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It explores the last two years of Brazilian singer Cazuza's life, from his AIDS diagnosis until his death. Nilo Romero, Cazuza's music producer and the film's director, created a collection of rarely seen and controversial images.
Photographs present Hermeto Paschoal in the middle of the instruments he plays in the studio in his house. The rehearsals where the sounds are discovered and improvisation sets the tone. Hermeto's testimonies on the self-taught construction of his theoretical knowledge about music and his political position on the market. The musicians who are part of his band talk about the joint process of creation and the admiration they feel for the multi-instrumentalist. The creation of Hermetus from the sounds of bees and next to the frods. The use of unusual objects made of iron and the use of the body itself to generate new sounds.
When a 5-year-old girl falls from her father's apartment, her mother embarks on a quest for justice — and is put under the national spotlight.
Six kids get together to make a movie. To bring their world of princesses, heroes and villains to life they must face every production's biggest monster: working as a group.
Parallel stories connected through an intimacy with death. The living and the dead communicate through visions, memories and reality.
During 2016, a film crew embeds inside the Brazilian Congress while lawmakers plot to overthrow the country's elected president, Dilma Rousseff.
In 1959, disgraced intergalactic agent WA4 receives a mission: to come to the Earth and kill the president Juscelino Kubitschek on the day of Brasília's inauguration. But his ship is lost in time and lands in 2016 in Ceilândia — a Black suburb of Brasilia — on the verge of Dilma Rousseff's impeachment.
"Landfill Harmonic" follows the Recycled Orchestra of Cateura, a Paraguayan musical group that plays instruments made entirely out of garbage. When their story goes viral, the orchestra is catapulted into the global spotlight. Under the guidance of idealistic music director Favio Chavez, the orchestra must navigate a strange new world of arenas and sold-out concerts. However, when a natural disaster strikes their country, Favio must find a way to keep the orchestra intact and provide a source of hope for their town. The film is a testament to the transformative power of music and the resilience of the human spirit.
In Rio de Janeiro, over many days, the director Maria Ramos witnesses and films the judgment of several teenagers accused of stealing, trafficking and murdering. Underage youths are protected by the Brazilian laws and their faces can not be exposed; therefore, they are replaced by teenagers from poor communities.
In an intimate and provocative journey, Vibrations is a documentary-essay that explores the filmmaker’s complex relationship with explicit imagery and his own sexuality. Born into a Catholic family and struggling to put his homosexuality into words, the director finds in pornography a space for self-exploration and acceptance. The film dives into the nuances of alternative pornography, challenging stigmas and revealing how desire, identity, and the politics of the body intertwine both on screen and in life. A work that pulses between the personal and the universal, Vibrations challenges perceptions and invites a rediscovery of pleasure and freedom through the image.
After nights of heavy partying, a trans performer goes to the Botanical Garden of Lisbon to sober up again.
A documentary about the history of the anarchist-led workers' movement in Brazil. It shows the transformation of immigrants into the first urban workers and chronicles the most important strikes, the successes and defeats of the movement, from the end of the 19th century until 1922.
The Other Side of the Atlantic is a documentary that builts a bridge in the ocean that separates Brazil and Africa. The film tackles the cultural exchanges, the imaginary created through the mirroring, the prejudice and dreams built in both sides of the atlantic through the life stories of the students of african countries in transit through Brazil.
In powerful images, alternating between documentary observation and staged sequences, and dense soundscapes, Luiz Bolognesi documents the Indigenous community of the Yanomami and depicts their threatened natural environment in the Amazon rainforest.
Documentary on Rosamaria Murtinho and Mauro Mendonça’s 60-year long career in Brazilian theater, film and television. The film not only runs through the career of these artists, but also paints a portrait of a generation that rose alongside them and that works with art till this day.
Lesbian friends over 50 embark on a trip together and, away from the world’s gaze, celebrate their friendship, desire, and freedom. Over the weekend, they fully embrace the wholeness of a reality they already carry, strengthening the bonds that unite them.
The new Brazilian cinematic movement (Cinema Novo) through films starring actors Antonio Pitanga and Luiza Maranhão.
This documentary is a record of moments with family, friends, travels, outings, and a passion that Carla inherited from her father. The need to encapsulate time led her to film her daily life with Bahian friends in Barcelona, a city where she lived the best of her youth for eight years. When she decided to return to Brazil, everything took on new significance. It was then that she began the project of making a documentary to immortalize that period. The casual recordings turned into an obsession, and her friends were interviewed, totaling more than 50 hours of filmed memories and a year of editing in Brazil. This process was a painful stagnation in the past, an effort to make sense of material that fed a difficult feeling to overcome: longing. The result is a delicate film that reflects on exile, memory, time, family, change, and life.
Supremacia Vermelha puts on the big screen a relationship with Grêmio, an opponent against Internacional most likes to play. Some speak of rivalry, but it is an exaggeration. What rival is that who loses in all problems? By the end of 2009, in the centenary of the confrontation, there were 142 victories on the Colorado side - 23 more than blue ones - 540 goals scored against 501 suffered. Not to mention the historic Grenais.
The documentary follows the commemorative tour for the 20th anniversary of singer Jorge Vercillo's career.
Reunited at the Argento Mansion, the cast and creators of Scars of Beauty come together to dish on all the behind-the-scenes details, most memorable moments, and viral social-media reactions generated by the hit telenovela.
Non-communication can emerge through different ways, whether by conflict, language, or culture. In Giuliano Robert's film it happens through the interference of speech: a hearing mother describes the beginning of a communication process with her deaf son. Based on the mother's experiences, Márcia, the documentary is conducted by her son, Giuliano, in search of a connection with a culture which, through lack of information and access, silences other modes of communication.
Canudos was a small village in northeastern Brazil, founded by the messianic leader Antônio Conselheiro and massacred by a powerful army until the death of the last of its 30,000 inhabitants, on October 5, 1897. The film tells the story of the Canudos massacre from an English cannon, nicknamed by the backlands people "A Matadeira", which was transported by twenty teams of oxen through the backlands to fire a single shot.
In the wake of a dream, João Vieira Torres sets off to find the children that his grandmother Aurora, a midwife, helped deliver. Through encounters with the living and the dead, he uncovers tragic destinies which reflect a structural history of violence against women. A curse dispelled by the means of cinema, resulting in a film of exceptionally rare beauty.
Stela, a young Brazilian actress, decides to make a work on the letters exchanged between Latin American plastic artists in the 70s and 80s. She travels to Cuba, Mexico, Argentina and Chile looking for her works and testimonies about the reality they lived during the dictatorships that most of these countries faced at the time. In the midst of the investigation, Stela discovers the existence of Ana, a young Brazilian artist who was part of this world, but disappeared. Ana went from southern Brazil, from a small town in the interior to Buenos Aires. Obsessed by the character, Stela decides to find her and find out what happened to her.
It portrays the historical trajectory of Montes Claros over more than four centuries, from the bandeirante expeditions and the establishment of Fazenda de Montes Claros to its consolidation as an important regional hub in northern Minas Gerais. The documentary highlights the cultural resilience of traditions such as Congado, Catopês, and Marujada, while revisiting significant events, including the Revolta do São Francisco and the political conflicts of the 1930s. By bringing together history, culture, and development, the work reveals how the city preserves its backlands roots and ancestral memory even amid the transformations of modernity.
In response to Marielle Franco's execution, the 2018 elections turned into the biggest political upheaval led by black women that Brazil has ever seen, with candidacies in all states. In Rio de Janeiro, Mônica Francisco, Rose Cipriano, Renata Souza, Jaqueline de Jesus, Tainá de Paula and Talíria Petrone applied for the positions of state or federal deputy. The documentary accompanied these women in their campaigns, showing that a new way of doing politics in Brazil is possible, transforming mourning into struggle.
Luizinho is a young man passionate about Flamengo, fortunate enough to have his education paid for by the club, and plays in the team's lower divisions. A pupil of Rubens, the two compete for a spot on the professional team. Until Rubens introduces his friend to the woman he's in love with, Maria Helena. The problem is that she was Luizinho's childhood sweetheart, and the encounter rekindles their passion. A conflict begins between the two players that will be decided on the field.
Perhaps few words are as powerful as the word monster. It can certainly evoke countless thoughts and sensations. When faced with it, you might picture characters from your childhood, from lullabies, or from short stories told by adults to instill fear and encourage good behavior. We create our own monsters, and we fear them for what they reveal about ourselves.
"Miss Bixe Ultraviolência Queer," a short film approved under the Paulo Gustavo Federal Law, which aims to portray the transformation of a university party in the city of Ilha Solteira into a vibrant and revolutionary LGBT event. The project seeks to explore how the party became an essential gathering point for the local queer community, highlighting not only individual experiences but also the power of collectivity and art in building a space of resistance and celebration. The idea is to show how the transformation of this university party into a queer event is much more than a simple shift in audience; it is a reflection of the struggle for visibility, respect, and the freedom to be who you are, in an environment where art becomes a form of resistance and empowerment. The short film not only documents a story but also celebrates the existence and courage of people who, by coming together in a space like this, challenge norms and create new possibilities of belonging.
A documentary crew follows Cattleman, Porto Alegre's newest villain, in an attempt to sully the name of the city's hero, Super-Guy.
Marco ‘Curumim’ Archer’s life changed abruptly when police at Jakarta airport seize 13.5 kilogrammes of cocaine hidden in his hang-glider. At first he manages to escape, hiding out in Indonesia for sixteen days before being arrested and sentenced to death. Eleven years later, on 17 January 2015, he was executed for drug dealing.
Originally produced for German TV, Improvised and Purposeful is a firsthand look at the "Cinema Novo" movement (otherwise known as the 'Brazilian New Wave'). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.
The 28-year history of the Olodum Theater Band, Latin America's longest-running black theater company. Created in Salvador in 1990, in partnership with the Olodum Cultural Group, the company was responsible for launching names such as Lázaro Ramos and Érico Brás. Gathering archive images and interviews with Bando members, collaborators and other guests, the group's trajectory is built.
Two hands over a light.
WORDS FROM HOME is a poetic documentary that explores the kinds of affection and identity in the portuguese language spoken in Brazil. Through migrants' stories and their reflections, the movie reveals how expressions, accents and memories form emotional and cultural bonds, showing how speaking connects us, differentiates us and, above all, brings us closer together.
A documentary short film portraying the annual flooding in the city of Marabá, in the state of Pará, Brazil, where the Amazonian Itacaiúnas River meets the Tocantins River. The film explores not only the physical impact of the waters that advance over streets and homes, but also the intimate and collective ways in which the population adapts.
Recent studies suggest that the average adult will spend at least half of their life in front of a screen. This documentary explores how Brazilian digital influencers are using that reality to fuel activism on social issues such as racial representation, LGBTQ+ rights, feminism, and politics. Stuck at home with social media as their only tool to make their voices heard, nine influencers create content across multiple platforms, raising awareness about taboo subjects in an accessible and deconstructed way while sharing their daily lives. Through the communities they build online, they question whether our screens have become true mirrors of the souls of today’s societies.
Blurring borders between documentary and fiction, this film portrays a few moments from the lives of three people from Belo Horizonte: a transsexual prostitute and academic, a Hare Krishna soccer fan and a would-be writer.