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Up Tight, L.A. Is Burning... Shit!

One of the most powerful, thought-provoking collage films produced during the New American Cinema Movement. Almost schizophrenic in its kaleidoscopic barrage of images, this film dynamically conveys the bewilderment, frustration, annoyance, and anger of the modern generation in a stream-of-consciousness audio-visual onslaught of superimpositions. Produced by one of the leaders of the San Francisco New American Cinema Movement and a top producer of light shows.

Up Tight, L.A. Is Burning... Shit!

NR 1965
Red Sea Journey

Commencing with scenes showing the busy port of Al-Mukalā, the capital of Hadhramaut region on the southern coast of Yemen, other architectural features include: the Qu’aiti Palace, built by Sultan Omer Bin Awadah Qu’aiti, the walled high-rise city of Shibam, which rises from the edge of Wadi Hadhramaut like Manhattan skyscrapers and the dramatic minaret of the Al Midhar Mosque at Tarim. In addition to the built architecture, the film also documents sites of archaeological interest along the coastline from the Gulf of Aden into the Red Sea, where a camp is established and the Tihama coastal region is examined between Yemen and Saudi Arabia. Aerial film of the people and places along the coastline are also captured, with private and RAF aircraft.

Red Sea Journey

NR 1967
Fire! Fire! At Last Something's Going On

Piwowski's documentary debut is a satirical reportage, referring to the poetics of the Czech school at the time. The starting point was an order from a film studio to join a project proposed by the Germans: what do teenagers in your country do on Saturday at 5 pm? Images from the lives of teenagers from Kętrzyn make up a contrasting slice of free time in a small town. Firemen maneuvering to start a fire outside working hours, bodybuilders training, choir rehearsal, dancing in Hitler's former headquarters...

Fire! Fire! At Last Something's Going On

8.0 1967
Beatričė

The entire life of singer Beatričė Grincevičiūtė is filled with music. The director sensitively and carefully creates a multifaceted portrait of the performer. In the film, she is both her own most demanding critic and a playful teacher to young children, who affectionately call her "Auntie Music." Surrounded not only by a group of friends, but also by admirers of her talent, she remains modest and simple, wanting as many people as possible to experience the beauty of music and her favorite songs. Only the subtle final shot reminds us that Beatričė experiences the world not with her eyes.

Beatričė

NR 1968
Volker Bradke

As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.

Volker Bradke

NR 1966
Speaking of Freight

When a business tycoon allows himself to be 'snared' into seeing some films in a railway traffic manager's office, there must be a reason for it. In this case, it's a particularly giant-sized transport problem. But before he's convinced that the railways can help him solve it, there is an atmosphere of battle in the room, and some interesting and unexpected facts are hurled about in the course of the argument. Made to promote the use of railways to transport raw materials and finished products.

Speaking of Freight

NR 1961