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203 Sprawiedliwych

A recollection of events that took place in the village of Michniów near Kielce during the Nazi occupation. A military police unit commanded by Meier carried out a pacification of Michniów in retaliation for the blowing up of a train carrying Germans. The film's shocking message is reinforced by its formal aspects. The villagers who managed to survive talk about the tragedy today in the form of a prayer, begging God to remember those who were murdered. They list their names, first names, and the circumstances in which they died - tortured, tormented, burned in a barn. "There were 203 of them, remember... So remember Meier... Find him, wherever he is hiding... and bring him to justice..." The mournfully black screen is only partially filled with shots of people praying and photos of the murdered.

203 Sprawiedliwych

NR 1985
Highway 40 West

"Highway 40 West" (1980/81) is the first of a series of documentaries by Hartmut Bitomsky (born 1942 in Bremen) which brought him international fame. Each of these films is dedicated to both, a specific and title-giving object and its historical-critical analysis. Such as in "Highway 40 West": For a time span of 169 minutes, the film shows Bitomsky’s emblematic US-road trip with a rented car on the eponymous road number 40, crossing the country from East to West. From early travel routes of the "Native Americans" to the trails of early colonizers, this street is loaded with American history - and with the present ruins of the American dream, which Bitomsky indulgingly captures on film. He himself appears as actor/author, conducting innumerable interviews, shooting the landscape, the diners and hotels - and his sonorous narrator’s voice reviews what is seen, and tries to understand and make it understandable.

Highway 40 West

9.0 1981
Stravinsky: Once at a Border...

This autobiographical film about the most important and influential composer of the 20th century includes documents, photographs and film never seen publicly before. Stravinsky's three surviving children talk about their father and there are contributions from the late Madame Vera Stravinsky, his music associate Robert Craft, Marie Rambert, Balanchine, Nadia Boulanger and many friends. Included in the film are important performances: Les Noces has never before been heard in this, its original form, and the choreography of Petrushka was specially recreated for the film by the Bolshoi and was not seen in this form since 1911. Finally, there is priceless film of Stravinsky himself in this unique film.

Stravinsky: Once at a Border...

NR 1982
Suzanne, Suzanne

This poignant documentary profiles a young black woman's struggle to confront the legacy of a physically abusive father and her headlong flight into drug abuse. Suzanne, after years of physical and psychological abuse, is compelled to understand her father's violence and her mother's passive complicity, who suffered at her husband's hands as well, as the keys to her own self-destruction. After years of silence, Suzanne and her mother are finally able to share their painful experiences with each other in an intensely moving moment of truth.

Suzanne, Suzanne

5.8 1982
Les camps du silence

Documentary film about the camps in the south of France, in which Spanish civil war refugees and the volunteers of the "international brigades", non-sedentary people and Alsatian and foreign Jews were interned from 1939 onwards. Under the Vichy regime, the camps were used to intern other criminalized population groups and French Jews, who were also deported from there to extermination camps. In a mosaic of artificially framed shots, formerly interned contemporary witnesses describe their own life stories. Director Mangiante not only sheds light on the history of the camps, but also the mechanisms of personal memory.

Les camps du silence

NR 1989
Snowonder

Grab your skis and discover the Snowonder of skiing. Join the likes of skiers like David Butterfield, Billy Campbell, Greg Athens, Dick Dorworth, John Harlan, Hal O’Leary, and many others as they show you the magic of snow and skiing around the globe. All across the U.S. up to Canada, down to Mexico, across the world to Austria and Switzerland, and back again to Chile, Warren Miller takes you on a journey that will make you say, “It’s snowonder people love skiing so much.”

Snowonder

7.0 1982
Les nuages américains

On 30 October 1967, Joseph Morder began a unique experiment in France: a diary filmed on Super 8. Les Nuages américains (journal filmé neuf) is one of the episodes of the filmed diary that Joseph allowed himself to show to the public. The story of this film is that of a trip the filmmaker made to the United States in 1982. But like all of Joseph Morder's diaries, it is first and foremost a poetic interior journey, a journey into the author's stream of consciousness...

Les nuages américains

8.0 1984
Five Year Diary, Reel 23: A Breakdown (and) After the Mental Hospital (September 1–December 13, 1982)

Introduction; paranoia about root vegetables; esoteric sign language; searching for hidden significances; crush on Tom Baker ("Doctor Who" from BBC Television); my cats Amy and Buddy; vegetarian cooking; the compost heap; my mother and her house; driving into Boston; unemployment; television hypervigilance; hiding inside; exorcism with tea and mirror and lamps; too much wine; my friend the painter Susan Brown; the movie The Turning Point; experiences in a mental hospital; psychiatric session recording; autumn street and garden scenes; the mental day-hospital; domestic still-lives; bingeing; self Gestalt-therapy; school; groceries; winter; my garden; a series of self-portraits. (ACR)

Five Year Diary, Reel 23: A Breakdown (and) After the Mental Hospital (September 1–December 13, 1982)

NR 1982
Kin Kiesse

Kin Kiesse is a 1982 documentary film about "Kin" (Kinshasa), the capital of Zaire, and the capital of paradoxes and excesses, commentated on by one of its naïf artists, the painter Chéri Samba. We discover the "Kin" of night clubs, high buildings, bicycle-taxis, shoe shiners and hairdressers, the "Kin" of poor neighborhoods, but, above all, the "Kin" of music, where all the genres rub elbows, from beer party brass bands to the rumba to traditional dances, without leaving out the in-fashion bands of the time.

Kin Kiesse

NR 1982
SSS

Marina Abramovic collaborated with videomaker Charles Atlas on this striking work of autobiographical performance. Abramovic delivers a monologue that traces a concise personal chronology. This brief narrative history, which references her past in the former Yugoslavia, her performance work, and her collaboration with and separation from Ulay, is intercut with images of Abramovic engaged in symbolic gestures and ritual acts—scrubbing her feet, staring like Medusa as snakes writhe on her head. Closing her litany with the phrase "time past, time present," Abramovic invokes the personal and the mythological in a poignant affirmation of self.

SSS

8.5 1989
Artist on Fire: Joyce Wieland

Considered one of Canada's most important women artists of the second half of the 20th century, Joyce Wieland's art embodies the essence of her homeland, feminism, and ecology. Artist on Fire: Joyce Wieland captures the vibrant spirit of this painter, collagist, quilt maker, and filmmaker. In the early '70s, Wieland was involved in filmmaking, producing movies with a political message. In her 30-year career, she worked in a variety of mediums, including cloth, pastels, colored pencil, oils, bronze, and watercolor. Her works and her influence are examined in this detailed video portrait.

Artist on Fire: Joyce Wieland

8.0 1987