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Bosch Treasures

Summary:The Flemish painter Heironymus Bosch (1450-1515) remains one of the most puzzling and enigmatic artists of all time. In this film we see two of his major triptychs, The Haywain and The Garden of Earthly Delights, in detail which only adds to Bosch's mystery. The Flemish painter Hieronymus Bosch (1450-1515) remains one of the most puzzling and enigmatic artists of all time. In this film we see two of his triptychs, THE HAYWAIN and THE GARDEN OF EARTHLY DELIGHTS in detail which only adds to Bosch’s mystery. (TREASURES FROM THE EL PRADO series).

Bosch Treasures

NR 1970
Sénégal an XVI

Newsreel of Senegal’s 16th anniversary Independence celebrations. At the Demba-Diop stadium, tens of thousands of people watch the show inspired by President Senghor’s recent trip to North Korea. Also footage of military parade, sporting initiatives and closing ceremony at the Presidential Palace. News from the world: visit to the Elysée Palace by Ivorian President Félix Houphouët-Boigny to discuss the role of Europe, but also the interference of the Soviet Union and the United States in the development of the African continent. Meeting with French Prime Minister Jacques Chirac. French patent for an anti-meningitis vaccine to combat an epidemic in Brazil.

Sénégal an XVI

NR 1976
If It Fits

The once thriving industrial town of Haverhill, Massachusetts on the Merrimack River now resembles, in the words of one of the film's subjects, "a ghost town where you expect to see tumbleweeds come rolling down Main Street." This film examines a dying industrial town and its politicians' search for votes over such issues as municipal spending, rising taxes, the revitalization of depressed areas, and attracting new industry. The film's central event is the 1976 Mayoral election. Election scenes are intercut with comments from Haverhill residents, members of a local foundation, political scientist Frances Fox Piven, the president of the local union, and the shoe manufacturers themselves. The oral history which surrounds the election footage is a reservoir of information about Haverhill's present condition as well as its past.

If It Fits

NR 1978
Bekim Fehmiu Visits Albania

Albania and neighboring Yugoslavia officially broke ties in 1948. But in 1971, the Hoxha regime was honored to welcome the ethnic Albanian actor Bekim Fehmiu (1936-2010), at the time an international star in Yugoslav theater and film. Before his trip to Albania, Fehmiu had appeared in the popular Italian television smash The Odyssey (1968) and the Cannes-winning I Even Met Happy Gypsies (1967). Dokufest will also feature a photo exhibit of recently-discovered still images taken during Bekim Fehmiu’s Albanian visit.

Bekim Fehmiu Visits Albania

9.0 1972
Nam June Paik: Edited for Television

Produced for public television station WNET/Thirteen in New York, Nam June Paik: Edited for Television is a provocative portrait of the artist, his work and philosophies. This fascinating document features an interview of Paik by art critic Calvin Tompkins (who wrote a New Yorker profile of the artist in 1975) and ironic commentary by host Russell Connor. Taped in his Soho loft, with the multi-monitor piece Fish Flies on Sky suspended from the ceiling, Paik elliptically addresses his art and philosophies in the context of Dada, Fluxus, the Zen Koan, John Cage, Minimal art, information overload and technology.

Nam June Paik: Edited for Television

NR 1975
Algeria 1954, The Revolt Of A Colonized

This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.

Algeria 1954, The Revolt Of A Colonized

10.0 1974
Participation

This period compilation of documentaries shot with a Portapak camera from the early era of video experimentation offers an immediate view of the independent New York art scene (concerts and theater perfomances on the streets and in the clubs of downtown). It is a sort of summary of Steina and Woody Vasulka's first creative period, a period of fascination with the more bizarre aspects of "new American decadence". Thanks to the video camera and its revolutionary implications, the creators were able to penetrate into spheres where the documentarians of more classical media were neither allowed nor interested to enter, thereby helping to expand the ideas of documentary possibilities. Steina has remarked that she learned the craft of camerawork as documentarian thanks to these celebratory, countercultural scenes of the "sexual avant-garde"-- Participation also features a pulsing light show projection at the Fillmore East, and a scene from Off-Broadway drag theater.

Participation

NR 1971
Big Tip/Back Up/Shout Out

Lynda Benglis was a visiting artist at CalArts in 1973 when she encouraged then-student Susan Mogul to explore video as a medium. "Big Tip/Back Up/Shout Out" is a direct monologue to the camera about the economic impossibilities of being an artist, especially as a woman. “Her extroversion is so extreme that her story leaps from the vacuum around her, over the camera and off the screen entirely.” —Artforum, from a review after the premiere of this video at Anthology Film Archives in 1976, as part of a program curated by Shigeko Kubota.

Big Tip/Back Up/Shout Out

NR 1976
VD Questions and VD Answers

Addresses the epidemic of venereal diseases (VD), specifically gonorrhea and syphilis, emphasizing the importance of awareness, prevention, and treatment. It dispels common myths about how these diseases are transmitted and highlights the serious consequences of untreated infections. The film urges individuals to seek medical help promptly if they suspect they have VD, as both diseases can be easily cured but can lead to severe health complications if left untreated. It also stresses that anyone can be affected, regardless of their background, and encourages open communication about sexual health.

VD Questions and VD Answers

NR 1972