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Il giovane corsaro - Pasolini da Bologna

A young student prepares his degree thesis on Pasolini and Bologna by investigating the relationship of the great intellectual with the city of his childhood and his studies. Following in the footsteps left by Pasolini in Bo­logna, the protagonist will tell, for the first time in the form of a documentary and with a rock narrative rhythm, the emotional, visceral but also controversial bond of Pasolini with Bologna until his final days, also characterized by severe criticisms of the “consumerist and communist” city, a symbolic terrain of the adverse social and economic metamorphosis from paleo­industrial to neo-capitalist society.

Il giovane corsaro - Pasolini da Bologna

8.5 2022
All Still Orbit

A breathtaking quest for the dream the imposing city of Brasilia was based on, a marked contrast with the chaos of the adjacent construction workers' village. Everything about Brasilia was devised and designed, but not on the basis of some cold urban design concept: the plan proves to originate from 19th-century priest Don Bosco’s dream. The chaos and disorder of the adjacent construction workers' village Vila Amauri long stood in stark contrast to the grandeur and majestic regularity of Brasilia. Now the village has disappeared beneath the reservoir’s surface, the necessary order has been restored. All Still Orbit examines both these histories.

All Still Orbit

6.0 2016
Bellezza, addio

In the mid-1990s, news broke that poet Dario Bellezza - who was friends with Sandro Penna, Alberto Moravia, Elsa Morante, Anna Maria Ortese, and Pier Paolo Pasolini - had AIDS: this was the beginning of the end for him. Today, friends, poets and literary critics tell the story of the first openly gay writer of Italian literature, one of the symbols of a thriving cultural scene. They called him 'Italy's poète maudit', to which his snarky response would be: "If anything, I was blessed, blessed by the Muses".

Bellezza, addio

NR 2023
Past Future Continuous

Maryam is an involuntary immigrant in the US, who after forty years has not forgotten her escape from Iran’s border wrapped in a sheep’s skin. Maryam is always worried about her elderly parents and in constant visual connection with the home in Iran from thousands of kilometers through surveillance cameras. These cameras take her to the days of the 1979 revolution. Today, Iran is again experiencing turbulent days and now Maryam encounters her revolutionary past and revolutionary girls who are challenging the present system.

Past Future Continuous

7.8 2025
Luchino Visconti

A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.

Luchino Visconti

7.0 2002
Marcello, una vita dolce

After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

Marcello, una vita dolce

5.2 2006
Everything Must Go

Footwear company Togo was a family business that thrived reaching the point of owning more than 30 stores in the wider Turin area. All that is left today is a couple of struggling stores, enormous suffocating debt, and the desperation of uncertainty as bankruptcy is looming in. Director Gianluca Mattarese has been living in Paris for the last 18 years meticulously fencing himself off from the harsh reality of a family breakdown. Like a prodigal son, he eventually returns to his roots with the task of recording a routine of malaise framed by financial collapse. A bittersweet tale of family bonds, reuniting, and atonement.

Everything Must Go

NR 2019