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A triathlete living and training in Al-Naseem district, exploring how the sport becomes more than just competition, but a way of life built on discipline, endurance, and commitment. Through his daily routine and personal journey, the film highlights the challenges of pursuing an intense sport while balancing everyday life, offering a closer look at ambition and perseverance within an unexpected environment.

In northern Morocco, a massive fence looms over the landscape. Within it lies 12 square kilometers of Europe. The port of Melilla is one of the last remaining outposts of Spanish colonialism in Africa and a place where different cultures intersect. Distant voices tell the stories of the city. Caught between the colonial past and modern migration policies, they offer a glimpse into life at one of the most militarized borders in the world

Working with the archive, I observe how documentary memory conflicts with personal memory—this sense of displacement and substitution creates a complex system of distortions, reminiscent of a dream. I am fascinated by how layers of memory intertwine, erase each other, rewrite, and form new meanings.

A Decade in the Grey chronicles ten years of Grey Box Collective's bold, multidisciplinary artistry, highlighting their Trauma-Informed Creative Practices and the transformative power of creating during messy, ambiguous, uncertain, and overwhelming times.

Connor Herson establishes Drifter’s Escape on the Stawamus Chief in Squamish — the world’s first 5.15a trad route.

"We Are a Lost Generation" is a collective film, made by the young people of the "My Place in the World" Association, with the participation and support of the Anselmo Braamcamp community in Porto. The film follows a group of young people who come together to organize a surprise party for one of the street's honorary residents, Dona Esmeralda, inviting the entire neighborhood to join in the celebration.

Chainsaw-wielding clowns and murderous mental patients need a home too. A personal look at the volunteer actors at the #1 haunted attraction in the U.S. shows their passion for pumping people’s adrenaline and the care they put into creating immersive experiences. Filmed entirely on a tape camcorder.

Unable to spend Easter Sunday with both parents for another year, the director combined a video record of the lunch he had with his maternal family along with an audio record of a phone call he made that same day with his father, in which they discussed how they would spend the holiday apart.

Following the railway privatization of the 1990s, the train was stripped from Argentina's communication and cultural landscape. Through archival footage and photography, this work portrays the struggle to preserve an identity that resists oblivion.

Revealing how toxic PFAS "forever chemicals" contaminated a UK town, leaving residents and workers with staggering blood test results.

Unboxing as a happening: three friends rummage through Uncle Joe’s belongings in Los Angeles. Amid yellowed postcards, medieval torture devices, gossip, and incense, Soli, Katy, and Sharon create an enjoyable bond between this life and the hereafter.

Using a range of cinematic forms, such as animation, split screen, and fisheye lens, Wolfgang Liemberger and Georg Vogt create an associative portrait of avant-garde filmmaker Ferry Radax who died in 2021. Filmed mainly on the beach at Monterosso, the setting of Radax’s major work Sonne halt!

Memories of the future, the power of fiction, and the vital task of imagining manifested themselves in a Mexico City night during Belafonte Sensacional's concert at the legendary Salón Los Ángeles. Delirium, earthquake, and rock and roll.

Stones in Chiayi's streams bear the marks of time and the land's memory. Seventy years ago, Zhan Long began carving tombstones, turning cold stone into living art and founding Chiayi's stone monkey tradition. The second-generation sculptor infused family memory and cultural sentiment, making the stone monkey a city symbol. Today, new self-taught artists reinterpret the craft, letting tradition endure and be reborn, bearing witness to the warmth and vitality of culture.

A chopper club makes the trip from Portland to Virginia City, Nevada for the Virginia City Roundup, an annual chopper show.

Ketty is growing old. Between the calm of everyday life and the intensity of the moments spent with her grandchildren, she moves between the forces of life and death, between laughter and sighs. Where memories of the past fade away and the future is uncertain, only the present moment matters.

A feel good mini documentary about a girl coming to terms with having OCD.

A realm of light and shadow blending with sound textures. Moving images and material collages create a dreamlike landscape, awakening something undiscovered and untamed.

Ana Paula (42) and Mariana (25) follow parallel paths as prison officers, far from their roots and emotional ties. While Mariana dreams of a transfer that will boost her career and adult life, Ana Paula longs to return to São Paulo and live in the metropolis. The exhausting days inside the prison units make decisions increasingly difficult in the search for a future. At Christmas time, emotions run high, both because of the prisoners' dream of freedom and the female officers' desire to belong. After all, when all seems lost, who can they trust?

A simple trip to Angra dos Reis turns into an unforgettable moment for nine junior year high school students.

Within photographs that are not their own, a body discovers it has always been part of another.

Experimental short movie shot during Christmas and New Year's Eve.

The Isaan Record spent over 3 years following the fate of people from north-eastern of Thailand who, carrying their hopes of a better life, sought refuge as berry pickers in the forests of Finland and Sweden. They believed that "wild berries" in these civilized countries would revive their lives and help them pay off their debts, so they borrowed money to work there, following the persuasion of the Ministry of Labour and brokers. But unfortunately. They were tricked into working for free and became victims of human trafficking. After working for 3 months, some returned home with empty-handed, burdened with debt. Over the years, reports indicate that there are over 4,000 victims, leading them to form groups to demand justice. While waiting for government agencies to resolve the debt crisis resulting from being tricked into working abroad, a former minister involved in human trafficking and corruption has prospered.

A portrait of avant-garde artist Aurelio Caminati (1922–2008), whose prophetic vision spanned six turbulent decades through a determined compulsion to create.  Set against the baroque intensity of Ireland's wild Atlantic coast and local heritage, the film fuses the raw power of nature with this resistance master's defiant, ever-evolving body of work.  Aurelio Caminati channels nature's fury – declaring nature as the ultimate power source. Rejecting artistic and ideological conformity, Caminati plunges the viewer into subconscious undercurrents arising when storm-force nature trumps conventional ideologies.

Life Beyond Odyssey is a cinematic, introspective journey that explores what happens after the end of a long, defining chapter. Blending emotion, storytelling, and sound, it reflects on identity, growth, and the uncertainty of moving forward when the path that once defined you disappears. It’s not just an ending, it’s a transition into something unknown, where the past echoes but no longer leads.

A short film about the city of Winterthur and migration.

It seems to me that the image of the griffin in my film represents something mythical, something ancient that once existed but which we have forgotten how to see and believe in. In this sense, the Griffin stands on the same level as the myth of Revolution and Love. And I would like to prove to everyone, just as I proved the existence of the Griffin in my dream, that true love and revolution—a change in the world order—are still possible despite the challenges ahead.

Shifts in demographics, economics, climate, and culture are reshaping how we live—and challenging us to reconsider who we build for. This series explores that moment through the lens of research, design, and forward-thinking leadership. The Future We Build brings together leading voices in urban design, policy, sustainability, and development to examine the forces shaping our cities today—and the possibilities ahead. From housing and zoning to resilience and collaboration, each chapter highlights both the challenges we face and the solutions within reach. This is an invitation to think differently: to imagine cities that are more connected, more resilient, and more human—and to consider what it means to build not just for today, but for the future South Florida deserves.

Maiya Devi Pandey, a 70-year-old Nepali woman and her grandson, bond over and discover each other through football.

One Night At Star is a mini-documentary showcasing performances by the bands OGRE, Zookraught, and Happy Death Men at Star Theater in Portland, Oregon in April 2026.

The first month of Spring in the past and the present. A follow-up to “You Are Here”.

Reconstruction of the original vision for Uncharted 4 through extensive research into developer files, cut content, and internal concepts from before the project was extensively reworked in 2014.

Sonja Aigner, born in South Africa and now living in Germany, reflects on identity and belonging after a DNA test reveals connections across the world.Through a quiet and intimate conversation, the film explores what it means to come from a place and whether that answer is ever complete.

‘D’Amore si cresce’ is a project focusing on visual literacy, emotional education and participatory cinema, which has led to the creation of a collective film.

This short experimental docu-film follows Boss Morris, the progressive morris side from Stroud, as they create a new ‘folk beast’. Imbuing it with materials, symbols and ceremonial dancing from and in the local area, it referencea the ancient tradition of Beating the Bounds of a district.

In Marseille, under the rain, the city becomes a living archive of present-day ghosts and future memories yet to be imagined.