of Athens

NR 1960
A Boy and a Horse

Film about friendship between a boy and a horse. The boy and his horse love and trust each other and spend their time together running in the fields. But the boy's father decides to sell the horse because he can no longer financially justify keeping it. His son's tears won't make him change his mind. The horse is sold. After returning from school, the boy starts searching for the horse: he looks in the barn, in the yard, in the fields, even at a market. But it is all in vain. Finally, the boy finds the horse at a railway station, already inside a train wagon. A tractor driver meets the boy who is lonely and sad and shows understanding for his pain. A new friendship is born.

A Boy and a Horse

NR 1961
Your Heritage: The River Tyne

As the Cold War bristles with menace in the 60s, the youth at Kielder Workman’s Club celebrate free time with an American dance called the ‘Twist’. But it’s the Faustian pact with industry this brilliant travelogue focuses on first as it maps the path of the River Tyne. The sounds of heavy machinery and graft pitch us into Newcastle’s shipyards and collieries, whilst drugs spin off a machine called Bliss in Winthrop Laboratories’ production-slick war against pain.

Your Heritage: The River Tyne

NR 1962
The Pleasure is Mutual: How to Conduct Effective Picture Book Programs

This exceptional film covers the goals of picture book programs, general planning, specific criteria for selection of good books suitable for varying age levels, methods of preparing for the session, and the techniques of group control. All aspects of the subject from broad theory to precise details about technique are covered in this filmed record of story book sessions in day care centre and libraries in the New York region.

The Pleasure is Mutual: How to Conduct Effective Picture Book Programs

NR 1966
Rites et jeux : marionnettes d'orient et d'occident

Documentary directed by Philippe Genty, based on footage shot in various countries during his Alexander Expedition, carried out as part of UNESCO’s Major Project Orient–Occident. The film presents a variety of puppet styles, including Indonesian shadow puppets, puppets from northern India, masked theatre from Eastern Europe, rod puppets from Bucharest, experimental puppets from Poland, and Japanese bunraku. It also features puppets from Singapore, Laos, Malaysia, and the Bread and Puppet Theatre from Harlem. The film additionally includes short excerpts from the early Muppets by Bill Baird and Jim Henson.

Rites et jeux : marionnettes d'orient et d'occident

NR 1965