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Goodbye, Mother

“This film discloses the responsibility adults bear towards children whom they abandon. This is a problem of society’s responsibility to its future. The war ended long ago, but the children’s homes were overflowing in the 1960s. When I found out about this, I was simply dumbfounded. I did not want to read the viewers a lecture, but hoped to affect them on an emotional level. This is one of my most beloved pictures. This is a motto of kindness, mercy, a message from man to the individual, this is the problem of a person’s responsibility to the future” (director Mikhail Litvyakov).

Goodbye, Mother

NR 1966
Towards Tomorrow: Robot

Documentary from 1967 on how robotics could shape human society. Your future is being created now - for better or for worse? How close are we to constructing the robot of the future? Will there be one in every house? How human will It look? These are some of the questions this programme tries to answer. Isaac Asimov, science fiction writer and prophet of the robot age, introduces the programme and predicts a future in which man and robots form a combined culture. A culture in which, to use his own words, 'mankind may want robots not only as helpers and servants but also as friends, as something with which they can identify'. Towards Tomorrow explores laboratories in England and America to discover how near scientists and engineers are to turning Asimov's science fiction into science fact.

Towards Tomorrow: Robot

NR 1967
Doppler Effect Version II

A sequel of his previous 1967 homonymous experiment, Doppler Effect II moves one step forward in the mission of organising seemingly random stock footage along a rhythmical axis. By using found footage of diverse origin - political announcements, animal life, porn - and intertwining it with images recorded by Agnew himself-- cityscapes, abstract light essays-- the film abandons any attempt of evoking meaning of any sort and focuses on a strictly formal exercise centred on time intervals and micro-relations between small sets of images. The soundtrack, recorded by Duane Hitchings (known for his collaborations with Miles Davis and Hendrix, but also for his Flashdance OST) on a Moog synth, is an engaging exercise in abstract sonic dynamics and an essential part of the Doppler experiment in that it not only provides different aural settings for the diverse footage presented throughout the film, but also aptly sets the pace for the fast succession of synched images.

Doppler Effect Version II

6.0 1969
Yeats Country

Yeats Country is a lyrical film commissioned by the Department of Foreign Affairs to commemorate the centenary of the birth of William Butler Yeats. The first Irish film by cinematographer and director Patrick Carey celebrates the landscape of Yeats’ poetry through stunning photography, narrated by Tom St. John Barry. Evocative images of the west of Ireland illustrate the poet’s life including Thoor Ballylee Castle where he lived, Coole Park, home of Lady Gregory where literary figures of the period socialised, Lissadell House, Knocknarea Mountain, the slopes of Ben Bulben, the waterfall at Glencar and finally Yeats’ grave at Drumcliffe. It was nominated for an Academy Award for Best Documentary Short in 1966.

Yeats Country

7.3 1965
Drugs Are Like That

[…] Though the highs and lows of human experience are all here, it's often the gimcrack set design and fashion chops in these vintage clunkers that really wow – the pot-holder sweater vests, ponytails decorated with yarn, hippies with crumb-catching moustaches, banana-seat bikes and a hard rain of Quaaludes and amphetamines to illustrate the dangers of drug addiction. It is hard to believe anyone would buy the goofball cause-and-effect of that pill-popper's weather pattern in "Drugs Are Like That". Co-produced by the Miami Junior League and narrated by Anita Bryant in this cheery little hand-slapper, a kid stealing cookies from a cookie jar is implied to be headed down a bad road to Bowery bum rolls and LSD parties. (from: http://clatl.com/atlanta/av-geeks-greatest-hits-lessons-learned/Content?oid=1268313)

Drugs Are Like That

2.7 1969
Douglas Point Nuclear Power Station: Design and Construction

A comprehensive treatment of technical and engineering aspects of Canada's first large nuclear electric power plant at Douglas Point, Ontario. The film shows the design, machining and assembly of component parts, and the special properties of the materials that went into the construction, as well as some of the exhaustive tests that were made before the station went "on power." Produced for the NFB by Crawley Films Ltd. for Atomic Energy of Canada Limited.

Douglas Point Nuclear Power Station: Design and Construction

NR 1969
Maître Galip

Maître Galip is the most poetic and powerful of Pialat's Turkish Chronicles, using the poems of Nazim Hikmet to accompany a series of evocative images of ordinary working class people in Istanbul. This was the film that Pialat himself claimed was the most complete realization of what he was aiming for with his Turkish documentaries. It's not difficult to see why this was his favorite: here he abandons the historical commentary and documentary observation of the other shorts in favor of an emotional emphasis on the lives of the poor and the unemployed.

Maître Galip

7.3 1964
The Love Life of an Octopus

An octopus slithers into a narrow crack near the shore; we see its eye up close. It feeds on a crab. In spring it's time to mate. A male grabs a female; he inserts his third arm in her respiratory cavity. We watch another pair: a larger female is the aggressor here. Mating is repeated over hours and days. The female releases strings of fertilized eggs that hang from the roof of a nest. She guards her spawn for a month, fanning the strings to circulate water for oxygen and cleanliness.

The Love Life of an Octopus

6.7 1967