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When Rodrigo was a child, he would eat at his grandmother Marité's house and wait until his aunt Montse came home from work. Without sitting down, Montse would fill a plastic bag with a loaf of bread, a container of food, empty plastic bottles, and a hot brick wrapped in newspaper. She was going to take the food to someone. One day, she decided to take Rodrigo with her on one condition: no talking. Eighteen years later, he remembers nothing.
Five Argentinian women, with missing relatives from the military dictatorship that ruled the country, explain their emotions and feelings about all that happened.
A documentary about the death of Cadet Marco Amarilla in a military academy in Paraguay, a death that was initially reported as a suicide, but was revealed to be a cover-up in a country where dozens of other young men have died in military facilities.
The life and military career of Peter Brill, the last surviving Luftwaffe pilot who had trained for Hitler’s secret, aborted mission to bomb New York City.
Recovered Zulueta short.
Searches about how we've gotten historical imagine. In the school children are describe us the pictures of their history books, the ones from Casasola's picture files. Offering us a testimony about the educational process and the power of photography in the construction of the historical speech.
The documentary "Juanas, bravas mujeres", by Sandra Godoy, portrays the life of Juana Rouco Buela and her fight for women's rights.
This animated documentary about the vision of the Colombia war by displaced children using their original drawings and their testimonies.
Look at a moment of a city turned into a cemetery. A dialogue between the living, the dead, gods and monsters that coexist on the mundane level. Two people protected behind a camera. Which of the two turns that tool into a noble weapon and who into a throwing knife with the blade dipped in poison?
To know you have to imagine. Perform an act of rhetorical detour to long something that was not known. To know you have to imagine the document. Not every documentary is a record alone without apparent alteration -that there is a camera already implies, after all, the alteration of a system of things-; Perhaps there would be another form of documentary closer to what was imagined, to the possibility of a document that would not exist otherwise.
A man spends the night at an hotel in an unnamed city in southern Chile. It's late and he finds himself unable to sleep. He's bored. He feels confused about what to do next. He wishes to eat and to urinate. He's sexually excited. The image of a naked woman appears on the TV screen.
Documentary film about the life of musician and theater writer Juan Antonio Castillo "Canta" (Córdoba, 1966-1996), known as "Patuchas" by his friends.
A colorful, poetic and lush journey in this beautiful Colombian village Jericó through the eyes of eight women of all ages and social conditions.
How would you claim your identity in a hostile land? How could you live under harassment and repression? How would you make your voice break through the walls of silence? Sahrawi young people living at the Occupied Territories (O.T) are required to study at the occupying country. But a river resonates all over the desert...
Cybernetic memories of jugs, tuned cars and pills kept in a drawer emerge with the anthem of the best time in the history of Spain in terms of having a good time.
In Bolivia, in a small mountain village, the daily rhythm seems marked by a time that no longer exists, by nature’s invisibles forces, by the will of the gods. In this place where there is no longer a difference between dreams and reality, during the festival of the dead, one can almost hear the voices of those who are no longer there, creating an invisible bridge between past and present.
221 / 5 000 Through archival images and interviews with those who knew him best, we explored the key moments in Carlos Esteva's life, from his beginnings in Menorca to his rise as an iconic figure in the world of wine.
L’Angeleta has turned 100 years old. She lives in an old masia of shepherds where she once arrived to work as a maid. As she contemplates the forests from her window, the outside and the inner worlds, the border between what is real and what is dreamt dilute.
A series of interviews to relevant personalities who lived the valencian transition to democracy.
Walking through the ruined streets and houses of Belchite and Corbera d'Ebre is like revisiting the summer of 1937 and 1938, when German aviation and Franco's artillery devastated the cities. Today, the ancient cities are a silent witness to the violence and brutal consequences of the Spanish Civil War.
A documentary about Argentina's rock's scene unrecognizated father. A legend that never got famous, a legend that was in all photos but he never save them. The side B of history always hides a secret.
A little town, a rural hospital and there a Doctor who assists his patients, who auscultates them, that controls blood pressure and set them medication, but, above all, a doctor who sits down and talk for long with them.
Part of the crew of Honor of the Knights travels to La Mancha to see the real settings of Quixote’s life in order to shoot a film.
In Aurizberri there are nights when women disappear without a trace, and there are those who speak of witchcraft… The inhabitants of this Navarrese town get in front of and behind the camera to unravel the myths and mysteries that hide in the daily life of the place.
Film diary about the process of grief caused by a sentimental rupture.
Empty rooms, a chambermaid, Velázquez and Goya.
This documentary wants to pay a small tribute to Barcelona's LGBTI older people, both the pioneers of the movement and those who are anonymous, narrating in first person the events that have marked their lives, such as religious education, Franco's repression , democracy, the first LGTBI associations, AIDS or gay marriage.
Grandpa, why did they try to kill you? The documentary addresses the animic changes that the filmmaker experiences while he tries to understand the participation that his grandfather played, as a civil associate, during the last military dictatorship in Argentina. The role that he played as the Dean of the Architecture Faculty at the University of Buenos Aires, as a link with the concentration camp ESMA, is one of the multiple topics that grandpa "Pico" narrates in camera.
Between the ages of two and three, children already know which gender they belong to. One in 10,000 males and one in 40,000 females feel the opposite gender to the one they were assigned at birth. The first signs of transsexuality can appear very early. The families of all the protagonists in the documentary agree that their children have, almost from the moment they began to speak, expressed with surprising insistence and firmness that they belonged to the sex opposite to that of their genitalia.
A musician and composer who grew up in Tacuarembó, Eduardo Darnauchans, was one of the main creators of popular music in Uruguay. He was persecuted for political reasons from 1962 to 1984, and this documentary covers his life and work as a reflection of that troubled time.
Pandero, a documentary that focuses on the empowerment of women, the Basque language and culture. It gathers testimonies and narrations of several women; from their mouths we will learn about the role of this instrument in the contemporary history of Euskal Herria.
An audiovisual investigation into the way Spanish cinema has represented its audience throughout history, and a tribute to those who, for over a hundred years, have inhabited the theaters, mutually nurturing their deepest dreams and aspirations.
The growing popularity of Japanese animation has a large female component, with filmmakers such as Mari Okada and Naoko Yamada and cartoonists such as Lolita Aldea (Virtual Hero, the El Rubius series). There is a proliferation of Spanish singers who are successful in Japan (idols) and the "otakus" have "come out of the closet." Experts, YouTubers and professionals from the world of manga and anime such as Diana Calleja (RamenParaDos), Manu Guerrero (Selecta Visión), Lolita Aldea, Marc Bernabé (translator) and Isabel Espada (Norma Editorial) talk about this.
16mm in-camera-edited symphony portrait of the anachronistic city of Burbank through its most iconic neon signs
"Eterno Voto de Gracia" is a documentary that narrates, with the help of historians, the events for which the festivity of the Rocío Chico is celebrated.
Berri Txarrak's 20th anniversary documentary.
"Several times a day, for many months, I went out to the terrace of my house to look at the terrace next door, which is the terrace of a nursing home. I went out as soon as I got up and before going to bed, as in a ritual. And soon, over the course of the weeks, I went out several times a day to look at that space, a window between two concrete blocks, a mysterious door, the light on the ceilings." (Gustavo Fontán)
In 1976 Spain abandoned its last colony, the Western Sahara, in the hands of Morocco. Since then, the Saharawi people have been divided between those who stayed on their land and those who fled the Moroccan persecution. Those who escaped survive in the desert, in extreme conditions and in the face of the helplessness of the international community. This film, directed by the journalist Helena Villar, was recorded on the occasion of the 40th anniversary of the Sahrawi resistance and is dedicated to the struggle of the tens of thousands of inhabitants of the Western Sahara
In Eduardo Williams’s video, scales are flipped and imperceptible movements are unveiled. Images from a camera passing through a digestive system and gazes into the far distance sustain each other with the tension of celestial bodies.
Immersion shows us the fascinating life of aquatic animals that are habitually submerged in the warm waters of a neighborhood pool. People of all ages and conditions do what they can to develop in an environment that, in principle, is not theirs. The film, shot entirely underwater, is a literal immersion into the environment where life originated. A descent into the emotional depths of the individual.
Early on, Ugo Ulive, with his short film Como el Uruguay no hay (1960), seeks to raise awareness and involve the viewer in political action and its radical transformation. Through a collage of animations, archival footage and a counterpoint sound montage, Ulive attacks traditional left-wing and right-wing politics and exposes the contradictions of a pillar of national identity: Uruguay's famous democracy. Note that we are in 1960 and while the voice over presents Montevideo as "a small agitated city", the images show a tense scenario with social protests and a politicized urban space with the presence of mounted police.