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Inside the train from Wengen to Lauterbrunnen, the snow-covered landscape and the darkness of the tunnel, three windows offer serene yet ever-changing impressions.

In his 40s, sculptor JU Ming had already made his name in the early 80s art scene in Taiwan. He then decided to pursue opportunities in New York. During then, HUANG Yu-shan made her first documentary with JU Ming as the subject when she studied at New York University. The film contains footage of JU knocking and carving in his studio and interviews with gallery managers, art critics, and sculptors. This film brings together two New York experiences from two Taiwanese/Asian “exhibitors” who respectively experienced documentary filmmaking and sculpting in the city.

I find myself looking back at memories of the past, where the feelings I hold now have become nothing more than fragments of memory. Everything begins to overlap – who I am now and who I was then. As I walk through the forest, the voice of my past echoes faintly, just fragments lingering in the air...

They are four of the most successful businesswomen in China: Belonging to a generation who experienced the austerity of China's cultural revolution, followed by the subsequent economic boom, they have worked their way to the very top in a patriarchal society. Today, Yang Lan is the owner of one of the leading private media companies. Dong Mingzhu is a tenacious female CEO, heading up the world's largest manufacturer of air conditioning systems. Zhang Lan is a tycoon in the luxury restaurant business. Zhou Yi is a top manager working for a big american IT company. How were these careers built? What are the social and economic contexts in which they operate? And what do these women think about the political, social and cultural state of their country?

Ten years after a magnitude 7.1 earthquake in Yushu, a group of professional musicians search for new voices of Tibetan folk songs in local primary schools. The new generation carries the hopes of Tibetan families, and in their bright voices, we can sense warmth, human resilience, and inner strength.

Joso (josō 女装) is a film collaboration combining anthropology and art film to explore the nature of male reaction and sentiment on the cusp of transformation in contemporary Japan.

Suzuka Ito, the japanese original gravure idol. New Label CURE Start! It is extremely popular "Ito cool down summer chan" Exhibition so much! There is no doubt that you will be healed by a cute smile and slender body. This work was shot in Thailand.

A ordinary village in Jiangxi Province, is the hometown of the director. The youth are heading for the city, the author is anxious of his hometown to be changed too dramatically in the coming days. He records down the precious shots of the villages in its four seasons, and then turns to those youth struggling in the city: their worries, their joys and their missing of the hometown. In the film, the author tries to explore the meaning of hometown for those being forced to look for new chance in the city by the market, although his story is not ending......

Following the 2011 nuclear disaster, the Oura family was forced to evacuate their home in Namie-cho, Fukushima Prefecture. Several years later, their eldest daughter Miran, who had moved to Tokyo, began filming her family because she wanted to scrutinize the concept of being considered “disaster survivors.” Amidst shifting familial relations—gradually revealed to the viewer—and the continual shock of the realities they confront, each family member is seen groping for their own “road home.”

Choi Yuen Village faced demolition by the express rail project. In 2009, villagers protested and petitioned, sparking the anti-express rail movement. Despite their efforts, the railway plan was approved in early 2010. Forced to choose between leaving or rebuilding, they opted for the government’s land rehabilitation scheme to create a new village together. With volunteers, they searched for land in Pat Heung and fought to prove their status as farmers. Many outsiders misunderstood, believing the villagers received generous compensation and government help. Yet, it was the villagers’ shared determination and love for their land and way of life that carried them through, even as the once-barren longan trees bloomed again in 2010.

On a film set where reality blurs into fiction, there is no clear protagonist-only a fluid network of characters who drift between roles as actors and crew. "Chunhee's Wet Dream of Loving a Pig" is a meta-cinematic, carnivalesque experiment born from unfiltered passion, exploring the raw desire for art and the porous boundary between life and cinema.

A cinematic collage of urban life and infrastructure and the natural world throughout South Korea. Shot by Seyoung Lee over the course of 2020.

Propaganda documentary on the Northeast Area Revitalization Plan.

Documentary about Li Ying's film FLYING FLYING.

This film was touted as its country's first full-length "nature documentary." Following the tradition established by Disney's "True-Life Adventures," the film transports the viewers to the loftiest heights of Japan's mountain ranges. Here, the hardy residents struggle for survival against the elements, and do a pretty good job of it (after all, they've been there longer than the audience has!) Especially well handled are the sequences involving the animal denizens of the snow-capped regions.

A film essay about nuclear energy in Japan, composed of newspaper clippings collected in scrapbooks

West Estate spotlights the severe housing problems in Hong Kong, taking the spirit of resistance outside of the protest. The damaged walls in the cage-like tenements reflect the many forms of social injustice as well as Hongkongers’ widespread sense of rootlessness. Connecting three stories from different households like puzzle pieces, the film depicts people’s despair over issues of family, sexuality, love, and freedom.

"We make memories in the journey and look for the evaporative emotions in the blurry memories. Facing the illusion of exotic language, GO-RAKU-EN deconstructs the estranged and complicated feelings of lovers and tries to reflect the essence of loneliness. Eventually, the reality of the sound restruct... Wu used images and sounds taken from the trip to create the experimental piece Go-raku-en (後樂園). "It is so simple and pure. ... It's just that when you don't care that much, it's purity," said Wu, who feels that any form of art is an expression of thinking and an extension of liberty and freedom."

This celebrated documentary, filmed in colour, depicts one of the most famous of all Japanese temples. Horyu-ji, in the small town of Ikaruga outside Japan’s ancient capital of Nara, was one of the first Buddhist places of worship established in Japan, and contains the oldest surviving wooden buildings in the world, dating from the seventh century.

Four people appeared in different films with their memory of the May 18 Gwangju Democratic Uprising. They now take photos in the same place they used to be four decades ago, with similar facial expressions. Forty years later, how would they feel about the memory of the day and the films that tell their memories?

Poet and author Xi Xi is one of Hong Kong's most treasured writers. Though also acclaimed in Taiwan and mainland China for seminal works like the essay Shops, her writings are firmly rooted in the spirit of Hong Kong. Leave it to Fruit Chan, another staunchly grassroots auteur, to make a documentary on Xi Xi's career. Chan sought out renowned critics and writers to discuss Xi Xi's works, starting with 1979's My City. He also juxtaposes photos of a changing Hong Kong with readings of her writings, and even playfully inserts characters from her stories into the film.

"The majority of my 8-mm works were made for the three-minute "Personal Focus" film special put on in Fukuoka. This film is an animation of photographs I had taken on a regular basis as a sort of diary, and was made to have a rough feel to it." - Takashi Ito

Commissioned by the American Center Japan, Idemitsu made a video introducing her husband Sam Francis. She interviewed 5 people about their views of Sam Francis. Those who interviewed were Taeko Tomioka, Toru Takemitsu, Shuzo Takiguchi, Jiro Takamatsu, and Sazo Idemitsu.

Filmed soon after the end of the Allied occupation, this documentary is an extremely valuable record of the production and nationwide tour of “The Hiroshima Panels” at the time.

This was a news film with elements of reenactment. From December 1927 to 1932, 2,000 bus and train drivers were fired, provoking a strike. This film was edited out of footage shot from that strike over a long period.

Haneda’s debut as full director, made after four years spent as an assistant, is set in a farming village in Shiga Prefecture (east of Kyoto). The film depicts the traditional architecture, lifestyles and customs of the village, its agricultural and domestic labour, but its central focus, as with many of Iwanami’s early films, is on education.

LOVEBITES, one of Japan's leading heavy metal bands, brings live footage. It contains the complete performance from "WE ARE THE RESURRECTION" held on March 11, 2023. In addition, it contains behind the scenes and the opening video narrated by Mikey Goodman of SikTh. Includes commentary by the members as sub-voice channel.

Becky's Music Story features all her released music videos and a documentary that includes live footage and her tv program Becky Music Life.

The director, who herself comes from a family near the Demilitarized Zone (DMZ) between North and South, explores an issue largely forgotten between the Korean War and current tensions: In the 1960s, North Korean refugees were settled here in houses provided by the Park Chung-hee dictatorship for propaganda purposes. For decades now, they have lived along the line of confrontation. The most personal border zone runs through their houses, where individual history and collective memory meet.

"A Love Letter to Oneself" describes six young men and women who play roles that are 80 years apart from the Japanese rule and the Republic of China era, concatenating the different identities of the 1930s and 2010s, comparing the two The generational differences in occupations, lifestyles, concepts, and political environment profile the influence of the development of Taipei’s West District on Taiwan’s history.

Documentary on the nature scenery of Heilongjiang.

An attempt to let one's identity emerge by piercing fragments of 8mm film shot over some 20 years. The filmmaker's muttering and breathing reverberate over a series of visual images that invoke the primitive pleasure of an image coming into focus. This is a tribute to the culture of 8mm film, which is nearing its end, and a personal film directed with an approach that sets it apart from other films.

For six years the film follows 3 young Chinese from different social levels, different regions and different mindsets into their adult lives.

After graduating from Joseon school, ✕✕ enters a South Korean university. Jihoon meets ✕✕’s family and friends, sharing meals, drinks, and songs together. Through these interactions, he naturally grows closer to ○○, △△, and ◇◇, listening to their memories of Joseon school and their lives in Japan. These exchanges erase the space of everyday life and question the sense of mission imposed in its place: For whom is it really when we label those living ordinary lives with ‘identity’?

In 2012, reeling from the pain of a broken heart, I met Frank, "one of the best psychics in New York." Frank is a celebrity psychic specializing in love, but he has avoided reading himself. As I begin to read him with my camera and my camera and I become his medium, our relationship develops.

This documentary follows the lives of four elderly Japanese men living in Manila's impoverished districts. Known as "distressed Japanese," they navigate their daily lives with minimal earnings and assistance from others. Despite once having jobs and families in Japan, they find themselves spending their final days in Manila for various reasons. The documentary offers a poignant portrayal of their struggles over seven years.

In this documentary, director Tang records his own son's birth and growing up, his father's recovering from a stroke and a nostalgic trip home to China. (In the 1940's his father evacuated with the Nationalist troops to Taiwan after it lost the Mainland to the Communist in the war. It wasn't until 1980's were people allowed to go home to visit in Mainland China). From his search for the earliest memory of life, with a close observation and sensitivity, he exams the parallels of the different lives of a different time. In his previous work, "HOW DEEP IS THE OCEAN," director Tang ends it with the ultrasound image of his unborn child, representing the beginning of a new life. With this work, "HOW HIGH IS THE MOUNTAIN," it is rather a beginning of a series of questions about life and a continuation of examination of his own life and the longing of a perfect world.

A live rendition of Flood, recorded on 3 May 2001 at Koenji 20000v.

An interview with Japanese writer and poet Natsuki Ikezawa at Angelopoulos' home in Greece.

Director Xiong Zaixia notes: "A 'she' (commune) is the smallest administrative unit since the Tang Dynasty. She Gong is also known as Soil-Ground or Lord of the Soil. I have found that I captured and edited Soil-Grounds in my video works unconsciously. That made me recall something. So I returned to my hometown Shunde, Guangdong several times to shoot and record over 60 Lords of the Soil in Lunjiao Town’s eastern and western villages. I want to explore how such a traditional Chinese folk belief roots geographically, becomes embedded in one’s memory, and shapes a population’s behavior."

The film reconstructs the life of Noriko by selecting scenes from Oz Yasujiro’s films featuring actor Hara Setsuko.

The artist Mucun’s interest is to collect antiques and old objects. He likes to hang out in flea markets and second-hand junk stalls to hunt for treasure. To him, the tens of thousands of old things piled up at home are just the epitome of people's life history and life memory. The film "Dream is not a residual image" reflects Mu Can's inner artistic ideal, a strong surreal style, and a high standard pointing out the "incomplete" aesthetics.

Docudrama starring dollmaker Keisuke Okuyama.

Soji-ji (1979) is a video work documenting a chant recitation at a Zen temple. The chant recited by many monks does not proceed in unison like group singing. Each monk recites in sync with his breath, so that the intake of breath occurs at different moments. That is to say, each monk articulates the chant differently. Since there is no unified division, when the multiple chants overlap, an endless wave of chant (sutra) appears as a collective density or modality (at the same time, each monk’s steps form a totally different rhythm from the individual chants).

Documentary about stage actor Izumi Aoyagi

An interesting peek into an anime studio in 1984, with a heavy focus on early usage of computer graphics in anime.

Shangri-La (2023) journeys through Mongolia from an intercultural perspective, reflecting on tradition, modernity, and the tension between indigenous and Western belief systems. As filmmakers from industrialized nations — Germany and South Korea — we critically examine our own positions as outsiders, questioning the ways in which histories, environments, and ways of knowing are perceived and represented.

Before my thirty-fourth birthday, I underwent emergency surgery at the ER. I’ve been diagnosed with stage 3 endometrial cancer. Enduring the tough chemotherapy, I sense that it changes the way I see the world and how my body experiences it. It also recalls my memories of my grandmother who fought against kidney cancer but passed away in pain. I realize that I have never thought about my fear of death even though I filmed my grandmother's funeral eight years ago. With a 25cm surgical scar from my navel to the perineum, I now pick up the camera to confront my deepest fear of death with the desire to live, standing on the border between death and life. 25cm is a personal essay exploring the question that a person, undergoing the tough treatment, asks oneself: Is life worth living despite the overwhelming pain?

Asakusa’s Mokubatei is the only theater in the Kanto region that regularly bills rokyoku—a form of narrative singing accompanied by shamisen. Backstage, a variety of lives intersect, and the art is passed down from practiced singers to the younger generation. The film’s main character is Minatoya Kosome. It follows Kosome from her growing enraptured by rokyoku singer Minatoya Koryu, then becoming the legend’s apprentice—until to the day she is formally announced as Koryu’s successor and namesake.

The world is full of flaws; life is far-from-perfect. It is all the more challenging for people with disabilities. Joanna and King are facing their darkness, as they are losing their eyesight bit by bit. Baobao is hearing-impaired since birth, she cannot communicate with the others but her greatest desire is to speak and express herself. Hazel has cerebral palsy and cannot walk; even though wheelchair can replace her legs, she is fed up with the prolonged pain. Life is strenuous, but Joanna, King, Baobao and Hazel rediscovered the passion for life when they embarked on a journey to the theatre stage, making the impossible possible. Light Up is a documentary about the struggle of the four protagonists against their personal restraints in the Hand in Hand Capable Theatre, witnessing how they made their way to the stage after difficult but ultimately positive training and rehearsals.

Here in The Worldly Cave (Fán Dòng), the Hakka people have all moved away from the place where generations of their families lived. Before the execution of the new development, all the villages on this land will soon be buried into continuous muck dunes. On the open grounds, there stocked huge piles of second-hand machines which would be resold in the southeastern countries. Estate investigation teams gathered in different groups, were talking about the potential prices of the land. After passing some huge muck dunes, between two higher muck dunes, the hunters built their sheltered pits and bird traps in the air. They tied a bee to a transparent string as it would lead them to the beehives hidden in the cracks. Fishermen even found a source of fish in the swamp that connects the groundwater. The men and women in the giant ferroconcrete caves on the clouds were still chattering about the bullfrogs from lunch.

A NHK Music Special episode which retraces the life, wide-ranging talents and creative works of Yukihiro Takahashi, internationally known both for his solo-artist works as well as a member of YMO and the Sadistic Mika Band. This documentary consists of various archival footage and is narrated by Miu Sakamoto.