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Raiders of the first porn

A backtracking investigation, going back to the origins of cinema in order to understand its dirty twin brother. When did the first film camera ever land in the hands of an apprentice filmmaker with a daring idea in mind ? And why did he decide to bring his new tool inside the intimacy of the bedroom, instead of shooting trains or factory outlets ? Was this pioneer aware of the upheaval such images would provoke in Western culture until now and the advent of VR porn ?

Raiders of the first porn

4.5 2019
Breathing Underwater

In Jeju Province, located off the southern coast of Korea, are the women of the sea, those who hold breath for life. These women still exist and they still dive the old way, without tanks. They go into the waters of 10- to 20-meter depth to harvest seaweed and shellfish to make a living. They make a living in the same sea, but each haenyeo’s sea of life is different. The community is divided into three tiers- Group A, B and C, based on skills and capabilities. One’s rank is determined by sum or breath. Sum, is pre-determined at birth. Therefore, sum is desired. However, the ocean is harsh. May you desire! But seek what is not yours, the ocean will devour you. Life, for these women of the sea, is about holding one’s breath, and containing and controlling one’s desire. The film is a six year record of the lives of the haenyeos in Udo, an islet in the province of Jeju, known to be the birthplace of haenyeo. It is a close look into the lives that stand on the boundary of life and death.

Breathing Underwater

7.0 2016
Tintin and I

Why do the comic-strip Adventures of Tintin, about an intrepid boy reporter, continue to fascinate us decades after their publication? "Tintin and I" highlights the potent social and political underpinnings that give Tintin's world such depth, and delve into the mind of Hergé, Tintin's work-obsessed Belgian creator, to reveal the creation and development of Tintin over time. Rare and surprisingly candid 1970s interviews reveal the profound insecurities and anxieties that drove Hergé to produce stories that have not only entertained millions of children but also helped to satisfy a personal longing for self-expression.

Tintin and I

6.8 2004