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A Waste of Space

Osher, Michelle and Eitan were evicted from their homes as children and transferred to foster care. These are supportive and stable families, but with a specified expiration date - when the boy / girl turns 18. The biological families are in a state of dysfunction and are absent. The film accompanies the three towards the end of the last year as part of the foster care and the first year of independence. The personal relationship that develops between them provides them with a supportive, stable and shaky framework at the same time, similar to that between the drowning person and the straw. Without the protective patronage of the foster care framework that has loosened or expired completely, they are exposed and swayed to the wind when past traumas burned into their minds may erupt and crush at once what has been built, or seemed to have been built, with much toil and torment.

A Waste of Space

8.0 2020
Cinematographer

The life of Donald M. Morgan, one of Hollywood’s most prolific artists, is a unique, rags-to-riches story about a man who’s had a life-changing effect on the people around him, both personally and professionally. By sharing stories of his lengthy career, working with filmmakers like Robert Zemeckis, John Carpenter and Joseph Sargent, Morgan recounts pivotal moments in the art of filmmaking for over four decades, through interviews with fellow greats Owen Roizman (The Exorcist) and Jack N. Green (Unforgiven). But at the heart of the film is an emotional journey along the road to recovery in an industry that is ripe with dysfunction and addiction. Inspiring, heartbreaking, and funny, “Cinematographer” shares the story of one of the film industry's finest human beings.

Cinematographer

NR 2020
The Past We Can Never Return To

In September of 1940, an 18-year-old mechanic named Marcel Ravidat was walking his dog, Robot, in the countryside of Southwestern France when the dog disappeared down a hole. Robot eventually returned but the next day, Ravidat went to the spot with three friends to explore the hole. And after quite a bit of digging, they discovered a cave with walls covered with paintings, including over 900 paintings of animals, horses, stags, bison and also species that are now extinct, including a wooly rhinoceros. The paintings were astonishingly detailed and vivid with red, yellow and black paint made from pulverized mineral pigments that were usually blown through a narrow tube, possibly a hollowed bone, onto the walls of the cave. It would eventually be established that these artworks were at least 17,000 years old.

The Past We Can Never Return To

10.0 2020
Shots from Outside

The camera opens a window to the outside world life for the detainees and students of the Second Chance School in the prison of St. Stefanos in Patra. The voices of the attendees and their on-demand film shots from outside illustrate their hopes, as their dreams gain form, color, and sound, in a sunset, in the sound of the waves, in the open sky. A documentary made during a filmmaking workshop organized by the cultural organization Neaniko Plano, in an attempt to connect the worlds inside and outside.

Shots from Outside

NR 2020
Threshold

An autobiographical documentary made by a mother who follows the gender transition of her adolescent son: between 2016 and 2019 she interviews him addressing the conflicts, certainties and uncertainties that pervade him in a deep search for his identity. At the same time, the mother, revealed through a firstperson narration and by her voice behind the camera that talks to her son, also goes through a process of transformation required by the situation that life presents her with by breaking old paradigms, facing fears and dismantling prejudices.

Threshold

5.6 2020
Y&I Go Outside

Brener and Imara fill their time with frenetic activity at home during the Corona pandemic. As lockdown rules are eased they brave it and go outside. It’s scary though, and they return rapidly to the virtual cocoon they’ve become used to. Beyond the immediate time-frame in which it’s set, Y&I Go Outside speaks to the increasing recession of human life from nature to the artificial and also questions what is more real, an unconnected ‘natural’ life, or connectedness via the virtual.

Y&I Go Outside

NR 2020