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Firewords

A documentary that offers an intimate glimpse of three respected yet controversial Québec writers. Now recognized at home and abroad, Louky Bersianik, Jovette Marchessault and Nicole Brossard have contributed greatly to the creation of a distinctive women's literature. Confirming that fresh approaches to literature are still possible, they have helped to heighten the awareness of the politics of language. Excerpts from their works vividly convey each woman's style, concerns and rhythms. They examine personal and global issues from a feminist perspective: human relationships, work, justice, poverty, loneliness, women's spirituality, and the future.

Firewords

NR 1986
Making Dances: Seven Post-Modern Choreographers

Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.

Making Dances: Seven Post-Modern Choreographers

NR 1980
Igor Stravinsky: The Paris Years Chez Pleyel 1920-1929

Igor: The Paris Years, one segment of a larger biographical program created for Channel 4 on the life and times of Igor Stravinsky, finds the brothers working in a slightly different vein than the one that would come to characterize their later work. This is the first section, which covers the pianist’s “French period” from roughly 1920-1939, and it details, among other things, his connection with Jean Cocteau (who, as a matter of fact, contributes voice work to this project). Filtered through gonzo and impressionistic puppetry (often bearing strong resemblance to the work of Terry Gilliam), the film takes an unconventional and often beautiful stab at the television biography special.

Igor Stravinsky: The Paris Years Chez Pleyel 1920-1929

6.2 1982
Obituary of a Beast

Between 1962 and 1966, sex murderer Jurgen Bartsch cruelly tortured and killed four children in an old air raid bunker in Germany. This documentary examines the personality of the killer who died in 1976 during voluntary castration surgery at the age of 30. Vilified by the press for his heinous crime, Bartsch also became a case study for famous found criminal psychologists like Alice Miller (who maintains that no one abuses without being abused as a child, and murderers tend to have their own childhood abuse denied by the adults around them). Bartsch never met his birth parents, he was raised in a clinic and later adopted by a cold, unaffectionate couple. By the age of 15, he tortured and killed his first child victim. This informative, fact-filled documentary provides enough details for viewers to come away with a broader understanding of the nature of the criminally insane and society's role in their formation.

Obituary of a Beast

8.0 1985
Imagens do Inconsciente: A Barca do Sol

The episode dives into the mystical universe of Carlos Pertius, the son of a family of French immigrants, hospitalized at the age of 29. After facing personal problems such as the death of his father, one day he caught a glimpse of a cosmic image, which he named “the planetarium of God”. He was incarcerated at Praia Vermelha hospital, in Rio de Janeiro, and was diagnosed with schizophrenia. In 1946, he began to attend the studio created by Nise da Silveira, becoming fond of it as if it were his home. His works are marked by the presence of mandalas, signs of his attempts to organize psychic chaos.

Imagens do Inconsciente: A Barca do Sol

8.0 1987
Body Fluid

A skillful, sensual rendering of an intriguing performance orchestrated by the artist. Through a fog-laden atmosphere, iconic figures emerge to perform on a huge turntable. Our look at this garishly lit spectacle is mediated by the gaze of a female Red Guard. All flesh and brilliance, this tape appears to critique popular culture by robbing it of any ostensible content. Hollywood proverb says, beneath the surface of fake tinsel lies only the real tinsel – the detritus of our times.

Body Fluid

NR 1987