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Spin

Pirated satellite feeds revealing U.S. media personalities’ contempt for their viewers come full circle in Spin. TV out-takes appropriated from network satellite feeds unravel the tightly-spun fabric of television—a system that silences public debate and enforces the exclusion of anyone outside the pack of journalists, politicians, spin doctors, and televangelists who manufacture the news. Spin moves through the L.A. riots and the floating TV talk-show called the 1992 U.S. presidential election.

Spin

7.0 1995
The Children of Ivan Kuzmich

When the turmoil of contemporary Russia was settling in the 90th and everyone's existence was starting to resemble some kind of normality, we were wondering what life was like for the generations of Russians who grew up in the midst of oppression,... suffering through wars and revolutions and who during the culmination of their lives, experienced a new world of freedom and democracy and... turmoil. What was it like to go to School in Moscow in the beginning of the thirties? What happened to the students once they graduated and faced the realities of life and how did they... normal, down-to-earth people... weather the storms of their existence?

The Children of Ivan Kuzmich

9.0 1997
Kestrel's Eye

Swedish filmmaker Mikael Kristersson directs this austere yet beautiful experimental documentary about two European falcons. Shot over the course of two years, Kristersson manages to fashion a narrative without the use of voice-overs or music, showing the falcons as they forage for food and tend to their eggs. Much of this film, though, is spent viewing the world from the falcons' vantage point -- high up on a 13th century church steeple, watching the groundskeeper tending to the village cemetery and the choir boys growing tired of a long religious procession. ~ Jonathan Crow, Rovi

Kestrel's Eye

6.3 1998
Privilege

Privilege is an intelligently conceived, boldly anarchic, and wickedly insightful exposition on the culturally ingrained and socially divisive malaise of isms that artificially define and characterize empowerment in contemporary society: ageism, sexism, economic elitism, and racism. Yvonne Rainer conveys texture through the intercutting of archival footage, video, and film - as well as compositional layering through the film-within-a-film structure, elliptical (and self-referential) fusion of past and present, and the filmmaker's idiosyncratic penchant for superimposed typed text.

Privilege

4.7 1990
Atman

The final film in The Trilogy of the Sacred and the Satanic, Atman is a spectacular epic across India, all documented on stunning 35mm. When his mother dies, a devout Hindu man named Jamana Lal begins a 3,000-mile journey in her honor. The destination is the holy city of Haridwar, but to get there, Lal, a 35-year-old whose legs have been paralyzed since childhood, must travel up the Ganges River. He is joined by his brother and his wife as well as by director Pirjo Honkasalo and her small, intrepid crew. Midway through, a miracle occurs, as Lal crosses paths with a kindhearted woman named Shanta. Atman blossoms into a love story for the ages.

Atman

7.0 1997
Hidden Faces

The film was originally conceived as a portrait of Dr. Nawal El Saadawi, the well-known Egyptian doctor, writer, and women’s rights activist. But the director was disappointed by the encounter with the woman who had been her great role model. Instead, she set out to discover what life means to Egyptian women by visiting her female relatives. Her mother, aunts, and neighbors talk about life as a married woman, about the traditional clitoridectomy of girls, about love and sexuality. The result is a very impressive and extremely personal film.

Hidden Faces

NR 1991
Black Nations/Queer Nations?

This is an experimental documentary chronicling the March 1995 groundbreaking conference on lesbian and gay sexualities in the African diaspora. The conference brought together an array of dynamic scholars, activists and cultural workers including Essex Hemphill, Kobena Mercer, Barbara Smith, Urvashi Vaid and Jacqui Alexander to interrogate the economic, political and social situations of diasporic lesbians, gay men, bisexual and transgendered peoples. The video brings together the highlights of the conference and draws connections between popular culture and contemporary black gay media production. The participants discuss various topics: Black and queer identity, the shortcomings of Black nationalism, and homophobia in Black communities. Drawing upon works such as Isaac Julien's "The Attendant" and Jocelyn Taylor's "Bodily Functions", this documentary illuminates the importance of this historic conference for Black lesbians and gays.

Black Nations/Queer Nations?

NR 1995
Crazy

The haunting experiences of Dutch U.N. peacekeepers are woven together by the powerful influence music has had on their endurance, survival, and memories of war. This documentary is filled with close-up interviews, scrapbook photographs, video clips, news footage, letters read aloud, and other recollections, as different generations of Dutch peacekeeping soldiers recount the trauma of bloodshed from Korea to more recent events in Rwanda and the former Yugoslavia. Their trusting, and often disturbing, personal revelations resound most poignantly when they talk about the single pieces of music that each found powerful enough to keep insanity at bay.

Crazy

7.3 1999
Half Japanese: The Band That Would Be King

A documentary covering the rise of extremely alternative band Half Japanese: from the early days when Jad and David Fair recorded loud music in their bedroom for distribution via mail order cassette tape, to their contemporary incarnation after David's departure for married life and Jad's increased stature among musicians and critics. Includes interviews with Jad, David, Mo Tucker of Velvet underground fame, and Penn Jillette, who produced an album of theirs.

Half Japanese: The Band That Would Be King

7.8 1993
Dziedot dzimu

The 20th Latvian Song and Dance Festival was the first in which compatriots from all corners of the world gathered in a free Latvia, including those who had gone into exile in the West and those who had been forcibly deported to Siberia. Director Dzintra Geka also brings together those who were unable to return to their homeland – footage for the film was shot in Sweden, at the 6th European Latvian Song Festival in Norrköping, where Latvian Minister of Justice Laila Freivalde, who is of Latvian descent, marches alongside her compatriots, and in Siberia, in the village of Lejas Bulāna, where Latvian women sing "...because this is Latvia, this is Bulāna...". The older generation of Canadian Latvians also dance at the festival with the Dardedze dance group from Toronto, while Mārtiņš Brauns prepares his song Saule, Pērkons, Daugava (Sun, Thunder, Daugava) for the choir.

Dziedot dzimu

NR 1991