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Tarbosaurus: The Mightiest Ever is a South Korean adventure drama film directed by Han Sang-Ho. A spiritual prequel to The Dino King, sharing various themes with the movie and also being directed by Han Sang-Ho, this film follows the life of a Tarbosaurus family made up of Patch, (the father of Speckles from The Dino King), his two siblings and their mother in prehistoric South Korea.

A documentary film covering the life of President Syngman Rhee and the contributions he made to the Republic of Korea, spanning his childhood, focusing on his independence movement, the founding of the nation, the process of leading to victory in the Korean War, and the process of laying the foundation for Korea's industrialization.

What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow.

Former member of Korea's legendary group TVXQ!, Kim Jun-su, presents the first chapter of his new future on screen for the first time. This live concert movie captures his powerful vocals and dazzling stage presence, featuring multiple classic hits and a variety of stunning performances across different styles, offering a feast for both the eyes and ears. While reliving each moving moment, the audience can also take a behind-the-scenes look at his meticulous preparations for the concert.

A behind-the-scenes look at the creation of Kim Jee-woon's 2003 psychological horror film 'A Tale of Two Sisters.'

It is year 2011 and the government still talks of economic growth through medical care under the table. In reality, common people cannot afford to go to a hospital. They are nothing but extra casts in a promotional film for showing. The reality is a white jungle where medical care has become the market of extreme commercialization and doctors and patients are just too familiar with the physiology of jungle life. New rules and regulations must be practiced in this jungle. The film finds a solution by looking at medical care not as a personal means of production but community welfare.

On May 27, 1980—the last day of the Gwangju Uprising—students at Sinheung High School in Jeonju defied martial law. Their teacher disciplined them to protect them, but this act of love left forty years of misunderstanding. Now in his nineties, the teacher reunites with his former students to finally offer each other the reconciliation they had long set aside.

The process of making the Seo Taiji's 8th album.

The Lark Ascending

Grindcore punks Bamseom Pirates make music suitable for a sick society.

In hopes of putting an end to the 70-year war that still does not have the peace treaty, a group of internationally renowned women peacemakers come together to plan a march to cross the Demilitarized Zone (DMZ) from North to South Korea. Veteran documentarian, Deann Borshay Liem, tells an exquisitely touching and crucial story that advocates for peace.

Is it ‘rule breaking’ for Korean society to encourage childbirth while leaving childcare to individuals? Is it ‘rule breaking’ for a family where the father works low-wage irregular jobs and serves as a stay-at-home dad to four children? To resist Korean society's rule breaking, this stay-at-home father of four decides to become the so-called "Rule Breaker."​

The audience encounters a report in blue pages discussing the death of wild birds caused by collisions with transparent soundproof walls. Two hands appear to turn the pages, cut the paper, move the objects and paint, following the text from the report. While birds fly towards a transparent wall, what is the audience colliding with?

In July 1951, all the sides to the Korean War sought a ceasefire. For a ceasefire, the Allied and Communist forces began to hold talks at Naebongjang, located northeast of Kaesong. However, they only sharply opposed each other and didn't make progress in the negotiation. In October 1951, the two sides met again in the small village of Neolmun-ri below Gaeseong. They set up tents there to negotiate and named the place Panmunjom. The name Panmunjeom is a combination word of Panmun, meaning Neulmun-ri, and “Jom,” of an inn.

The small county of Seongju staged protests against the THAAD. Young mothers led protests from concerns about their kids and the exposure to radiation. Gradually, they learn the system is faulty.

In this documentary, Korean pop star Kim Jae-joong looks back on the personal and musical dreams that brought him to stardom all across Asia.

Mexico─United States border bar, “Trump Wall” is full of displaced migrants’ grief. Gaston who came to America as a teenager, is expelled from the States at his 40s and meets his family at the Wall. Bassam and Rami, becomes a dad who lost their daughter by each other. This film describes the people who lost their family by the wall and includes the views of refugees, human rights. Actor Jung Woo Sung participated in narration of the film.

A documentary that reports on the the rescue failure of the Sewol incident. In the days of media control, Park Geun-hye and her government sabotaged the screening of "Diving Bell" at the Busan International Film Festival.

KIM Soonak is a survivor of sex slavery by the Japanese military. The war may have ended, but her life was still at a war. She lived in the prostitute quarters to survive, did sex business in the US military camp town, and peddled goods from the US military. She raised two kids on her own as she worked as a maid. We’ll listen to her story in her absence. The film reconstructs the life story of the deceased KIM Soonak with interviews with activists, archive videos, animation, and read-aloud testimony.

In 2006, Myongho crossed the border with his family with nothing from North Korea. In South, he becomes a deep-sea diver at the border village between South and North Korea. He wears 60 kg diving suit, only relying on a single oxygen line from the boat, and fishes 30 meters down underwater. If the line goes wrong, he could die in any minute. Myongho once crossed the most dangerous borderline, now he constantly crosses the line between life and death. This film will be the portrait of a courageous man who fights with the life for his family.

This film takes place during the winter of last year when there was a nationwide slaughter of livestock to put a stop to the foot-and-mouth disease. Filmmaker Yun witnesses hundreds of pigs buried alive in a neighborhood farm. She suddenly realizes that she has never seen a pig before, and decides to follow its life closely. Yun goes deep into the mountains to meet a pig farmer who raises his pigs in a traditional way. Observing the daily routines of the mother pig Ship-soon and her piglet Don-soo, Yun discovers new facts she has never known before. As she develops a bond with the lovely pigs and acknowledges another side of the farm and meat industry, it becomes more difficult for her to enjoy pork cutlets as she used to. And to make matters worse, her husband and young son, Do-young, are not making her choice of daily menus easier. As she falls into a deep dilemma, what is she supposed to do? Her awareness about eating meat begins to penetrate her every day.

An elderly farmer lives out his final days with his wife and a loyal ox in the Korean countryside.

A documentary about former NCT/WayV member Lucas reflecting on the scandal which lead to his indefinite hiatus and eventual departure from the group.

IDEAL CUT is a recording of SEVENTEEN performing in Seoul's Jamsil Arena from June 28th to July 1st during their 2018 IDEAL CUT tour.

As the novel 『LimGeojeong』 becomes a great success, the publisher and the writer's bereaved family in North Korea meet to solve the copyright problem. Their exchanges between South and North Korea create another novel-like story that condenses issues in various fields including politics, economy, and culture together with concerns and hospitality.

Seoul, 1996. Wastewater from developed film reels is dumped into the sewers. From this toxic discharge, a monster awakens, carrying the memories of countless movies imprinted on the film reels. Burdened by a vanished past, the monster wanders the city.

During the Japanese occupation period, Koreans were forced to deport or drafted to work in other countries. Now 150 years passed, it appears around 7million of those people and their families are spread in 170 countries. There, a world-famous Korean-Japanese musician Yang Bang Ean follows the pathways of Korean diasporas as an inspiration, and performs his cross over music concert called ‘ARIRANG ROAD’.

Jung Kook of BTS ascended to global stardom with his debut solo album GOLDEN. Through exclusive, unseen interviews and behind-the-scenes footage, alongside electrifying concert performances, this film showcases Jung Kook’s eight-month journey, capturing his unwavering dedication and growth. Join Jung Kook as he shares his remarkable rise to fame and heartfelt moments with ARMY around the world.

Singer Lee Seung-bin's live performance film where he gathers Internet singers and holds a contest

One winter, a pastor finds an abandoned infant on his church steps, and builds 'a drop box' to rescue any future foundlings.

A terrible accident leaves a young soldier horribly scarred, but his rediscovery of art heals his wounded soul, in this brief but powerful animated documentary.

The camera sets out on a journey to find the headless Buddha statues scattered across Namsan Mountain in Gyeongju. What has disappeared, who caused it to vanish, and how has it been recorded? People stroll along the river, the sea, and mountain paths, taking photographs, where images from the past and the desire for excavation overlap.

In Korea, a "Beommusa" is a licensed legal practitioner who prepares court documents for people in crisis. In a Beommusa's office, A father aids debtors yet is indebted himself. Eight years ago, fearing that debt might one day destroy his father, the director became his assistant to help repay what was owed. This film traces debt-born pain, seeking dissolution.

In Iran’s remote nomadic landscape, a family navigates their traditional existence in a modern world. When their sheep vanish overnight, tensions rise between the three sons and their parents.

After 15 years of knowing Chosun people in Japan I met on Mt. Geumgang in 2002, I face the history of colonization and division that I had not known before. They’ve been to North Korea many times, but never to South Korea. They tell us why they want to live as Chosun people despite the discrimination in Japanese society.

Edhi Alice: REVERSE begins from the perspective of Edhi, who is about to undergo gender confirmation surgery, and transitions into the journey of another protagonist, Alice, as she comes to terms with her body. The narrative of transition expands beyond a personal life story to encompass relationships, bodily experiences, and the sense of space, becoming a cinematic transformation.

They visit Jeju Island in anticipation of a pleasant fantasy and get healing, but all the places have sad stories. In order to meet the true beauty of Jeju Island, where souls who have disappeared without knowing the reason remain, we must also know and remember the endless sadness.

The 100 years of history of the Chosun Ilbo and the Dong-A Ilbo show that wrong press can be a social weapon.

"I'll Be Seeing HER" is an approach to images of women in Korean cinema with a new genre, ‘Fanta Docu’, which shows beautiful and adventurous Korean actresses in the 1950s. The director, Kim Soyoung stated that “studying and teaching Korean cinema history, I felt sorry that most documentaries on Korean cinema had been made from the male perspective,” which led her to make a documentary on Korean cinema through women’s eyes. Kim So young directed ‘Women's History Trilogy’ (Koryu: Southern Women, South Korea, I'll Be Seeing Her: Women in Korean Cinema, New Woman: Her First Song) which was screened at many international film festivals including Yamagata International Documentary Film Festival.

The follow up to LUCAS Documentary Part1 | Freeze

I travelled to Cuba, a land of sensual sunlight. 100 years ago Koreans immigrated to Cuba looking for the land of milk and honey. However, is it still possible to find a similar place in the current Socialist Cuba? Or, is it crumbling away by the wave of Neo-Liberalism, like old buildings falling under the weight of time? During my interviews I met a boy with especially radiant eyes and fell in love with him. I brought him with me to the other side of the world. My frizzy haired dark skinned boyfriend who has never left Cuba, is now treated like a goblin who must find salvation and be resurrected in Korea.

After initially sweeping through Asia, Korean pop music has now taken the world by storm led by the likes of SNSD, JYP and PSY. Take a look behind the scenes of the formation and debut of the 9 member girl group, Nine Muses, in a documentary that gives a glaring insight into the world of K-pop. Follow a year long journey with the Model Idols, as they have been called, and their management label, the relatively small in stature Star Empire, leading up to the group’s debut and emergence in the K-pop charts. Covering everything from dance lessons, recording sessions and the physical and psychological toll on the girls, the film reveals the lengths the girls must go to achieve their dream, to become K-Idols.

Born in 1918 in the ideal village of independence activists in the northern part of Manchuria, pastor Moon Ik-hwan lost his childhood friend Yun Dong-ju under Japanese oppression and Chang Chun-ha during the Yusin regime. Moon survived the mass of modern Korean history, giving hope everywhere suffering.

Nabi, a veteran fire officer, accepts the coming out from her child Hangyeol, “I want to remove my breasts.” Meanwhile, Vivian, a flight crew, receives a letter from her son Yejoon, “Mom, I’m gay.” Hangyeol and Yejoon confide in their struggles even before the two mothers understand their reality.

Seoul in 2020. TADA, a rapidly-growing mobility service called Korean 'Uber'. Threatened by TADA’s rapid growth, the taxi industry sues TADA for conducting a transportation business without a taxi license. Due to the backlash from the taxi industry, the National Assembly eventually passed a bill banning the service. Can TADA overcome this desperate moment? This documentary is not talking about the success of startups emphasized in numerous books and the media around the world. Focusing on the case of TADA, which has faced the worst crisis since its inception, the work takes a look at the harsh reality that startups are currently experiencing.

Daisuke is a comedian who was excluded from TV because of his political statements. This is the story of three years filled with his challenges, suffering, and love for his family.

This documentary, set against the backdrop of Busan's daytime party Club Insomnia, explores why we feel the need to party and connect with others. Ultimately, it seeks to convey a simple yet fundamental truth-that every moment of selecting, playing, and listening to music is an act of love and joy.

About the countless faces, memories, love, and people that exist between love and pickle.

The film follows the 2023 raid by the Seoul Central District Prosecutors' Office on investigative outlet Newstapa. Director Kim Yongjin, its former head, traces a pattern of political prosecutions against critical journalists—from reports on Yoon Suk-yeol to Cho Kuk and Kim Keon-hee. Combining on-site footage, journalist testimonies, and legal records, the film reveals how special funds were used to pressure the media, silence dissent, and manipulate public opinion. It is a powerful reminder of the ongoing struggle to protect press freedom and democratic values in South Korea.

Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.

Matsuda Shunji, a freshman of Amagasaki High School in Osaka faces a difficult decision regarding the revelation of his Korean name, Lee Jun-Chi. The teenager is aware of the difficulties of living in Japan with a Korean name, and so dreads the day when he is supposed to make this decision. He ultimately meets a loneliness whereby we are left to witness the outcome of his dilemma.