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MCA. La llucha eterna

A documentary film about the story of MCA, a political organization that emerged from the anti-Franco movement, and which played a key role in the Transition and the 1980s in the structuring of new social movements, feminist, pacifist or environmental, as well as in numerous neighborhood and trade union struggles, and more specifically in the case of Asturias in the linguistic reclamation movement or in the renewal of the San Mateo festivities with the chiringuito Pinón Folixa.

MCA. La llucha eterna

NR 2026
Broken Glass

Broken Glass is the name of a jelly dessert beloved by the filmmaker's daughter. The film begins as a simple cooking video and gradually unfolds into a zoetrope-cake animation experiment, accompanied by the author's reflection on her childbirth experience. As motherhood challenges the self-destructive perfectionism deeply ingrained in her creative process, she searches for a gentler way back to artistic practice within the routines of meal preparation - one that embraces imperfection, vulnerability and transience.

Broken Glass

NR 2026
Who's Afraid of Zurita de Oliveira?

This film celebrates the life and work of Zurita de Oliveira — musician, performer, composer, and author — widely recognized as the pioneer of rock & roll in Portugal. She turned music into an act of defiance, forging a path at a time when there was little room for free-spirited women. Through songs and testimonies, the film reclaims her memory and transforms her previously unheard lyrics into a gesture of resistance, sung and performed by the women of today.

Who's Afraid of Zurita de Oliveira?

NR 2026
Two Dads, And Me

Santiago was born prematurely, with little hope of survival and the risk of being forgotten by both his biological parents and a system that rarely guarantees a stable home. The documentary follows Víctor and Fernando, the first gay couple to marry in Baja California, as they face years of discrimination and bureaucracy in their fight to adopt. Their struggle sheds light on thousands of children left in institutions and affirms a simple truth: every child deserves to grow up in a loving home. Santiago’s arrival, "love at first sight", transforms a legal battle into an act of justice and tenderness.

Two Dads, And Me

NR 2026
In the Path of Giants

In Southern Bangladesh, hungry wild elephants trapped by the world’s largest refugee camp are rampaging over the land of local farmers. The result is a tense three-way stand-off between the refugees, local Bengalis and indigenous farmers, worsening already strained ethnic tensions. In 2017 Bangladesh opened its arms to nearly a million Rohingya who fled a violent regime of ethnic cleansing in Myanmar. But the camp built to house them unknowingly blocked the last migratory corridor for the local elephant population. With no easy escape, a Rohingya refugee, an indigenous farmer, a Bengali forest ranger and the shrinking population of wild elephants find themselves trapped in an impossible fight for land, freedom and a place to call home.

In the Path of Giants

NR 2026
Sensus Communis

The circumstances of artists associated with their studios are very diverse. In an era where it is difficult to occupy even one square foot of residential space due to inequality in space due to economic and social conditions, artists who own or rent studios to produce art have continued to walk a tightrope between thinking and reality. How is it possible to do what you want to do? Depending on the type of work and socioeconomic conditions, the method of occupation, size of space, and method of utilization are very different.

Sensus Communis

NR 2026
Landscapes in White: Elephant Point, 2025

Three archaeologists from the Landscapes in White/ArqueoAntar project (LEACH–UFMG) scan archaeological sites left by 19th-century marine mammal hunters at Elephant Point, Antarctica. During the expedition, they are struck by an unexpectedly green landscape, contrasting with research records from a decade earlier, while TerrAntar scientists collect fungi increasingly present in the polar environment. Soon, successive storms erase the green, revealing a landscape in unstable transformation.

Landscapes in White: Elephant Point, 2025

NR 2026
Death Reigns

In 2022, radio hosts and music promoters Raven Moonla and Zach Moonshine organized an underground metal music festival in small town Tennessee. In doing so, they became a target for outrage from religious fundamentalists and conservative politicians, as well as a rallying point for those outside of the Bible Belt’s constrictive culture. Death Reigns follows Zach and Raven’s Metal Devastation Festival, its impact, and triumph over the forces that attempted to silence it.

Death Reigns

NR 2026
Limits

A collective and performative video work, carried out following a series of group-generated instructions: the requirement that the filming member of the collective appear, either fully or partially. Each member of the collective produces 45-second recordings on the previously agreed-upon theme and submits them every two weeks at a specific time, It is not edited, except for the assembly of three of the events; there is no hierarchy and no individual authorship, only that of the collective. All the content revolves around the concept of the limit.

Limits

NR 2026