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Through a poetic language, "White Noise" seeks to reflect on the whitening processes that Brazil suffered for 130 years, after the abolition of slavery. How it affects our offspring and makes it difficult to search for the identity of black people in a historically racist country.
The members of Jota Quest recall their beginnings in Belo Horizonte, the city where the band used to meet, compose their first melodies, and create fake managers to protect the "Funk disco soul" band who refused to sing covers. After becoming one of Brazil's most beloved band, they visit some iconic places in their career.
Konãgxeka, in the Maxakali indigenous language, means "big water" - It is the Maxakali version of the flood story, sent by the yãmîy spirits as a punishment for the selfishness and greed of men. The illustrations for the film were made during a workshop held at Aldeia Verde Maxakali, in the municipality of Ladainha, Minas Gerais.
"A Little More A Little Less" is a simple, low-budget and no voice-over documentary. Images of São Paulo from above and pictures invite us to a trip that shows,as the directors put it, that one’s pain is a tragedy, and the death of millions, a statistic.
The band Bixiga 70 is the subject of the documentary by Rubens Crispim Jr., which portrays the symbiosis between the music produced by the group and the elevation effect it causes in people.
A hug movie, for the biggest storyteller in Latin America.
The film also recorded the beginning of the pandemic in China through the lens of international correspondent Marcelo Espíndola, roasting in São Paulo, Santos, Manaus and Pará. As well as Dr. Roberto Eballos (Doctor and Master in Immunology), Dr. Gustavo Pasquarelli (Infectious) and 23 other health professionals.
A prolific composer and one of the most celebrated poets in Brazilian music, Paulo César Pinheiro is the author of Canto das Três Raças and O Poder da Criação, among other samba, samba-enredo and song classics. Partner of Baden Powell, Tom Jobim and Edu Lobo, was created by Elis Regina, Clara Nunes and Maria Bethânia. Here, sitting on his couch, he reflects on human nature and leads a journey that evokes and involves big names in MPB, covering half a century of music, from the height of the festival era to the period of protest songs against the military dictatorship.
The movie "Augusto Boal and the Theatre of the Oppressed" shows the path of the dramaturgo Augusto Boal at the creation of a theatre that has as objective to transform those who participate it in a spiral of changes, in an oppressing society. Along the trajectory we see Boal's intellectual search and the transformations of the Brazilian society, from the 60s to nowadays. The spectator will meet the numerous uses of the Theatre of the Oppressed around the world (there are groups in 77 countries) and how they manifest in different situations, characterized by the relation between the oppressor and the oppressed, from the biggest to the smallest powers.
A journey between five towns whose former prosperity has waned; a surprise journey into a family history.
An irresistible journey through the universe of the singer and composer that revolutionized the song in Brazil and influenced generations of musicians, paving the way for movements such as Bossa Nova and Tropicália.
The documentary portrays the situation of black dancers on the national scene, paying tribute to the black body and its rhythms. Making use of consecrated and contemporary names from the universe of dance in Brazil, the production reproduces a history of black dance in the country.
The creative process of the first crochet fashion collection fully developed by male prisoners in Brazil and presented at the country's main fashion event, The São Paulo Fashion Week.
Through artistic manifestations, a group of LGBTQIA+ people performs public stagings that raise debates on issues of gender, social inequality and prejudice in the streets of downtown São Paulo. Messing with the popular imagination and providing debates, the artists explain their daily struggles to anyone who is interested in acquiring a new perspective on the most subtle layers of intolerance.
A documentary about Dona Ana, a lady who created a nursery and saved and helped the lives of many people.
The film shows the creative process of a land art artist Jean Paul Ganem through his path over the last 20 years. The documentary touches everbody by its transformative power of the art and by revealing recreated landscape in agricutural fields in France and Canada, in the suburbs of Paris and Montreal, and now, also in the heart of São Paulo.
The movie is a collage and comentary of varied third party footage on news relating to each and every one of the eight Presidents of Brazil who took office since the end of the military government, from José Sarney to Jair Bolsonaro.
The documentary offers an overview on the transformations in the Brazilian socioeconomic process from the 30s to present day, with a group of economists and historians giving their commentary about the topics.
Documentary about older female prostitutes
Fancy Pea is a Brazilian documentary produced, written and directed by Werner Schumann, in the year 1985, reporting facts about the life and work of the Brazilian writer, poet, translator and professor Paulo Leminski. The program was shown on TV in 1985 and 1989 (at the time of the death of the writer).
Jonas is 13 years old and his life's dream is to maintain the circus that he created in his backyard. While he faces this challenge, he will live the adventure of growing up.
Recife, undergoing so many changes, was the scene of a party of joy and tension, sports and politics. A happy experience, but full of the contradictions that make Brazil be Brazil and here wins the face and the space of Recife.
An intimate, experimental documentary in which co-director Wesley Pereira turns the camera on himself to explore his daily life, desires, and inner turmoil. Set in his home in Sergipe, Brazil, the film blends mundane routines with candid reflections on sexuality, erotic desire, cinephilia, and mental anguish. Openly gay, Wesley examines his own vulnerability, shame, and longing, creating a raw portrait of queer existence and self-exposure. Fragmented and non-linear, the film stretches time and emotion, embodying its title: one minute can feel like an eternity when suffering. It is a bold, introspective meditation on identity, isolation, and the challenges of living authentically.
NOIRBLUE opens space to fiction and an atlantic navigation of some peripheral bodies. This exercise interrogates presence, absence, speeches and time to produce an extemporary dance aligned to two specific colors: the blackness of the skin and the ultramarine blue pigment.
Video presentation of the Vito Giannotti Occupation, located in the port area of Rio de Janeiro. This video was produced as part of the Luta Pela Moradia No Centro Da Cidade project, a 4-year ethnographic research project comparing different models of social housing in the central region of Rio de Janeiro. It involves a team of 8 international researchers from 3 universities: Syracuse University (New York), King's College (London) and Universidade Federal Fluminense (Rio de Janeiro).
Documentary on the social movement of homeless workers and the occupation of abandoned buildings in São Paulo, Brazil.
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
Street scenes from Salvador, Brazil and Harlem, New York.
Katia Tapety became the first trans woman elected as a politician in Brazil - councilwoman for three times and one time for vice-mayor. This film is the result of a 20-day-living period with her in her small town testifyng some of her experience and the impressions of those around her.
It examines the daily life of the residents and cops at a Rio de Janeiro favela one year after the arrival of a Pacifying Police Unit.
Images of the Minas Gerais backlands (human types, geographical aspects, domestic chores) with texts by Guimarães Rosa, extracted from Grande Sertão: Veredas.
In 1979, while Brazil was going through the troubled moment of the Amnesty Law, Glauber Rocha directed the program Abertura for TV Tupi, in which he interrogated a contradictory and boiling Brazil head-on, full of utopias but always under the weight of secular wounds.
Short documentary about the female "cartazistas" working across Brazil. Produced for the 2025-26 exhibition "Letras & Filetes: Memória Afetiva e Latinidades".
The film begins with the implementation of the Paulo Gustavo Law in São Manuel, a town of 40,000 residents in the countryside of São Paulo, to open a broader conversation: what happens when public funding reaches the cultural sector? And why is there still so much resistance to that? Through interviews with funded artists, cultural managers, policymakers, and spontaneous conversations with local residents, the film reveals a reality that goes beyond the borders of a single town, drawing a wider picture of the relationship between art, public policy, and everyday life. The documentary features historian Célio Turino, creator of the Pontos de Cultura program, and congresswoman Jandira Feghali, rapporteur of the Aldir Blanc Law. The screenplay is co-written by Turino and director bagadefente.