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The Moments We Lived

After working as a reporter and an assistant at a radio station, Watanabe Yoshimitsu, former leader of the bosozoku gang Black Emperor, returned to his old stomping grounds and began to make a film about bosozoku. At the time, he was 21. The teenage members of the bosozoku group, also known as " Thunder " would get into their revamped motorbikes and cars and race around the city. With the police as their enemies, they ran from patrol cars and did other defiant acts. They would put on outlandish clothing and, as a result of fights with rival groups, were very loyal to other members of their own gang. Every Saturday, they would cruise around, vanish and reappear throughout the entire night with no particular goal. However on 1 December 1978, because of provisions in the new highway transport law, the end was at hand for their " season of running wild. " The film shows them simply continuing to run wild on this last night before the law is to take effect.

The Moments We Lived

NR 1982
Kantor

To say of Kantor that he is among Poland's most outstanding artists of the second half of the twentieth century is to say very little. Kantor is to Polish art what Joseph Beuys was to German art, what Andy Warhol was to American art. He created a unique strain of theatre, was an active participant in the revolutions of the neo-avant-garde, a highly original theoretician, an innovator strongly grounded in tradition, an anti-painterly painter, a happener-heretic, and an ironic conceptualist. These are only a few of his many incarnations. Apart from that, Kantor was an untiring animator of artistic life in post-war Poland, one could even say, one of its chief motivating forces. His greatness derives not so much from his oeuvre, as from Kantor himself in his entirety, as a kind of Gesamtkunstwerk that consists of his art, his theory, and his life.

Kantor

NR 1985
Paradise is Not for Sale

Documentary about transgendered people. The film alternates between musical performances and personal stories. Hanne Rasmussen, formerly called Hans, faces stigma and still has to dress in men's clothes when he sees his family. With old letters and archive clips, Ellen Bækgaard talks about historical figures such as Lili Elbe and Magnus Hirchsfeld. American Christine Jørgensen shares the story of her life and the attention she received when she went to Denmark in the 1950s to have sex reassignment surgery. And Thomas Holck, who was formerly called Lis, talks about his innermost thoughts and the 15 years it took to achieve stability in his new gender.

Paradise is Not for Sale

NR 1985
The Sky on Location

A personal meditation on the landscape of the American West that tracks the ruling conception in nature in the 19th and 20th centuries from the pioneers through the instamatic tourists, at the same time that it obsessively follows the four seasons. The elemental vicissitudes of the weather, the exact moment of the day, the colour of the light and the soil and the trees form an acute visual record of the constantly changing mood of the landscape. The film successfully attempts, with quiet, passionate, almost single-minded firmness, to confront us as nakedly as possible with our cultural inability to see nature whole, without preconceptions.

The Sky on Location

7.0 1983
Orangemond

An intensive interview with the young protagonist Rainer about his non-conformist life is combined with scenes from his everyday life. The documentary fiction Orangemond by Gabriele Denecke was created in 1979/80 as part of her master's student studies with Frank Beyer at what was then the GDR University of Film and Television in Potsdam-Babelsberg. The film was not completed. After viewing the raw material, the university decided that there would be no editing for the film. Eventually Gabriele Denecke was only able to put the film together in the sequence of scenes.

Orangemond

NR 1980
The Contour Connection

As part of a geography course, students learn to do topographical surveys. A stroll at the Champlain lookout, in the Outaouais region, will allow them to familiarize themselves with the different methods in use from Samuel de Champlain to the present day. Finally, a visit to the Directorate of Energy, Mines and Resources Canada, in Ottawa, will introduce them to a new device capable of automatically drawing contour lines. This film describes this new technique of digital mapping and gives us an overview of the progress it brings in this field.

The Contour Connection

10.0 1983
Steve Lacy: Lift the Bandstand

The accomplished soprano saxist details his life and musical adventures with the likes of Cecil Taylor, and performs with his band. Includes interviews and footage of a concert at New Jazz at the Public Theater, New York City, New York, on October 29, 1983. "Lacy shows how jazz continually becomes world music... That makes for a video that gives more and more, a real investment" Kevin Lynch, DOWNBEAT "This is one of the better jazz documentaries. The virtuosic soprano saxophonist talks about his entire career... and performs with his group" Scott Yanow, AMG

Steve Lacy: Lift the Bandstand

NR 1985
Box of Treasures

In 1921 the Kwakiut'l people of Alert Bay, British Columbia, held their last secret potlatch. In 1980 at Alert Bay, the U'mista Cultural Centre (U'mista means "something of great value that has come back") opened its doors to receive and house the cultural treasures which were seized decades earlier and only then returned to the people. The center also took up activities such as recording stories told by elders so that some part of the past would always be alive and teaching children about their heritage in order to make them feel connected to their ancestors. This film documents the cultural significance of these events for today's Kwakiut'l people. It is an eloquent testimony to the persistence and complexity of Kwakiut'l society and to the struggle for redefining cultural identity for them.

Box of Treasures

9.0 1983
You Will All Come to Me Here

"What is the policy of burying particularly distinguished people?" – asks the manager of the municipal cemetery. "First of all, you have to be guided by the honest attitude of a party member" - he replies after a moment. These and other similar "reflections on the passing of time" give an answer to how one should have lived in the communist system in order to deserve a burial place in the alley of the distinguished (or at least in the alley of the "meritorious").

You Will All Come to Me Here

NR 1981
Trilogy for One Man

The most legendary 'sequence' ever achieved by a mountaineer: on 12 and 13 March 1987, in 40 hours, 26-year-old Christophe Profit managed to climb three of the highest north faces in the Alps, in winter: Grandes Jorasses, Eiger, and Matterhorn. But over and above this 'coverage' of the feat, we discover the wings, the story behind the project, the peaks and troughs of the preparations for it, and the personality of the man behind the climbs, a dancer on sheer rock faces, focusing all the energy and reflexes of life itself in his fingertips.

Trilogy for One Man

10.0 1987