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In a mountain village in southwestern China, just south of Tibet, one of the last remaining traditional bearers of the Lisu ethnic group is amid the mountains of new changes seeping into every crevice of their lives. Will their tradition survive?

A documentary on the anti-Japanese war, once thought to be lost but eventually a print was discovered in the archive of Taiwan.

The coral in the mediterranean form unique underwater habitats, usually between 30–150m deep. These ecosystems support more than 1,800 species but have been decimated by destructive bottom trawling fishing, which can flatten centuries-old coral structures in minutes. RAZOR’s Russell Beard meets Anastasia Miliou and her team of scientists at the Archipelagos Institute of Marine Conservation. They have been mapping coral to provide the hard scientific evidence needed to secure their long-term protection. Their work has led to the recent creation of a protected no-trawl zone around the Fourni Islands. Over the years the organization has developed into one of the Mediterranean's most respected marine research and conservation institutes, attracting a new generation of scientists tooling up for a future of fighting the colossal challenges facing our seas. Over 26 years, they have hosted over 27,000 young people from 43 countries.

Zhao Liang’s City Scene shows a poetic portrait of China’s contemporary metropolises.

Film shows the present state of China through twelve platforms, an old farmer, a middle aged waitress, a car washer, a weapons dealer, fish store owners, a barber, a factory owner, a park ranger, a shopping mall employee, etc. These various faces of the so-called proletarian class ask, what is a dream? Answers to this question exist in the interview with each character, but is conveyed much more clearly through the black and white image of the children putting up their future as security as shots are heard continually behind them.

This is the inspiring story of how an ordinary Chinese boy became China's biggest Rock star

The film consists almost entirely of an interview with the elderly He Fengming, recounting her experiences in post-1949 China.

A group of small-town boys has prepared to beat up on this boy named Haoran for a long while. Belligerent and energetic. They tried every trick to catch him in vain including hunting him in the classroom and ambushing him on his way home. These little rebels fooled around each day, smoking, running away from their homes, and chasing after an impossible target. But who is this mysterious Haoran?

Ten-year-old HE Fangfei and her family are "eco-refugees" living in Minqin County. Minqin, once an oasis, is now one of the major sources of sandstorms in China. The deserts are encroaching on the towns and swallowing up farmland, schools and homes. The government advisers privately describe Minqin and the surrounding areas as "ecological disaster areas", and try to convince the villagers that the only option the Chinese people in this region have is to respect nature’s rules by allowing the sand to encroach and restore these regions to the original ecological system. The film examines this ongoing battle, now carried out by young villagers like HE, between human nature and Mother Nature.

The film follows Qu Hongrui during his final exam at the Mao Mao Cool Primary School in Da Li. Kids explore the town of Da Li, participating in a series of specifically designed tasks aimed at training their cognitive, reasoning and emotional control abilities.​​

Director Liu Jiayin casts her parents and herself as fictionalized members of a Beijing family that has fallen on hard times and ekes out an existence by making bags out of oxhide for sale.

Young Masters is an original series commissioned by NOWNESS China focusing on traditional Chinese cultures, and how they continue to be defined by a new generation of the country's youth. Its first episode, Young Masters: Bajiquan, spotlights Wu Hao (吴昊), a young man in his twenties from Hebei province who is a stalwart practitioner of Bajiquan—a traditional Chinese fighting style known for its graceful stillness and sudden moments of targeted and ferocious violence. Director Haonan Shen traveled to the Mengcun Bajiquan International Training Center to profile Wu Hao whose paternal ancestor Wu Zhong (1712–1802) was the first recorded Bajiquan teacher. In this evocative portrait of a young man’s passion for sharing his family’s rich heritage, we get up close and personal with the violent elbow strikes, staff jabs, fierce rising and firm falling stances that characterize the martial art.

The township of Houjie, near Guangzhou, has been transformed from a rural village into an industrialized township following the massive influx of Taiwanese and Hong Kong capital during the 1980’s. This film relates the precarious position of the migrant workers who built Houjie, but who were also the first victims of the post-September 11th economic slowdown, forever at risk of being laid-off.

An Anshan Story uses a real family's life as its backdrop. The director casts his grandpa, the revolutionaries of the left wing as the film's lead, retracing his family saga of post Chinese cultural revolution history.

Shot in Cambodia and borrowing a title and a punk sensibility from Qiu Miaojin’s classic queer novel, Daphne Xu’s Notes of a Crocodile follows an unnamed woman who roams the streets of a Phnom Penh in flux, encountering humans and animals in her search for a lost friend.

Documentary on the traditional funeral of Hani people.

Ping’an yueqing investigates the 2010 death of Qian Yunhui, a village leader from Yueqing in the eastern province of Zhejiang, who died under suspicious circumstances that authorities deemed a road accident. The film recounts Qian’s death in which he was crushed by the wheels of a truck.

Musa and his friends, all men, all young, all from Xinjiang Uyghur Autonomous Region on China's northwestern border, now wander great cities in the East talking, shooting up, remembering home and practicing the one true skill they have: they steal.

A group of chinese students talk to the camera about love, sex, career prospects, decisions to stay or leave the country, and the impact events in Tiananmen had had on their lives.

A data center in the mountainous southwestern province of Guizhou is at the heart of his newest work, presented through a panoramic sweep around the facility’s surrounding rural farmland. In a play of contrasts, the camera drifts across blades of grass, meeting local farmers, tourists, and animals along the way, all to a joined hum of whirling hard drives and chirping insects.

Quentin Lee returns to Hong Kong, where he was born and raised. As he explores his desire to move back there from Los Angeles, he interviews local artists, filmmakers, friends, and family about why they are in Hong Kong and why they choose to be there.

In Xinjiang, in northwest China, an underground river brings life to the desert for the Uyghur people. An ancient construction whose waters flow from the depths of the earth to the lush grape fields, the Karez is known to those who benefit from it as the Mother River.

The film records the inspiring story of a Chinese boy who was inspired to pursue his racing dream after watching the first F1 race in his hometown of Shanghai, and eventually became China's first and so far only F1 racing driver.

A documentary on the police station near the Guangzhou Train Station.

Three years ago, a Weibo posted by Pan Shiyi brought PM2.5 into the public eye.In the past three years, he has never stopped paying attention to air quality, and has integrated energy conservation and environmental protection, the Internet, and art into SOHO China's projects.The famous director Jia Zhangke created a micro-movie based on Pan Shiyi's Weibo-"Lao Pan's Day and Night".

Students near the Shaolin temple engaged in a simple yet rigorous exercise of rehearsal.

Beijing: The Third Ring is a document of the two opposite views of traffic flow on 55 bridges along Beijing’s Third Ring. The entire piece is made up of 110 segments.

In order to completely, cleanly and completely annihilate the Kuomintang troops on the land of China, the Second Field Army led by Liu Bocheng and Deng Xiaoping accepted Chairman Mao Zedong's order to liberate the southwest. Photographers from the Central News Documentary Film Studio traveled with the troops and used film to record scenes of the People's Liberation Army soldiers' heroic fight to liberate the whole of China. In 1950, they produced the film "The Great Southwest Song".

A young Chinese folk singer left his hometown to the big city, only to return to his musical traditions. On this journey, his humor, anger and powerful folk songs all comes from the rural life of past. That's the real taste of soil and dust.

This film is a realistic record of a sixty-year-old couple living in a remote village (Gurenay) in the Badain Jaran Desert of Alashan, Inner Mongolia plant thousands of mu of ammodendron and euphratica to fight against expanding deserts.

Documentary of the underground cities constructed under the nuclear threat of both US and Soviet Union during the Cultural Revolution period.

Anti-trafficking training video for Unicef-China to provide young village girls with practical and applicable knowledge about high-risk behaviors and to advise on how to protect themselves being tricked while looking for a job.

Ng Meixi returns to Singapore having spent time in Mexico working with low-performing students. She joins a local school as a relief teacher but takes on a mammoth task: to pilot a new pedagogy to help students in the Normal (Technical) stream learn better. She reconfigures the classroom from a teacher-directed one to a community that aims to empower students as learners and tutors to each other. Will this work in Singapore’s result-oriented education system?

The Chinese Department of Sun Yat-sen University (Guangzhou) staged the Chinese debut of "The Vagina Monologues" in December 2003. Since then, this feminist play, which came from the US and has been committed to the elimination of gender-based violence, has incited a vagina hurricane that blew all over mainland China.

A version of Tiananmen that aired as a 'commemorative topic film' on CCTV-1, most likely in or around National Day, 1989.

The dark night has given me dark eyes, yet I use them to search for light. A documentary about the controversial poet Gu Cheng.

Meet four Taiwanese women, the actual "leftover ladies" fighting to stay breathing in a somewhat stifling society. Since 2012, their friend in common, Chou Tung-yen, has been "stalking" them, capturing on film moments of these women's daily lives.

As with everything in life, the same goes for East Lake, a threatened lake near the expanding mega city of Wuhan. You can get worked up about it and get involved - or you can think, it won’t affect me. Fortunately there’s the intriguing new film by Li Luo, which brings to an end these doubts. East Lake (Dong Hu) is a scenic area in the city of Wuhan, threatened by new amusement parks, high-rises and even an airport. ‘East Lake is getting smaller and smaller, but it's bigger and bigger in my memory,’ wrote a friend to the Canada-based Chinese filmmaker Li Luo as a result of the development. In a lucid way, the film investigates how the lake is linked to the people, leading to reflection on identity and survival in today’s China. The form is varied and free. Li uses documentary as well as fictional style elements, and often an ironic mixture of both. © iffr.com

The character of this story lives far from the worlds of the material and the spirit. He has built his own subsistence conditions. He often goes to the neighboring villages, although he doesn’t communicate with other people. He collects some waste but doesn’t beg. He prowls about the ruins of deserted villages, as an animal or as a ghost. Under double political and economical pressure, most of people are depriving of their last dignity into a world where it exists a lack of material and spirit. But a human being stays a human being. He is looking for reasons to continue to live. —Wang Bing

The cat has disappeared in a night of torrential rain; they say if you point a pair of scissors to your doorstep and silently call the cat’s name, a mysterious force will lead your cat back. Half a world away, I silently call my cat’s name, and my memories take me across the waters of the underworld, as things I have lost in the past now stand before my eyes. As the scissors slice time open, can the cat find its way home?

Liu Ximei was born in 1985 in Xincai County, Zhumadian City in Henan Province. Being born in violation of the one child policy, she was given up to be raised by relatives. In 1995, a ten year-old young lady, Ximei, was severely injured while harvesting wheat. Losing copious amounts of blood, she was given HIV contaminated blood and contracted AIDS while under treatment at a local hospital. According to 2011 official statistics, there are 850,000 AIDS sufferers in China, a majority of which contracted the illness as the result of an officially promoted plasma market. This film describes Liu Ximei's life in 2013.

2H combines documentary and dramatic film techniques to depict the psychological passages of two Chinese expatriates in Tokyo as they attempt to accommodate their existence to the two universal events of life - birth and death. Ma Jinsan is a 95 year-old former Kuomintang general who defected to Japan nearly 50 years earlier, shortly after the Communist revolution. Bound to Ma by chance, circumstance, and emotional need, Xiong Wenyun is an avant-garde artist desperately seeking to fulfill an innate but inarticulate desire to have a child.

Recording a 24-hour period throughout every country in the world, we explore a greater diversity of perspectives than ever seen before on screen. We follow characters and events that evolve throughout the day, interspersed with expansive global montages that explore the progression of life from birth, to death, to birth again. In the end, despite unprecedented challenges and tragedies throughout the world, we are reminded that every day we are alive there is hope and a choice to see a better future together. Founded in 2008, it set out to explore our planet's identity and challenges in an attempt to answer the question: Who are we?

On May 12, 2008, Sichuan province suffered a devastating earthquake with thousands of deaths and many more injured and displaced. School buildings constructed from substandard materials, by corrupt government officials and contractors, collapsed, causing thousands of children to lose their lives. The buildings were described as tofu-dregs buildings because of the ease in which they structurally collapsed. Ai Weiwei and a team of volunteers traveled extensively throughout the areas of devastation, researching and documenting all the student deaths. In the aftermath of the quake, the collapsed school buildings were cleared out, the twisted steel rebar pulled out and sent to scrapyards. Ai acquired many tons of the twisted rebar, sending the material to his studio in Beijing where craftsmen meticulously straightened each piece of rebar.

Feature length making-of documentary of The Wild Goose Lake.

When conducting archaeological research on family video materials from the last century, in order to obtain authorization for a foreigner to shoot a video in my hometown of Hangzhou, I embarked on a journey of searching the internet to find his contact information.