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Pour vous servir

1976: a university hospital in Brussels. Old women gather in a common room. Sick? Perhaps. Lonely, above all. The film is also the perspective of a North African woman on other women, nurses and patients. The medical staff discuss their working conditions, and the filmmaker questions, challenges and bears witness to what she sees in this ‘death ward’. Another illness. Unclassified. A very malignant tumour. A tumour that proliferates in a society ‘proud’ of its social security system but which creates a ghetto of the unproductive, the ‘left behind’, the elderly who hurt themselves by contemplating their loneliness in a hospital ward.

Pour vous servir

NR 1976
Tamara Chistyakova

A portrait of Tamara Dmitrievna Chistyakova, an outstanding seamstress who worked in the Leningrad association Pervomaiskaya Zarya and who was awarded the State Prize of the USSR in 1976. This is a story about the fate of a Leningrad girl who survived the Nazi siege of the city but lost her parents during the war. Brought up in a childen’s home, she acquired her profession at a vocational college and became renowned in the Soviet Union as the initiator of a competition for mastering complementary skills in the sewing industry.

Tamara Chistyakova

NR 1977
Virikuta

Virikuta is an astonishing documentary where we will have the opportunity to accompany a group of Huichol Indians in their annual pilgrimage to Virukuta hunting ritual peyote cactus that ingestion causes hallucinogenic effects. Before our eyes see a millennial pilgrimage, will accompany men, women and children in a community in its journey. The Huichol are a traditional people, who have a mature relationship with the natural elements that lead to ecstasy. This is a touching ritual, one of the live testimony deeper meaning in indigenous Mexican tradition

Virikuta

7.0 1976
Reality's Invisible

Fulton made the film during his brief time at Harvard, where he had been invited to teach by Robert Gardner, his friend and collaborator (Fulton would later serve as a cinematographer on Gardner’s 1981 documentary Deep Hearts, among others). Reality’s Invisible could be described as a portrait of the Carpenter Center, yet it is a portrait of an extremely idiosyncratic and distinctive sort. Fulton moves us through the concrete space of the Center’s Le Corbusier-designed building—the only structure by the architect in North America—but, more centrally, presents us footage of students making and discussing their work alongside figures like Gardner, theorist Rudolf Arnheim, artist Stan Vanderbeek, filmmaker Stan Brakhage, and graphic designer Toshi Katayama.

Reality's Invisible

5.9 1972
From the Notebook of...

Shot in Florence, the film draws on Leonardo da Vinci’s notebooks and Paul Valéry’s essay on da Vinci’s creative process to explore parallels between Renaissance space and the moving image. Beavers employs rapid pans and tilts along the city’s facades, interspersed with glimpses of his own face, linking camera movement to the filmmaker’s investigative gaze. The work marks a turning point in his practice, foregrounding presence and perception as central to his method. (Note: The film was re-edited and re-released in 1999.)

From the Notebook of...

6.3 1972
Genesis: Four Billion Years in the Making

The Great Valley in Africa - a crack of more than 6,500 kilometers in the earth's crust - is the result of the continental fracture that began about 20 million years ago. Volcanic eruptions, like the spectacular eruption of Hawaii's Kilauea volcano in Genesis, are the result of powerful tectonic processes that continually reshape the earth's surface. “From the first moment a supernova explodes in a burst of light and sound, Genesis audiences won't just have a front row seat to watch the creation of the world. The public will be immersed in the creation itself and will be fully aware that the creation is still going on” – Richmond, News-Leader. "Genesis attests that if the public is offered what it wants, it will break down its doors" -Minneapolis Star.

Genesis: Four Billion Years in the Making

NR 1978
The Slightest Gesture

Writer and pedagogue Fernand Deligny influenced a number of artists and French intellectuals. His work on autism influenced Deleuze and Guattari's theory of the rhizome. Francois Truffaut turned to his ideas to complete Les 400 Coups. Throughout the film Deligny plays with the possibilities of the camera to live and think closer to the human subject, offering with Le Moindre Geste a unique film to the world, one of most fascinating in French cinema. Situated [visually] between mountain western and integral neorealism, the film tells the story of two teenagers, escaped prisoners of an asylum, running away through the Cevennes.

The Slightest Gesture

7.0 1971