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Tennessee Williams' South

The brutes and the belles. The gadflies and the good ol' boys. The taboos and the profound truths. They're all part of a tennessee state of mind -- a realm of places, personalities and ideas. Williams is front and center for this exploration, reading from his works, placing them in the context of his life, and serving as guide in visits to his career-shaping refuge in New Orleans and his later-day writing quarters in Key West. Also, dramatizations by distinguished actors -- including Jessica Tandy, Broadway's original Blanche DuBois, in a recreation of her A Streetcar Named Desire triumph -- give flesh-and-bone immediacy to some of the writer's famed works. In his own words. In his own places. The resilient character and memorable characters of one of our greatest writers reside in Tennessee Williams' South.

Tennessee Williams' South

10.0 1973
Andy's Funhouse

This special was taped in 1977 but did not air until August 1979, on ABC. It featured most of Andy's famous gags, including Foreign Man/Latka and his Elvis Presley impersonation, as well as a host of unique segments (including a special appearance by children's television character Howdy Doody and the "Has-been Corner"). There also is a segment that included fake television screen static as part of the gag, which ABC executives were not comfortable with, fearing that viewers would mistake the static for broadcast problems and would change the channel—which was the comic element Kaufman wanted to present. Andy's Funhouse was written by Kaufman, Zmuda, and Mel Sherer, with music by Kaufman.

Andy's Funhouse

6.2 1979
Harlan County U.S.A.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Harlan County U.S.A.

7.5 1977
Voice of La Raza

Produced by the Equal Employment Opportunity Commission, this film traces the ongoing struggle for equality by the Spanish-speaking residents of the United States. Through a fictitious scenario and real discussions with a range of individuals, including local business leaders, parents, and student activists, the film explores job discrimination and the resulting hardships within the Hispanic community. Many of the interviews are conducted by actor Anthony Quinn, who relates his own family's struggles as Mexican immigrants in East Los Angeles.

Voice of La Raza

8.0 1971
Joe Cocker: Mad Dogs & Englishmen

"Joe Cocker - the Rotating Rocker - and his 42 member communal touring company Mad Dogs & Englishmen with the Master of Space and Time Leon Russell - see them perform in the pleasure palaces of America - it's a moving picture" says the classic film poster. See this spectacular rock 'n' roll tour documentary and get a dramatic visual record that captures the spirit of the hippie era with mind-blowing performances, crazy backstage footage, and spaced-out interviews. Supporting cast includes Claudia Lennear, Rita Coolidge, Sherman Jones reciting "Face on the Barroom Floor," and Canina the dog.

Joe Cocker: Mad Dogs & Englishmen

8.3 1971
Painters Painting

Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from abstract expressionism to pop art through conversations with artists in their studios. Artists appearing in the film include Willem de Kooning, Jasper Johns, Andy Warhol, Robert Rauschenberg, Helen Frankenthaler, Frank Stella, Barnett Newman, Hans Hofmann, Jules Olitski, Philip Pavia, Larry Poons, Robert Motherwell, and Kenneth Noland.

Painters Painting

7.0 1973
Braços Cruzados, Máquinas Paradas

São Paulo, May 1978. Three slates compete for the leadership of the Metalworkers' Union of São Paulo, the largest in Latin America, with 300,000 associate workers, and presided over by a platoon since the military coup of 1964. In the midst of the Union electoral campaign, the first workers' strikes that would change the country began. Braços Cruzados, Máquinas Paradas reveals, in an engaging narrative, the Brazilian trade union structure of fascist inspiration.

Braços Cruzados, Máquinas Paradas

8.5 1979
The Olympics

These striking observations of a skiing competition for children in Zakopane make, at the same time, a little treaty about growing up. Innocent play in snow soon changes into a true competition where only the best can win. Adults get involved in the rivalry between children forcing them to continue gruelling efforts. The sound of a ticking stopwatch is a perfect complement to the story. At the end of the film, one of the boys rebels and leaves the run. He is not interested in the world of adults yet.

The Olympics

NR 1979
Renaldo and Clara

Filmed in the autumn of 1975 prior to and during Bob Dylan's Rolling Thunder Revue tour – featuring appearances and performances by Ronee Blakley, T-Bone Burnett, Jack Elliott, Allen Ginsberg, Arlo Guthrie, Ronnie Hawkins, Roger McGuinn, Joni Mitchell, Mick Ronson, Arlen Roth, Phil Ochs, Sam Shepard, and Harry Dean Stanton – the film incorporates three distinct film genres: concert footage, documentary interviews, and dramatic fictional vignettes reflective of Dylan's song lyrics and life.

Renaldo and Clara

7.9 1978