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Does hell exist? If so, who ends up there, and why? Featuring an eclectic group of authors, theologians, pastors, social commentators and musicians, HELLBOUND? is a provocative, feature-length documentary that looks at why we are so bound to the idea of hell and how our beliefs about hell affect the world we are creating today.

Dan Buckley parts the veil on the origins and future of the universe. He investigates the disorder and delight that proliferates in between; the worlds and ideas that rub up against each other and, at times, collide.

The history of Amos, a town in Abitibi-Témiscamingue (Quebec).

For Indigenous peoples the totem pole is the symbol of life, portraying the relationship between humans and animals. Fitting into the landscape of British Columbia, these monuments, witnesses to an ancient and powerful culture, look down at us. The group "Indians of British Columbia" singing group provide a powerful soundtrack as Haida and Tsimshian people talk about poles in their communities.

When Hydro-Québec announced its intention to proceed with the enormous James Bay II hydroelectric project, the 15,000 Cree who live in the region decided to stand up to the giant utility. With unprecedented access to key figures like Cree leader Matthew Coon Come and American environmental activist Robert Kennedy Jr., Power is the compelling, behind-the-scenes story of the Cree's five-year battle to save the Great Whale River and their traditional way of life.

This candid documentary opens the door on the riskiest labour negotiations in the history of the Canadian Auto Workers (now UNIFOR), Canada's largest private sector union. For veteran negotiator Buzz Hargrove, president of the union, the de Havilland/Bombardier talks turn out to be the toughest of his career. Hargrove finds himself doing battle not only with the company, but with his own union locals. Everything goes wrong. Hargrove has to choose between solidarity with his workers or saving thousands of jobs. His decision, the battle that led up to it, and the outcome make for high drama in this no-holds-barred portrait of organized labour in the 1990s. Played on the shifting ground of a globalized economy, "The Negotiator" is a revealing look at democracy, leadership and its price in a high stakes fight for jobs and power.

Over several decades, at least 20,000 Indigenous children were forcibly taken from their homes in Canada and adopted out to non-Indigenous families. Now, four siblings come together for the first time to build the family ties they were once denied.

Far from home and cut off from family and friends, Montreal’s Indigenous homeless population is the focus of No Address. Dreams of a better life in the big city can be met with harsh realities, as the individuals in this documentary recount. Often trying to flee circumstances created by colonialism and the effects of assimilation, the First Nations and Inuit people in this work share frank stories about their lives and the paths that took them to the streets of Montreal. Alanis Obomsawin presents an honest, stark portrayal of endemic homelessness while giving voice to those so often overlooked or made invisible on the streets of every city in Canada.

Marie-Christine, who lost her sight some years ago, explores life in a particularly sensory way ,through her fingertips. Through her personal experience, she awaken her son's curiosity and sense of wonder about the beauty of the universe. Drawing from a constellation of highly textured analogue images and a rich tapestry of sound, Orbit journeys into the sensorial depths of Marie-Christine's memory, pondering the very essence of love and legacy.

Don’t Let the Sun Catch You Crying is a short meditation on love, grief, and imagination. The hand-drawn animated documentary was created through a collaboration between mother, elder and narrator Edith Almadi and filmmakers Natalie Baird and Toby Gillies. This poetic piece celebrates life and the transformative ability of art to elevate and transcend us. Through vivid drawings and Edith’s simple yet magical words, the film explores our enduring bond with loved ones who have passed. In honouring her son’s life within the cosmos, Edith’s artworks embody colours, shapes and metaphors that remind us of the timeless power of love, gravity, and grace until our final breaths.

While members of the competitive cat show community enjoy their newfound fame after appearing in the first Catwalk documentary, shocking allegations emerge about one of the hobby's most prominent members.

Though our world is full of sound, we only notice the noise. Sound can thrill, delight, warn, and scare us. But there's much more to the story. Sound can cure the sick and make the blind see.

Haitians make up the largest black community in Quebec: there are over 40,000 of them, the vast majority of them living on the island of Montreal, where they are often the target of prejudice, hostility, and contempt.

Documentary/Fiction/Experimental film about coming out of the closet.

Fungal diseases, discussed in this documentary, are caused by microscopic fungi. The movie gives some data on their characteristics and how to defeat them.

The rise of National Socialism in Germany and Hitler’s anti-semitic policies and advocation of the superiority of the Aryan race resulted in several calls for a boycott of the games. Against this political backdrop, Jesse Owens’ haul of four gold medals is all the more significant. For a black athlete to demonstrate clearly his superior athleticism and so convincingly outperform his white counterparts was a massive slap in the face for Hitler and made a mockery of his racist theories during his Nazi showpiece games. Standing in the box at the Olympiastadion where Hitler sat to watch the games, Jesse Owens tells with pride that the flag of the US team was the only one not to be dipped as the athletes passed the Führer. (andberlin.com)

Marketing pitches between 1940 and 1970 lead to believe that new technologies facilitating household chores were responsible for women's emancipation in the 20th century. By reusing commercials and television archives, this retrofuturist feminist essay questions this capitalist discourse in order to examine the relationship between women and technology.

This short experimental diary film reveals my struggles with mental illness in my adolescence and queer adulthood while simultaneously reflecting upon my joyous childhood experiences. I investigate when and how my depression began and explain that my relationships with the people I love have supported me through my harder times. The film incorporates footage shot over May and June 2023 and archival home videos. Overall, I aim to resolve my "growing pains" through the medium of diary film and by reconnecting with my younger self.

On a calm Sunday morning in 1978 residents of Bell Island, Newfoundland hear an odd, high-pitched hum, immediately followed by a sudden and terrifying blast resounding for hundreds of miles. Outbuildings are destroyed, livestock electrocuted, televisions explode and power lines vaporize. The Invisible Machine unravels the mystery of the Bell Island "boom" and in doing so takes a chilling look at the U.S. military's experimentation with electromagnetic pulse (EMP) weapons.

A couple raises their four children, but their relationship ends.

On the "fleuve de la Saint-Laurent", a couple of welcome them boat from the world by "hisser le drapeau" from their country and playing their national hymn.

An exploration of the innovative self-help efforts and the radical vision of co-operation in communities across the Canada province of Ontario.

Based on a story by Iranian Sadeq Hedayat, the life of a dog from his prime to his death. The dog's life is a metaphor for Iran—and perhaps for any nation—and its loss of identity.

A subtle combination of documentary and fiction filmmaking, Luo Li’s remarkable Rivers and My Father was inspired by stories from his father’s childhood. Li inventively structures sound, image and narration, evoking the ways in which memory operates.

Empire Valley contemplates cinema’s ability to transmit a confluence of times through landscape—whether that time be geological, personal or political. Situated within Tsilhqot'in territory in central British Columbia, the film addresses the way in which a landscape is carved out and altered in order to suit particular economic conditions. Further than solely contemplating the environmental, economic and social implications of this site’s history, this film is an attempt to grapple with the aesthetics imposed on the landscape by agricultural practices, erosion, and the traces of colonial ideologies.

During this exclusive 2 hour documentary experience incredible people sharing incredible testimonials that feature beautiful vistas, religion, traditions, tragedies, fishery, farming, heritage, culture, and amazing talent

A documentary telling the story of Jim Egan, an outspoken champion of gay rights in Canada since the 1940s and 50s. Egan and his partner, Jack Nesbit, took the Candian federal government to court in a historic attempt to win legal recognition for same-sex partnerships. An intimate and moving portrayal of a relationship that spans nearly 50 years of gay history in North America.

Documentary filmmaker Brendan Langelle Lyle follows Halifax's DIY-band Customer Service on a two week Canadian tour. Stuffed inside a sketchy van and going through the repetitive motions of touring, get to know the band members and learn why they put themselves through the hell of the road.

A documentary about the pigeons that live outside a young man's bedroom window.

A girl learns about caring for a duck with special needs during her first year on the farm. An animated documentary rendered in plant based inks about a little runner duck who couldn't. Director’s Statement: Sosuke was one of the first ducks on our farm. Created over the course of seven years, this animated short tells his story. The animation was created using digital rotoscoping (where the animator traces each frame of live action footage to create hand drawn scenes) and then printed onto over 2,400 pieces of printer paper and coloured in inks made by hand from flowers, nuts, vegetables and berries cultivated and foraged on our farm. This is a story about becoming more connected to ecology, about learning to farm, and what animals can teach us. It is told with colours from the landscape, including acorn, black walnut, goldenrod, sunflower, haskap berry, purple cabbage, sumac and more.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

This production lifts the veil on a little-known disease caused by the bite of infected black-legged ticks: Lyme disease. Discussing its transmission methods, its spread, its devastating effects on victims, the prognostic and the treatments, this documentary reveals an infectious disease growing in Quebec and round the world.

"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my camera. It’s only love: therefore it can’t harm you". Joyce Wieland.

This lyrical documentary short explores the surprising connections between the French-speaking Acadian lobster fishermen of Chéticamp and their neighbors: the Buddhist monks and nuns of Gampo Abbey.

Feature-length documentary on Hauris Lalancette, a Quebecer from Abitibi, who travels and draws surprising parallels between two corners of the country that are considered destitute and left behind. It is also about the search for ancestors and the nostalgia for old jobs that were better, both on the human level and on the technical level.

In 1983, fifteen Cape Breton, Nova Scotia, landowners went to court to stop the spraying of herbicides by the local subsidiary of a Swedish multinational on forests adjacent to their properties. They found that the testimony of scientists and the support of public opinion, both here and abroad, were not enough to win their case. The film shows their ordeal and the landmark Sydney trial. Concerns raised included potential conflict-of-interest situations where a government must protect citizens' health while supporting certain kinds of industry; the relative value of the political and judicial processes in mediating social problems; and the need for a public forum for debating environmental issues. The film contains outstanding footage from chemical-industry films of the 1950s and recent material about Vietnam veterans affected by Agent Orange.

About "crooked" teeth, dealing with the causes of irregular teeth and stressing the importance of early, regular and systematic care of the primary teeth in preventing such conditions.

On 1st April 2017, China launched the Xiong’an New Area project, intending to turn the region into a new megacity. In recognition of the accelerated urbanisation that has left the rural environment in a vacuum, Daphne Xu invites workers and residents to put on a performance in these non-places, thus dealing with a taboo subject with humour. – Tom Bidou

Filmmaker Tammy Jones follows her brother Martin and his partner of 10 years Maxim in their journey to become parents. Maxim, 36, grew up in Russia and Martin, 41, grew up in a small northern Ontario town. They now live in Ottawa. Martin and Maxim have succeeded against all the odds. They welcomed Sasha and Lucas home in January 2012 after years of research, planning, surgery, waiting, expenses, and miscarriages. These brave young men set off on a road less traveled. They are paving the road for other gay couples and LGBTQ people as our society changes and our laws rush to catch up with societal changes.

In the late 1990s, Moncton's Acadian community was forever marked when death struck an high school. In a sweet impressionist film, Samara returns to the city she fled as a teenager to immerse herself in memories that are still buried there, in various places and in dusty boxes containing diaries, photos and VHS tapes. 1999 is not a ghost story, although it is populated by ghosts. The snow-covered streets, corridors and locker rooms of the school are intact, as in a dream, but the absence left by the wave of teenage suicides still resonates with unanswered questions, trauma and regret. Samara meets inspiring people who carry with them great pain and who, 16 years later, can finally comfort each other by breaking a long silence. In the end, the film interweaves different voices and gives rise to a collective reflection on the internalization of mourning and the need to learn to affirm one's desire to survive.

Every day, on the streets of Canada's cities, we pass them on our way to work or school. Bums, beggars, winos, bag people we call them. But who is the person at the end of that outstretched arm? What is life on the street really like? Is there a way off the street? For six years, director Daniel Cross followed the lives of three homeless men who spent much of their time in and around a Montreal subway station. Filmed in a cinema verité style, the film is unique: it humanizes the homeless, breaking down the barrier between us and them, neither moralizing nor offering easy answers. This is a gritty, compelling look at life on the streets that moves beyond the media stereotypes to show both the humanity of the homeless and the street-toughened aspects of their existence.

A short documentary depicting the tense, often brutal events of the summer 1990 confrontation between Mohawks and the Quebec Provincial Police and the Canadian Armed Forces at Oka, Quebec.

A team of astronauts is launched into space during the pandemic. As the planet takes a pause, its inhabitants share their experiences of COVID-19 and the consequences it might have on their mental health.

A writer and her girlfriend engaging with women while touring Toronto.

In the first hour of the two-part back-to-back special, Colleen Stan: The Girl in the Box, kidnapping survivor Colleen Stan tells the story of her seven-year ordeal. Abducted by a sadistic predator and his wife, she was brainwashed, tortured, and largely confined to a coffin-size box. From the very spot where she was first picked up, Colleen provides a riveting first-hand account. She explains how a slavery contract prevented her from running, and how mind control prevented her from going to police even once she was free. In the second hour learn how Colleen embraces freedom, but no matter how much she wants to move on, the past won't go away. When she eventually took the stand at her abductor's trial, she found herself portrayed as a willing participant. Evil may cast a long shadow, but faith and family ultimately allowed Colleen to reclaim her identity and find her mission.

A documentary film"The Triumph of Ukrainian Dance" (1954) Avramenko worked on for 25 years received great international acclaim after being shown in cinemas across the US and Europe. Although largely an American production, the film documents Vasyl Avramenko's impact on the development of Ukrainian dance in such Canadian cities as Toronto, Montreal and Edmonton for over a quarter of a century.

In the gutter and other good places The award winning film documentary In the gutter and other good places by Christine Richey is a multi-spectral view of three Calgary dumpster diving bottle pickers. The film traverses the ordinarily drawn stereotype of the homeless "pickers" of Calgary, and provides another compassionate standpoint on the choices and circumstances that have embodied their current predicament. Richey selects three very different street people for her story all with their unique backgrounds. Challenging assumptions about street people and their image to society, we are introduced first of all

In 1988, the Cirque du Soleil toured the United States and set up its big top in New York City - a grand three-ring circus in itself! - garnering rave reviews. Behind the scenes, artists working in the fledgling Quebec circus talk about what it means to them to be a part of this success, and also the price they pay for sharing the American Dream.

At the age of eight, José shows us his village, Nutashkuan, and everything he loves there.

It is a documentary joining 3 periods of filming in the Mouchouanipi, which is a faraway land in the North of eastern Canada.

A film that mixes fiction and reality to talk about anxiety, a crucial subject today. The premise of the film is that psychological distress among young people has tripled since the beginning of the pandemic.

A documentary unlike any other, The Moody Brood explodes the myth of the idealized, normal family-a popular and pervasive post-WWII notion. The film examines issues universal to all families: the effects of community and religion, the influence of siblings, and the moral standards imposed by parents. Award-winning filmmaker Lulu Keating traces the lives of her 10 siblings from their childhood in the 1940s to present day, from a small Catholic community to the world stage. Along the way, she asks some difficult questions: Can we, as adults, shed past experiences? Or do they shape our whole lives?

The television footage of a wrestling match is employed here as a metaphor for Quebec society. Using voice-over narration, Falardeau presents a compelling analysis of the structure of wrestling and its rituals. The good guy against the evil antagonist, the forces of order and the desires of the crowd. The audience becomes part of the spectacle in this powerful show where wrestlers confront one another under the watchful eye of the referee. It is a ritual of catharsis. The documentary begins with the words, images and sounds of Quebec's political struggle, "SOS F.L.Q. Continuons le combat". Produced right after the October Crisis in 1970, a crucial moment in Quebec's struggle to become a sovereign state, independent of Canada, the tape is charged with the bitter experience and political aspirations of the period. We recognize in this tape, the "Falardeau style" evident through a very strong narration that supports the images till the end, when the video abruptly closes.

Two young girls are drifting in the water of a public swimming pool. The film adopts this drifting attitude as it follows them through nocturnal Montreal and their daily life. Sometimes the two speak English, sometimes Inuktitut. Kathy and Teresa come from a small Inuit settlement in northern Canada. They show each other smartphone pictures of seals and bears they killed themselves. They read about the special relationship between the Inuit and their sledge dogs, which has lost its importance today. Home assignments are done in a park – the scent of the trees reminds them a little of home. They close their eyes. With great tenderness, the camera captures the deep bond between the two best friends who share the same heritage and language. Kathy has written a moving song in Inuktitut. In simple, clear words, she sings of the feelings and yearnings of a young Indigenous woman.

Pianists Kuo-Yen of Taiwan and Pierre Jasmin of Québec met and fell in love while studying music in Vienna. The film is a "letter" from Pierre to Kuo-Yen, who has made the difficult decision to return to her native land. Jasmin is sending her the images, words, and music of their last days as a couple ... in Moscow. They had come there for Kuo-Yen to compete in the 8th Tchaikovsky Piano Competition; how she fared determined her future.

A Documentary film exploring the history and evolution of vinyl records. Featuring Interviews with the experts, musicians and fans alike, 'Stuck in the groove' takes you on a journey of vinyl-mania, music and nostalgia.