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Miedo/Fear

We live in a society that, to a certain extent, allows itself to be ruled by an Empire of Fear. The origin of many historical events can be traced back to repression, to loss, these events converge to form a catastrophe of such magnitude that the wounds never heal. A vicious circle is thus created, which contributes to the preservation of fear. The idea here is to construct a new context for the images; to imprint on the images a personal perspective by virtue of which they can be transposed to a subjective level. In this way, to raise the question of whether the events can be read from one's own perspective, from a different place.

Miedo/Fear

NR 2007
El crimen de una novia

This documentary tells the facts Lorca inspired to write "Blood Wedding", through the eyes of Maria Botto, actress whom Rafael Amargo intends to participate in the girlfriend role in a montage, mixing theater and dance, on the well-known work of Spanish poet and playwright. What initially began as a simple interest of an actress to know and understand her character, ends up becoming a rite of passage in search of the reality of the facts, the crime of Níjar, occurred on July 22, 1928 in a small town Almeria.

El crimen de una novia

NR 2006
Secrets of the Struggle

The journey of a young woman, who travels to Uruguay in search of what really happened to her family during the darkest years of the Uruguayan dictatorship. Through her father's eyes and her seven aunts and uncles' confessions, she tries to understand why they kept their memories silent for so long. From the French Bask country to South America, she follows their steps and explores their individual struggles, whether these were through union or legal political actions, or through clandestine activities within an urban guerrilla organisation called the Tupamaros. A silence that has left so many wounds yet to be healed.

Secrets of the Struggle

NR 2007
Andean Sheperdess

A journey through time, memory and experience of Aymara women of the Chilean Plateau, 4200 meters above sea level. Through their voices we'll present their points of view on Gabriela Blas, a local pastor imprisoned for the lost of her three years old son, while looking after her Llama herd. Days go by as we listen to their reflections on motherhood, life and death, in this abandoned land, were grazing Llamas and Alpacas is the sole breadwinner in a world in retreat, abandoned on the Andes mountains.

Andean Sheperdess

NR 2016
Notes on the Other

On July 13, 1924, Ernest Hemingway was on a balcony in Pamplona, Spain and saw a wounded main lying on the other side of the street. He became consumed with the feeling that he was that man, seeing himself in the near-dead Spaniard who had been attacked by bulls. "I am him," Hemingway later wrote. It was the very first time he wanted to be someone else, so he created the character of the adventurous writer. Notes on the Other follows the example of Hemingway's remarkable sensation in the form of an annual Hemingway lookalike contest in Key West, Florida. Dozens of older men do their utmost to be Hemingway, but what are they looking for?

Notes on the Other

5.5 2009
When We Meet

“We met at the start of winter. Now it is April. To start this letter, we want to show you the city that we’ve got to know and filmed together.” In this way begins the film that was collectively created by a group of young migrants to tell the story and experiences of six people who migrated to Barcelona a long time ago. The group of filmmakers invite us on a journey which is, at the same time, exterior, poetic and introspective, through the city, the trees and the moon. A celebration of cinema and the possibility to share life and make the world a bigger place.

When We Meet

NR 2023
We Were Left Alone

Raúl records his routine on the high seas with a mini VHS. It's 1991. On board his first ship, the Raúl Primero, he records what words can't explain. On dry land, his son, Adrián, has just been born. Thirty years later, Adrián embarks for the Gran Sol, guided by those old recordings that his father filmed between networks, storms and dawns. In the solitude of the boat, with the engine vibrating in the chest and the wind hitting the deck, he tries to understand the distance that separated them. Recording his own journey, between memories and movement, he finds a way to approach, as if filming he could tell his father what he never dared to pronounce.

We Were Left Alone

NR 2025
2020

Madrid was one of the hardest-hit regions in the world by the pandemic of Covid-19. When the state of alarm was declared in March 2020, awarded filmmaker Hernán Zin grab his camera and went out to portray it from all fronts: hospitals, ambulances, nursing homes, funeral homes, fire department, police and army operations.He got exclusive access to places and situations that few filmmakers in the world had due to the effort of the politicians to keep the press out of the hospitals and nursing homes.

2020

7.3 2020
Life and Death of an Architect

In February, 1968, José Ferragut, the most important architect of Mallorca, was found dead in a field. The case was closed for lack of evidence. During the 50’s and 60’s the beginning of tourism changed the reality of the Mediterranean countries. Amazing landscapes were transformed for tourism exploitation Ferragut fought against the corruption and uncontrolled development of the coast and got enemies by politics and developers. But Ferragut had another problem. He was gay in a society who criminalized and goes after the homosexuals. Therefore he lived a double life until his dead making him an introverted and depressive man. 50 years later, Life and death of an architect wonders how and why this man was brutally kill in 1968 by two man prostitutes.

Life and Death of an Architect

6.0 2017
Despite Treblinka

In 1942, nazi leaders met in Wansee to organize the final solution to the Jewish problem. The Warsaw guetto was first. Treblinka was created in a rural village near the Polish capital. 900.000 Jews and 500 Gypsies were murdered in 13 months. On August, 1943, the prisoners revolted and destroyed the camp. Only a few survived. Less than 10 worldwide remain today. Despite Treblinka tells the story of Mr. Rajchman, Mr. Wilenberg and Mr. Teigman. The movie follows the protagonists' paths in fairly chronological manner, from pre-war years, through Treblinka and the uprising, to the recent past and present, where a series of vignettes, often hilarious, show the possibility of living “despite” the horror.

Despite Treblinka

8.0 2002
Young Man's Dream and a Woman's Secret

Filmmaker Philip Haas traveled to the southernmost tip of Madagascar to meet Efiaimbelo, a man in his mid-sixties who works as a funerary sculptor. The film follows Efiaimbelo as he travels to an isolated area in the countryside to cut down a special tree for sculpting. He makes it into a pole of geometric shapes, which he then tops with a finely honed sculpture of a cow. This beautiful sculpture is funerary piece, designed to ornament a grave. The film features remarkable footage of huge tombs covered with cow antlers and poles like the one we see Efiaimbelo sculpt. The tops of these poles are decorated with all sorts of animals, people and tableaux associated with the dead person. Very little has been known or seen of this funereal and artistic tradition outside the region and the film provides an extraordinarily rich visual experience.

Young Man's Dream and a Woman's Secret

8.0 1990