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The Champion On The Track: The Official Review Of The 1999 FIA Formula One World Championship

1999 saw Formula One celebrate 50 years as the worlds top motor racing series. The season was a classic and worthy of the title, the most open in years, producing six winners and four title contenders. The Championship again went down to the wire to the final race in Japan where Hakkinen (Mclaren) and Irvine (Ferrari) fought a psychological and tactical battle dividing the Drivers' and Constructors' Championship between them. A most unpredictable season produced truly dramatic racing. Eddie Irvines' maiden win in Melbourne, Ferraris' first one/two in Monaco, unforgettable racing in Canada and France, Stewarts' first win at the Nurburgring, Michael Schumachers' stunning return in Malaysia and of course, the thrilling showdown in Japan were just some of the highlights.

The Champion On The Track: The Official Review Of The 1999 FIA Formula One World Championship

NR 1999
The Danube Exodus

In this travelogue, Forgács documents the Jewish exodus from Slovakia just before the beginning of World War II. In two boats, a group of nine hundred Slovak, Austrian Jews tried to reach the Black Sea via the river Danube, in order to get to Palestine from there. Forgács based his film on the amateur films of Captain Nándor Andrásovits, the captain of one of the boats. He filmed his passengers while they prayed, slept and even got married. At the end of this journey, it is clear that the boat will not return empty: a reverse exodus takes place, this time of repatriating Bessarabian Germans, fleeing to the Third Reich because of the Soviet invasion of Bessarabia

The Danube Exodus

9.0 1998
Two-Way Mirror Cylinder Inside Cube and a Video Salon

This 1992 video highlights Dan Graham's installation Two-Way Mirror Cylinder Inside Cube and a Video Salon, originally created as part of the Rooftop Urban Park Project at the Dia Center for the Arts in 1991. The video documents and further explores Graham's investigations of the urban environment, from Abbe Laugier's theory of the Rustic Hut to Parisian shopping arcades, wintergardens, museums, Disneyland and corporate office buildings. For the Dia Center in New York City, Graham developed an environment, analogous to a small-scale urban park, which integrates aesthetic and utilitarian functions, and spatial and visual experiences, bringing the landscape into the roof and extending the roof into the landscape. Graham writes: "The pavilion structures are psychologically and socially self-reflective. There is a dialectic between the perception of oneself and other bodies perceiving themselves, making the spectator conscious of him or herself as a body.

Two-Way Mirror Cylinder Inside Cube and a Video Salon

NR 1992
... powinniście być wdzięczni Stalinowi

Russian Federation Duma deputy Omar O. Begov, when asked if Stalin can be put on the same level as Hitler, is offended. He says: Poland should be grateful to Stalin that it was separated from other countries, that it became independent. Truman, Churchill and others wanted to divide her like Germany. Stalin insisted that the Republic of Poland remain independent. Most Russians think similarly - if they think about it at all. Some, however, like historians from the Memorial Association, are uncovering the horrifying truth about the methodical, multi-stage extermination of Poles that began on Stalin's orders in 1934.

... powinniście być wdzięczni Stalinowi

NR 1999
Shotgun Freeway: Drives Through Lost L.A.

Before "L.A. Confidential", there was "Shotgun Freeway" -- the groundbreaking 1995 documentary about Los Angeles coming to grips with it's own history. Against a backdrop of never-before-seen archival footage, Shotgun Freeway presents a diverse group of "Angelinos" who guide the film through their own past as well as the city's. We get crime scribe James Ellroy reliving his youth as a burglar, Actor/writer Buck Henry's tour of Hollywood fakery, Jazzman Buddy Collette's trip down Central Avenue, Historian Mike Davis' tour of LA's eventual Armageddon, and writer Joan Didion's take on LA's own ephemerality. From the Beaches to the Valley, "Shotgun Freeway" will show you a Los Angeles you never knew existed.

Shotgun Freeway: Drives Through Lost L.A.

7.0 1995
Mezi světlem a tmou

In 1990, filmmaker Jan Špáta headed to the North Moravian border region to join photographer Jindřich Štreit. His social humanist black-and-white images of the most ordinary life situations were close to his heart and offered themselves as a means of bearing witness to the social and spiritual state of Czech society on the threshold of freedom. "By allowing myself to be carried away by the world of Štreit's photographs, it is, in terms of content, one of my most raw films", Špáta rightly says. Štreit recalls, "I showed him different settings, what he would be interested in, what he would like, and it is true that he had a very easy job in two ways. Firstly, because these people were used to being photographed, and secondly, I chose the most attractive settings and the most attractive people. I knew that they were photogenic and that these were carrying situations".

Mezi světlem a tmou

9.0 1991
Remember Africville

This short film depicts Africville, a small black settlement that lay within the city limits of Halifax, Nova Scotia. In the 1960s, the families there were uprooted and their homes demolished in the name of urban renewal and integration. More than 20 years later, the site of the community of Africville is a stark, under-utilized park. Former residents, their descendants and some of the decision-makers speak out and, with the help of archival photographs and films, tell the story of that painful relocation.

Remember Africville

7.0 1991
Silence

Silence is 11 minutes long but manages to pack 20 years of a little girl's experience. Using stark black and white animation and vivid colour animation, the story is told from a little girl's point of view. We follow the silences that were imposed on her first in Terezin (Theresienstadt) concentration camp and then in post-WWII Sweden, where her relatives don't ask any questions and don't permit them either. This is the true story of Tana, who has learned to keep silent and who finally, 50 years later, breaks her silence by narrating this short film. The film was adapted from a tone poem performed by Tana in Stockholm during an event commemorating the 50th anniversary of the end of the war.

Silence

10.0 1998
The Artists of Yuanmingyuan

In the years before 1995, young artists who pursued free creativity came from all over the country to Yuanmingyuan, in the western suburbs of Beijing. These people settled in the rental houses of the village farmers, and then ambitiously bought paint-stretched canvases to explore and create art. The biggest difficulty they face is to make up for the monthly rent to be paid to the landlord. Selling paintings is not their only means of survival; they would also rely on other crafts to maintain their lives. Their works were very different; they have a spirit of rebellion, and they do not conform to traditional aesthetics. This is what caused Sate officials to intervene. (Shot May–December 1995.)

The Artists of Yuanmingyuan

NR 1995
Jane: An Abortion Service

This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

Jane: An Abortion Service

3.3 1995
Predators of the Wild: Lion

Shot on location in the famed Etosha Basin of Namibia in southern Africa, this video examines the habitat and habits of the lion, a regal-looking big cat that lives in groups called "prides." The program is part of a multi-volume Time Warner series that markets the ferocious, killing aspects of various wild animals. As a predator, the lion has a broad range of prey to choose from. The Etosha Basin is home to elephant, zebras, giraffe, wildebeests, eland, kudu, springbok, and black-faced impala.

Predators of the Wild: Lion

NR 1992