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Happy Berry is the name of a Bangkok boutique run by a group of trendy Thai youths, and is the nerve centre of this fly-on-the-wall documentary (the second in a trilogy entitled "Life and Love"). The camera catches the subjects indulging in all the (post) modern lifestyle trends: drugs, kinky sex, hip-hop, fashion, exhibitionism, narcissism. They are uninhibited, the kind of youth who break down barriers in a supposedly traditional and religious society, but perhaps that's just on the surface. Behind the upbeat tone is a probing examination of values and attitudes in modern youth relationships. Happiness may be deceptive but there's certainly a lot of fun in the Happy Berry.

This work has been long-awaited as a masterpiece which is not performed in public since it was staged 31 years ago in 1989. This valuable video will be recorded in full and will be released for the first time. The story of a seed that fell to one point on the stage, and a tree that grew bravely and dignifiedly there. Amid the sounds of Tomoe Shizune’s exquisitely beautiful Guitar piece, the dancers’ bodies overflow with life and love of nature.

The Ushiku immigration center near Tokyo mainly holds people seeking refuge in Japan. Using a hidden camera, award-winning filmmaker Thomas Ash interviewed inmates there from late 2019. His film publicly accuses Japan’s uncompromising refugee policy through one of the country's biggest human rights scandals. Ushiku has been making international headlines for years.

The work is constituted from video footage of scenery and encounters with locals in the coastal city of Rikuzentakata, which was devastated by the 2011 Tohoku earthquake and tsunami. The artists spent three years and eight months documenting the region, subsequently constructing their footage to create a narrative.

A film answering "eight questions about Minamata disease," produced for the October 1996 Minamata-Tokyo Exhibition

[Installation Art Decade Series-Crossing Huashan Wall (History, Ready-made Objects 1998) The Huashan Winery in Taipei City was designated as the first installation art exhibition of the Art and Cultural Special Zone. The background of abandoned factories and warehouses brings a special atmosphere to the film and is also fully utilized by artists.]

Luke, Jane and their one-year-old daughter Julia perform again in Jecheon market today. Luke sings and plays the keyboard while Jane gives out flyers taking care of Julia. The foreign adoptee Luke met Jane who is also a foreign adoptee when he came to Korea to find his biological parents. The journey to find his parents, as a stranger in his own unfamiliar country, isn’t really going well…​

A 1937 Japanese propaganda film planned by the Ministry of Education and Culture of Japan and directed by Fumio Kamei.

With the passing of Nakazawa Keiji in December 2012, Barefoot Gen’s Hiroshima now stands as the manga artist’s last message of peace to the world. Mr. Nakazawa recounts his life, from the aftermath of the atomic bombing up until the days he created his acclaimed manga series Barefoot Gen (Hadashi no Gen), by exploring sites of painful memories in Hiroshima. Through Mr. Nakazawa’s story, and his original art work, Barefoot Gen’s Hiroshima illuminates the nature of war and nuclear weapons, urging us not to repeat the past.

Shinya Tsukamoto recalls the development of his adaptation of 'Fires on the Plain' by Shohei Ooka

In the hilly city of Chongqing, a painter searches for the old apartment where he and his parents used to live. He asks local residents for directions, walks through narrow passages between buildings, and calls his 90-year-old mother for confirmation. But the city has changed beyond recognition. Behind the camera, his daughter documents his journey.

"Alone in Fukushima" is a feature film documentary about Naoto Matsumura who remained in the nuclear zone with animals in Fukushima.

The Muyu Middle School in Muyu, Qingchuan County, Sichuan, collapsed in the 512 Wenchuan earthquake, killing 286 students according to official statistics; but the actual death toll is not just that. The director Pan Jianlin, who has been in the area since the sixth day after the earthquake, uses interviews to contrast the different perspectives and statements of the students who escaped the disaster, the teachers who are afraid of taking responsibility, the parents who are desperate, the government officials who are hiding the facts to maintain the government's image, and the rescue workers who are on the run, creating a ridiculous tragedy that is like a Rashomon.

This is 8mm film footage documenting the Democratic National Funeral held for the late Lee Han-yeol on July 9, 1987. It was shot by Kim Si-cheon, a member of Dolbit, the Korea University Film Study Group, as part of the club’s activities. The material was never screened—even within the club—after it was filmed. It includes, among other scenes, a speech in front of Seoul City Hall by Lee In-young, who at the time served as chair of the Seoul Area College Student Representatives Council and president of the Korea University Student Union. A primary historical record of the funeral, captured from the perspective of a student participant.

A love letter from a man who has no future, no dreams, or even any ambition in life, until he encounters people, atmospheres, surroundings, and even the ghosts whose stories he listens to every night.

Since June 2023, another civil war between the government and the rebel forces has been raging on in Myanmar. Midi, the director who has been away for years, comes back to the port, where he waited for six months to obtain his first passport. His anxiety and people's suffering not only remain but even increase. Homeland has always stayed in his heart, but he can never return to it.

In one place, a replica of the Democracy Monument is being built. Meanwhile, the actual Democracy Monument on Ratchadamnoen road was rioting with protests demanding the reform of the monarchy.

Making of Nobuhiko Obayashi's TV Program in 1980 called 「いい旅チャレンジ20,000km清水港線・旅の表情』

One peaceful day for the farmers in the summer of 2009, the Korean government announced the master plan for the “4 Major Rivers Project.” The government suddenly announced that organic agriculture severly polluted the water. The 4 Major Rivers Project was a mega-sized national project by the LEE Myungbaek Administration to “renovate” the 4 major rivers in Korea to construct the Korean Peninsula Great Canal. The project constructs 16 dams in the rivers and expropriates farming lands and riverbeds to build bicycle roads and parks. The Paldang “Dumulmeori” organic farming area known as the hub of Korean organic farming was to be included as part of the 4 Rivers Project. This film is about the 40 Months of struggles by organic farmers against the 4 Major Rivers Project.

Umitori takes place in Shimokita Peninsula on the northern edge of the mainland, which was becoming a “nuclear energy peninsula”, undergoing tremendous development and serving as the home port for Mutsu, a nuclear­-powered ship. Focusing on the fishermen and their stories, Tsuchimoto and his crew made their subject matter the “theft of the sea” perpetrated by giant business conglomerates. While the fishermen of Minamata were obvious victims of the mercury­-poisoning tragedy, the fishermen in Shimokita were inadvertently becoming the permanent victims of another announced trag­edy. Tsuchimoto interviews the fishermen, especially focusing on a stage play actor and his boat­-owner family, establishing, as it became his practice, a complex reflection about the threat brought to small communities by the forces of “progress”.

In China’s remote Liangshan, three Yi “bimo” priests struggle with changing times. The feared “cursing” bimo, once invoked to harm or heal, has lost his calling under new bans. The “soul-calling” bimo, healer and mourner, bears private grief after four failed marriages before fathering an heir. And the “official” bimo—both priest and Party cadre—falls from power when he unlawfully rigs a village election. Tradition endures amid upheaval.

After a handful of groundbreaking films detailing the tragedy and suffering of the mercury-poisoned Japanese town of Minamata, documentary master Noriaki Tsuchimoto revisits the subject of Minamata through the eyes of the celebrated husband-and-wife painting duo Iri and Toshi Maruki. Tsuchimoto follows the Marukis from their quaint homestead studio, where they paint slews of ghastly, psychotropic mural panels depicting the effects of Minamata disease, to the streets of Minamata, where they meet and paint portraits of several victims of mercury poisoning.

In May 2006, the Ministry of Defense enforces a "move out" of Daechuri in order to make room for the expanding U.S. base. 'Protectors' who support the residents fighting against the action move into the village to help protect it. People who have lived different lives gather in the same space and try to build a new community in Daechuri. As the villagers make up their mind to move, they experience another kind of separation. The faces of so many people who strived to protect the community they dreamed of are reflected on the backs of those who set off for a new place to live their lives.

A promotional movie that was shown to Kirin Brewery factory visitors at the time. Japanese history and family memories intertwine with a musical interlude that introduces song-by-song the industrial brewing process by a cute "Beer Spirit".

Seung-Hoon comes down to Cheongju where his mother lives after his mother, Kim Han-Ok, suddenly collapsed from hypoglycemia one day, thinking that he does not know what will happen to his mother. Seung-Hoon is a director majoring in film and directing. I'm filming a documentary about Korea. But my father passed away, and my eldest brother passed away, so the only thing left in the family that can be said to be a big pillar is my mother. So now that I'm living with my mother, I'm also working on leaving her life as a peace story.

The third part in Wu Wenguang's Autobiography film series.

The film portrays two Lisu brothers aged 10 and 17 living in the Biluo Mountain where Nujiang River passes. After their father died, their mother remarried and settled at the foot of the mountain, leaving the boys to her mother and brother. There is no school on the mountain and kids spend their time shouldering the family chores. Even with the misfortune and hardship, simple happiness is never far from their life.

304 people drowned as the car ferry sank. Four fathers recall their memories of their children; high school students who were on their field trip. Professors, lawyers, journalists, an activist, a diver, and a politician explain why the system ultimately allowed the tragedy to occur. What is stopping the next tragedy? The world has turned upside down.

This movie (Executive Producer - KORE-EDA Hirokaz) looks at three beautiful islands, shaken by climate change: Tuvalu in the South Pacific, Venice in Italy, and Shishmaref in Alaska. The islands all have different climates and cultures, but the people all love their native lands. The film, which took three years to shoot, focuses on their daily lives. It portrays festivals that foster ties among the people, traditional crafts which have been passed on for generations, and peaceful lives by the water. They are all disappearing by climate change. When these people lose their homelands, their cultures and histories face death. Their lives in the midst of all the changes suggest where our future leads.

Major corporations and the financial industry are thought to be the case of growth in exports and also the dangers of the IMF. The realities of the '97 Asian Financial Crisis and the IMF bailout are looked into in detail. While the government-led economic growth was being replaced by a neo-liberalistic one represented by a ‘global standard,’ there was an expert bureaucratic body. Meanwhile, Korea’s first general trading company was turned into the 4th largest major corporation by Kim Woochoong, who criticized the government and pushed for greater focus on international exports. With the old order of Korean economics facing the new, the summer of ’99 tells the story of the ticking time bomb of Daewoo.

Suat-ah is a contrary and stubborn woman, One day, she suddenly left, and we lost her before we had time to say anything. Suat-ah is my mother. The son tried to reconstruct the documentary of his mother's memory figure in the non-existent reality, hoping that the memory and warmth of his mother could remain in this world.

In the past fifteen years, the Asian art market has exploded. Chinese collectors now spend more money in auction than Americans and Brits, while a new generation of Asian artists are reshaping the world’s artistic palate. My Dear Art depicts the wonders and absurdities of the Asian art market. From China, to Singapore to London, it profiles the artists, collectors, gallerists and experts who are changing the face of the art business forever and asks fundamental questions about the value and role of art in modern society.

China, as we know it today, would not exist without the Han Dynasty. About two millenniums ago, its emperors ruled for over 400 years, and yet, few visible remains of this period exist above ground. Underground, however, it's a different story. Join a team of archaeologists as they enter the royal tombs of three emperors spanning the reign of the Han Dynasty. By excavating these sites, they hope to further our knowledge of their wealth, their beliefs, their quest for immortality, and how their culture and philosophy shaped modern China.

A record of the stories of patients suffering from Minamata disease, 30 years after its discovery

In the year 2045, after the re-militarization of Japan, conflict erupts in Korea, and Japan is destroyed in the ensuing nuclear war. A survivor uses an old computer in the "zone" to produce a documentary from photographs, interviews and newsreels, reconstucting the last 100 years of Japanese history

The Hong Kong police have been accused of mishandling Yuen Long's attack on 21 July. Stephen Lo Wai-Chung, the Commissioner of Police, explained that the "delay" was due to insufficient manpower as the force was busy dealing with a protest in Hong Kong Island, as well as 3 cases of fight and 1 case of fire in the Yuen Long district. Hong Kong Connection's reporters have collected CCTV footage dated 21 July form different cameras along Fung Yau Street North, Yuen Long, and interviewed relevant persons, to reconstruct the attack's timeline and take a closer look at the police's arrangement during Yuen Long's "nightmare".

Documentary and concert film of sorts showing the Tokyo rock music scene in 1978, just as punk began to emerge. Featuring performances from bands Friction, Lizard, S-Ken, Suicide, SS, Pain, Mirrors, Mr. Kite, Speed and 8 1/2. The Stanglers also make an appearance.

A couple’s conversation unravels a film shaped by memory, where images and sounds reconstruct a past marked by state violence.

How are depression and anxiety among women in their 20s and 30s linked to the huge structure of discrimination? The film, which consists of four chapters and an epilogue, talks about mid-pregnancy and mental illness based on a private narrative, overlaps the experience of discrimination from other generations, and looks back on the boundaries that divide the parties and non-parties. Through the five stories, we want to find the possibility of connections that can counter discrimination and hatred.

“I have three tasks in my life: to dance, to teach dance, and to create dance,” says the pioneering Japanese performer Akiko Kanda in this intimate portrait of creativity and individuality, After seeing a Martha Graham performance in college, Kanda left her family behind in Japan and arrived in New York City, where she studied under the legendary Graham and became a principal dancer with the troupe. Following the wiry artist as she moves from practice floor to performance hall, and from the cramped single-room apartment she lives in to a trip home to see her aging mother, director Sumiko Haneda reveals a woman who has rebelled against traditional ideals of marriage and motherhood, and who nearly single-handedly brought modern dance to Japan-and kept it alive. “When I die,” Kanda tells the director, “I will be content if I can just say, ‘I danced.'”

Upon discovering her uncle's lost kung fu film, the filmmaker travels to Taiwan during Ghost Month to uncover his past.

Punk bands in Korea get invited to biggest hardcore punk festival in Tokyo. This movie shows how one of the loudest and most active punk bands in Asia live and deliver message very closely and pleasantly.

Naomi Kawase returns to the mountains of her feature film Suzaku and portraits the people that inspired the movie.

After missing the meeting with his friends, Qasem, an insomniac old Afghan man, roamed the city night, trying to find the stone he had seen with his friends on the mountain.

Kazumi Murose was designated a holder of Important Intangible Cultural Property for his maki-e art by the Japanese government in 2008. He followed in the footsteps of his father, urushi artist Shunji Murose, and studied under such modern urushi masters as Gonroku Matsuda and Yoshikuni Taguchi. They taught him to “learn from people,” “learn from objects,” and “learn from nature.” This advice became the basis of the processes Murose employs in the quest to produce works in new materials. In addition, he learns from traditional Japanese lacquerwork by conserving cultural works and incorporating their materials and techniques into his contemporary pieces. This film presents how Murose achieves this, his views on creating works, and how he shares and passes on the values of Japanese urushi work, both at home and abroad. It is a meticulous record of the method and spirit behind the creative endeavors of Kazumi Murose, an urushi artist living in the present day.

a documentary series created by Jia Zhangke, with 10 short films about 10 leading figures in various industries in China, exploring the stories of China's decade. Won the Gold Award at China Marketing Awards

Rather than following a narrative or covering large events, this documentary goes through the entire English alphabet with a different aspect of AKB48 being covered for each letter (eg. S for Shake Hands).