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Taking on Water

In the fall of 2021 playwright Robert Chafe set out on an interview tour of eastern Newfoundland, asking residents of coastal communities why they live where they live, and how they might see their future. The responses offer a new way to think about the love, risk, and resilience of living on the edge of a changing ocean. Produced and directed by award-winning filmmaker Barbara Doran and Jerry McIntosh, Taking on Water takes the audience through the process of developing the musical-dramatic performance of the same name from local conversations about ocean and coastal change to final performances on the stage.

Taking on Water

NR 2024
Encounters with Sharks

Imagine a beautiful day at sea, the magnificent waters allowing you to feel weightless and serene. And then you see it - the infamous single fin moving slowly in your direction. You panic...why? Man has always lived in fear of the shark because these predators represent for most, the epitome of evil and voraciousness. Ease your fears and join John Stoneman as he sets out to dispel many of the myths that surround the shark. But, don't get to comfortable. As John Stoneman will point out, there are certain species that must be feared.

Encounters with Sharks

NR 1999
Where the North Begins

“Where the North Begins” was one of the 4 original regional portrait films commissioned for the first season of Ontario Place (the others being "North of Superior" (IMAX), "Seasons in the Mind" (70mm), and "Home By The Waters" (35mm anamorphic). The film was directed by David MacKay who was the producer for "A Place to Stand" and then directed "Ontario-oh!". Although "Where The North Begins" was commissioned by the Ontario government, Dave's subversive and wicked sense of irony does come shining through, as does his heartfelt beliefs.

Where the North Begins

7.0 1971
In My Parents' Basement

Three adult children have returned to their parents' home to live. Future dreams, past failures, and the present struggles of daily life are captured in close-up over a nine-month period. Through conversations, anecdotes, arguments, and unpredictable emotional highs and lows, it sheds light on the myriad of issues triggered by adult children moving back in with their parents - a growing phenomenon in today's society. As the documentary unfolds, it becomes painfully clear that being a parent or a child is a lifelong calling that requires patience, compassion, and strength.

In My Parents' Basement

8.0 2002
Before Seriana

Mom, you brought me back to our homeland. All I know about these harsh landscapes I learned from books written by the hand that burned these mountains. I try to undo the colonial myths engraved into my memory, but the hills escape my gaze. Do you think I, too, have become the white djinn spoken of by the legends surrounding our martyrs? Avant Seriana is an essay film shot in Super 8 in the Aurès region of Algeria. Observing the landscapes of my native land, I realize that they are divided into several images and times. Two different countries are formed : the Algeria of the mountains and an imaginary one born of the tales I've read in colonial archives. My gaze no longer belongs to the places where I was hoping to return to my roots.

Before Seriana

NR 2024
Tales from the Winnipeg Film Group

The explosive story of how a stubborn band of independent filmmakers started a film co-operative that became the most highly respected and mythologized film centre in Canada. Tales outlines the tremendous importance and impact of Winnipeg on the national filmmaking scene. Packed with rare archival footage, dynamic film excerpts, and hilarious interviews, this documentary traces the history of the legendary Winnipeg Film Group. We hear candid behind the scenes stories that illuminate the storied rise of acclaimed filmmakers like John Paizs (Crime Wave), Guy Maddin (Tales From The Gimli Hospital, My Winnipeg) Shawna Dempsey and Lorri Millan (We’re Talking Vulva, Good Citizen, Betty Baker) and Caroline Monnet (Ikwe). Often mired in controversy, the Film Group has been acclaimed at film festivals around the world – attested to by several Toronto film luminaries in the film – for subversive, original filmmaking. This documentary continues that tradition of bold, exuberant work.

Tales from the Winnipeg Film Group

NR 2017
Slushy Noobz Out of Character -- The Documentary

Unseen but always present, the lens drifts through the rise of Slushy Noobz -- capturing the chaos, the creation, and the quiet battles behind the scenes. Tension flickers in and out as management shifts, plans evolve, and the machine keeps moving. Moments of frustration dissolve into laughter, progress, and the relentless push forward. Then, as Slushmas looms, the focus sharpens -- the work, the pressure, the culmination of everything before it.

Slushy Noobz Out of Character -- The Documentary

NR 2025
Work(ing Together) in Process

On a quest to obtain some misdelivered camera batteries, Sam finds himself in a Rotterdam-based sex shop. Here he meets Marty who works there, and this chance encounter turns into a cinematic project between the two. When Sam turns the camera towards this new stranger, the two end up embarking on a year-long journey to create a film together. Their shared process of self-discovery turns this playful desktop film into a profound meditation on the nature of non-fiction film.

Work(ing Together) in Process

NR N/A
Too Close for Comfort

Nick, a high school basketball player who is fired from his after-school job at a video store when his boss is informed of his HIV status. As the information spreads, some of Nick's friends immediately reject him because they incorrectly assume that he is gay; however, some of his other friends rally around him and start to work on an educational video about HIV and homophobia, inserting the film's educational component as they interview real people living with HIV about the disease.

Too Close for Comfort

NR 1990
Lesbiana: A Parallel Revolution

A parallel revolution was born out of the feminist movement of the 1970's, coming to an end around 1995. Filmmaker Myriam Fougère takes us on a journey to meet the lesbian writers, philosophers and activists who were key players in creating a revolutionary sisterhood. From Montréal to Texas, by way of New York, Myriam encounters lesbians who chose to live only among women. This marginal yet international movement is brought to life through archival footage and photographs, and evocative interviews with these courageous women, many of whom are now in their seventies and eighties.

Lesbiana: A Parallel Revolution

2.5 2012
Hand of God, Hand of the Devil

In April 1994, the international community sat by and watched while a million Tutsi men, women and children were massacred in the central African nation of Rwanda. Hand of God, Hand of the Devil, the second volume in the three-part Rwanda series, explores Canada's role in the development of the genocidal ideology that took root in Rwanda, which was considered the "jewel" of Canadian aid in Africa. This video focuses on the murder of two Canadian missionaries, killed for having protested against corruption and human rights violations. Brother François Cardinal, who worked at the controversial Rwandan college, funded by Canadian aid money to the Rwandan president's advisors. Like countless others in Rwanda, his killers were never found. Hand of God, Hand of the Devil raises disturbing questions about Canada's role in Rwanda. Having assisted the former regime, will Canadian aid now sow the seeds for a new crop of killers?

Hand of God, Hand of the Devil

7.0 1995
Jazz Slave Ships

Jazz Slave Ships was a site-specific performance collaboration between Vancouver artist Jan Wade and London-based performer Vanessa Richards that involved the creation of an ancestral altar. It took place in two U.K. ports in October 1996: on the West Coast in Whitehaven, Cumbria (the last English slaving port), in an 18th century bonded warehouse used to store liquor and guns used in the slave trade; and on the East Coast in Hull, Yorkshire in Wilberforce House, the birthplace of the anti-slavery pioneer William Wilberforce and now a museum of anti-slavery. The production took place over a 3-week period that began Sept. 30, 1996.

Jazz Slave Ships

NR 1998