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The Myth of Inkarri is a short film shot on 35mm high-contrast black and white film. Using the traditional stop-motion technique, the 17th-century drawings of chronicler Felipe Guamán Poma de Ayala were reused without alteration to produce the famous myth of Inkarri. The short film narrates and recreates scenes in which the Spanish decapitate Inkarri and take his head to Lima; according to the legend, the head is alive and when it is reunited with the other parts of the body, a new Inca will be formed.

This four-episode Swedish documentary series by Arne Sucksdorff draws on footage shot over four years in Brazil—especially in the Pantanal wetlands—and is narrated from Sucksdorff’s personal diary. It combines images of plants, animals, landscapes, and daily camp life with moments of tension (e.g. threats to wildlife) and reflection on humanity’s relationship with nature.

A film record of an exhibition of the late work of Paul Cezanne, organized by The Museum of Modern Art and the Reunion des Musees Nationaux in Paris. The camera moves across details of paintings, as well as details of Cezanne’s studio, providing an intimage, close-up view of the artist’s work. The narration is provided by Cezanne’s own words, taken directly from records of correspondence. 22nd Annual San Francisco International Film Festival Participation- Communication Competition, 1978.

"Rare Documentary covers the history of secret U.S. government research into futuristic propulsion and energy systems. Also discussed are Nikola Tesla and the mysterious devices locked away after his death in 1943, Man made UFO's and the Philadelphia Experiment. Not to be missed by students of Tesla, Free-Energy, and Anti-Gravity".

Conservation service for literary works and bibliographic studies carried out at the National Library of Peru.

This film describes the 1960s drug culture. Addicts discuss their experiences in the United States and in Vietnam. Dr. Stanley Yolles, director of the National Institute of Mental Health (NIMH), talks about the drug culture and the NIMH role in prevention and treatment. The tape describes growth in the use of marijuana and heroin. In 1966, the Narcotic Addict Rehabilitation Act is the first law to give the addict a choice of treatment or jail. Synanon in California is a private, self-help, residential community that helps people deal with their addictions. New York's Daytop Village works not only with addicts on addictions, but on developing a new lifestyle. Methadone, though still experimental, has proved to be an effective treatment for heroin addiction.

French documentary about the Continental Circus.

The meeting in Bogota, Colombia, on Aug 27, 1975, brought together spiritualist from many cultures: Israeli mentalist Uri Geller, Italian surrealist Federica Fellini, American ESP-researcher Edgar D. Mitchell, Colombian fantasist Gabriel Garcia Márquez and Peruan/American anthropologist Carlos Castaneda.

Documentary made immediately after Franco's death, which includes interviews with the dictator's sister and with Alfredo Mayo, the actor who played the lead role in the film 'Raza'.

James “Dink” Roberts (1894–1989) grew up in the “Little Texas” community of Alamance County in piedmont North Carolina and made his living growing tobacco as a tenant farmer. But early in his life he learned the clawhammer banjo style from the older children of an uncle who raised him and from other black banjo players in the community. The film shows him in his family setting performing several kinds of music—playing banjo and singing dance songs, dramatic banjo songs, and even early country blues performed on guitar.

Beavers traces John Ruskin’s legacy from London to the Alps and especially Venice, where the camera lingers on stone and water in dialogue with Ruskin’s writings. Turning pages and images of Unto This Last evoke the critic’s enduring perceptions and political vision, preserved through acts of reading.

Polemical short documentary, produced by Cinequipe.

Documentary about a project to find proper shelter and care for abandoned old folk in Polish villages.

On-set making of documentary featuring rare footage of Altman and Paul Newman during the production of Buffalo Bill and the Indians, or Sitting Bull’s History Lesson

The Ordinary Grand Film is the result of love at first sight with The Ordinary Grand Circus. With film and equipment borrowed from left and right, with the free complicity of all those who appear in the credits, they went on weekends to film a few moments of their tour.

A documentary film composed of private photographs taken from prisoners of Auschwitz-Birkenau. The authors use them to build a story, full of carelessness but also growing tension, about the end of the 1930s, the last days before the outbreak of war.

Socialist Slovenia’s first feature-length experimental film, DAILY NEWS was shot in 1980 on Super-8mm by then-26-year-old Franci Slak, who would go on to become an acclaimed industry director. As its title suggests, the film is a diary in which the author records his observations of the outside world; as Silvan Furlan writes, it “evokes with a certain nostalgia those golden days of the underground, when the freedom of filmmaking was written in capital letters.” Film theorist Jože Dolmark appraised it best: “the film contains a desire to record (not strictly chronologically) the experience of a lived day: what happened to you, what you experienced, or which is more interesting, what you would like the day to look like, according to how you’ve imagined it. I think the entire power of DAILY NEWS lies in this desire of Franci’s for what remained unspoken, what slipped, what remained outside the edges, and what we’ll never know.”

A film about the life of herders and shepherds on summer distant pastures, known as the jailoo. It tells the story of people in a demanding profession, which gives the film a distinctive national flavor.

The film tells the story of the development of Russian and Soviet cinema from the late 19th century to the late 1920s. It focuses in particular on the landmark silent films of Sergei Eisenstein, Vsevolod Pudovkin, and Alexander Dovzhenko, which have become classics of world cinema.

Steina trained as a classical violinist, pushing her experience as a professional musician into the electronic realm with this seminal work. Originally performed in the late 1970s as a live recital with monitors, "Violin Power" began with the idea of generating a video image solely through the sound and movement of the bow. This signal switch, from audio to visual, grew in possibilities and variances as technology continued to expand in the ensuing decades. The most recent iteration of this performance involved Steina working with a MIDI violin and laptop.

Renowned Irish filmmaker, Bob Quinn of Cinegael, spent a week in the mid-1970s following Connemara vet, Maurice O'Scanaill, on his rounds in the wild and wonderful scenery of Connemara. This was long before the advent of mobile phones and, in such a vast and mountainous area, radio/telephone was not a viable option. This made working in the area something of a logistical nightmare but a very scenic nightmare.

A documentary about penguins and orcas.

Rischert talks to inmates and prison staff about the difficult everyday life and conditions in Fuhlsbüttel prison.

Valentina Tereshkova's journey from a peasant girl to the first woman in space. After factory work and technical studies, her parachuting hobby led to joining the cosmonaut program, making her a Soviet hero.

Đurđa lives deep in the forest in a woodcutters’ settlement. The only woman in this men’s world, she does the household chores for the entire community. A film about her work and her life.

Hans Magnus Enzensberger's film about Spanish anarchist Buenaventura Durruti (1896-1936).

Bureaucracy shapes our lives and guides us from the cradle to the grave. This documentary lays bare the idiosyncrasies of bureaucracy, whether in Canada, Austria, Hungary, the Vatican or the Virgin Islands. It also attempts to make the functioning of the public service more comprehensible. The absurdities of bureaucratic behaviour are exposed with humour and irreverence.

Rejecting all propagandistic or narrative convention, Ghazi combined documentary and abstract sequences with a series of discontinuous plot lines to organize a stinging attack on the bourgeois decadence of Beirut's political milieu.

One of Han Ok-hee’s renowned pieces called The Hole uses the flicker, oblique angles, the cross-cutting of reality and fantasy to express inner entrapment and the desire for liberation. Han Ok-hee’s The Hole, The Rope and Untitled not only experimented with cinematic forms of expression, but also played an important role in the protest against forms of expression in experimental films and the artistic protest against the social suppression and censorship in 1970s Korea. (Art Cinema OFFoff)

The Flying Doctors of East Africa (German: Die Fliegenden Ärzte von Ostafrika) is a 1969 documentary film by Werner Herzog about the "flying doctors" service of the African Medical and Research Foundation in Tanzania, Kenya, and Nairobi.

Hier deutsche Volkspolizei (1972) is an East German documentary directed by Andrew Thorndike and Peter Vatter. Commissioned by the Ministry of the Interior of the GDR, the film provides an in-depth look at the operations of the Deutsche Volkspolizei (People's Police). It showcases various aspects of their daily work, from patrolling and traffic control to community engagement, emphasizing their role in maintaining public order and safety within East Germany. Produced by the DEFA Studio, the documentary reflects the state's interest in documenting the work of its institutions and presenting them as integral to the well-being of society.

The film conversation centers around workplace safety and the concept of personal responsibility. Ron and Mary discuss Ron's recent vacation and then transition to a review of recent workplace accidents. These incidents include an electrician falling due to a missing safety cone, a worker getting a shock from faulty equipment, and a drill press operator injuring his finger due to an improperly secured backup bar. They identify a common issue: the "let George do it" syndrome, where employees assume someone else will handle safety checks. They emphasize the importance of personal responsibility in safety practices and propose using these cases in training programs to illustrate the need for vigilance and proactive safety measures. The conversation ends with a story from Ron about a past mistake, highlighting the critical lesson of not taking safety for granted and ensuring one's own and others' safety by not relying on others to always handle safety checks.

A musical illustration of life, where road traffic chaos breeds anger and frustration, but the rail network is fast, smooth and relaxing.

In August 1941, two largest Soviet film studios Mosfilm and Lenfilm were evacuated to Alma-Ata, Kazakhstan. There, together with the newly founded Alma-Ata Film Studio, they were merged into TsOKS (Central United Film Studio), which became the main center of film production in the country until 1944. Now Kazakh film industry veterans who worked at the studio during these years recall the dawn of national cinema and years of work with Eisenstein, Pudovkin, Romm and others.

A look around the south west of Scotland.

A documentary about the electrification process of Skopje, with a special historical focus on the city's past. The work of the electricity distribution service, Skopje plant, in maintaining the electricity network. Future perspectives for complete lighting, as well as the implementation of the plan for modernizing services for electricity users.

A study of the automobile and its pervasive effect on the history of North America. Focusing on the Ford dynasty, from the original Henry car through to Henry II, the film demonstrates how society has adapted to fit the needs of the automobile.

The story of an abandoned baby grey squirrel found by chance in the Oxfordshire countryside.

Albania and neighboring Yugoslavia officially broke ties in 1948. But in 1971, the Hoxha regime was honored to welcome the ethnic Albanian actor Bekim Fehmiu (1936-2010), at the time an international star in Yugoslav theater and film. Before his trip to Albania, Fehmiu had appeared in the popular Italian television smash The Odyssey (1968) and the Cannes-winning I Even Met Happy Gypsies (1967). Dokufest will also feature a photo exhibit of recently-discovered still images taken during Bekim Fehmiu’s Albanian visit.

Record of the patron saint festival of Huamachuco, which is celebrated every year on August 15th.

A documentary exploring the existence of UFOs and examining the possibility that extraterrestrial beings have visited Earth in the past.

Film dedicated to the American artist Andy Warhol.

This film follows Maria Esther, Jose Agrippino's partner, as she falls into a trance; the film takes place in the day-to-day setting of a room looking out over the beach and over the roofs of a house in North Africa.

The author wanted to return to his characters, the grown—up children, whose naivety was so charming in the previous film, "Just Three Lessons", and trace the further path of these children in life, their different destinies.

In 1974, the GDR and the Leipzig festival celebrated the 25th anniversary of the Cuban Revolution with the “Cuban Documentary Film” retrospective. Santiago Álvarez, vigorous propagandist of documentary film as an art of war against imperialist cinema entertainment, spoke at soporific length at the opening.

A 54-minute portrait of Pulitzer Prize-winning composer George Crumb featuring a performance of his "Vox Balaenae for Three Masked Players."

A BAFTA award nominated documentary demonstrating how petrol burns in the engine under differing conditions.

An experimental film to see how much information the eye can take in from continuous single frame images and from single frames of widely different type.

Elvis Presley performance at the Madison Square Garden arena in New York City on Saturday June 10, 1972, the concert, and the subsequent album, were promoted as being Presley's first live concerts in the Big Apple since the 1950s.

Chronicle of the 9-week strike by the kaolin workers of Plémet. The film emphasizes the particular nature of such a strike in a rural commune and in a sector of the old Breton proletariat: that of subsoil mining, almost entirely liquidated after the closure of the Hennebont forges.

How can children communicate with other road users as pedestrians and cyclists? A pantomime also explains sign language.

In the late seventies, a group of Brazilian documentary filmmakers traveled to the ABC region in the suburbs of São Paulo with the purpose of recording a wave of worker strikes taking place in response to the negligence of the increasingly powerful and abusive automotive industry. Documenting striking women metal workers, Olga Futemma and Renato Tapajós’ Trabalhadoras Metalúrgicas is a particularly vigorous work among the films produced during this moment in São Paulo worker history. Scenes filmed during the first Congress of Metallurgical Women of São Bernardo and Diadema in 1978 are intercut with images documenting the appalling working conditions against which the women featured in the congress were striking.