Discover Movies

9,086 Matches Found

The Little Richard Story

Klein goes on the hunt for Little Richard, the legendary ‘Architect of Rock and Roll’, who quit show business in 1957 at the height of his fame to become an evangelist. Richard was then lured back to secular music in the 1960s and 70s, but the excesses of stardom led him to a second retreat from the stage. For years he struggled to reconcile his religious calling with his flamboyant rock-and-roll persona, and at the time of filming, Klein finds Little Richard selling ‘Black Heritage Bibles’ for a Nashville couple. Sensing that his image is being exploited, Richard quits his sales position and deserts the film. But Klein turns this into an opportunity to reconstruct Richard’s personality through the words of his family and friends in his native Macon, Georgia, and to celebrate his status as a cultural icon by filming scores of Little Richard impersonators and adoring fans in Hollywood.

The Little Richard Story

9.0 1980
Mirror

A gallery, divided in two by a wall with a large two-way mirror. Bowery appears on one side under a spotlight, only able to see his reflection. On the other side, the audience watches. Sounds of insects and the street outside can be heard. Different scents, like banana and marshmallow, fill the room. This was the set up of Bowery’s first performance in a gallery. In October 1988, he posed at the Anthony d’Offay Gallery, London, for two hours each day, across five days. He wore a new look every day, selected from those he had worn over the last four years. The spots suit, checkerboard dress, and green feathery jacket were remade by designer and corsetier Mr Pearl (some of which are displayed in Room 2) due to the originals being covered in ‘disco dirt’. Bowery worked closely with the gallerist Lorcan O’Neill, who had invited him to perform, the artist Cerith Wyn Evans, who also filmed and edited the video documentation, and DJ Malcolm Duffy who worked on the sound.

Mirror

NR 1988
Dearest Dziodzio

"Dearest Dziodzio" was filmed using quotes from letters Rosa Luxemburg wrote to her lover, the revolutionary labor leader Leo Jogiches, during her stays in Poland, Germany, France and Switzerland in the years 1893-1905. With historical photo and film montages, mixed with newly shot material, the film tries to give an insight into the life problems, the thoughts and feelings of Rosa Luxemburg. The film is enriched by the recordings of the original letters, which are read out by the director, as well as by drawings, watercolors and herbaria by Rosa Luxemburg.

Dearest Dziodzio

NR 1981
Sex Maniac's Guide to the U.S.A.

This a compilation of three mondo-style documentaries from the father of American mondo cinema, director Romano Vanderbes. He is credited with a 3-part documentary series called "This Is America" [1977], "This Is America Part 2" [1977] and "America Exposed" [1990]. This documentary contains all the "sex-related" stories from the series. It travels across the country in search of the kinky and the bizarre. Title song "America the Beautiful" by The Dictators.

Sex Maniac's Guide to the U.S.A.

1.0 1983
Being and Doing

About Performance Art and its historical origins including its links with folk customs. The film includes extracts from the work of many different performance artists from England and abroad collected from 1979 to 1983, amongst them: Tibor Hajas (Hungary), Rasa Todosijevic (Yugoslavia), Iain Robertson (Scotland), Zbigniew Warpechowski (Poland), Milan Knizak (Czechoslovakia), Natalia LL (Poland), Ewa Partum (Poland), Jan Mlcoch (Czechoslovakia), Sonia Knox (Northern Ireland), Jerzy Beres (Poland) and Stuart Brisley (England). The film also records the Haxey Hood and Padstow Hobbyhorse folk dances from Lincolnshire and Cornwall respectively.

Being and Doing

NR 1984
Heimkinder (2). Warten bis der letzte von uns da ist

The second film begins in early April with Tarkan's return. He wanted to go back to Hamburg with the stolen 800 marks. The next night, Christian is gone. The group travels on to Lisbon to start investigating Christian's whereabouts. At the same time, school starts again. Christian has once again been caught by the police stealing a car. Three days later, he is back with the group. An educational attempt at clarification begins: Why did he run away? Why did he steal? Why the cars?

Heimkinder (2). Warten bis der letzte von uns da ist

NR 1985
Nude Portraits – Gundula Schulze

Photographer Gundula Schulze wrote her graduate thesis on "nude photography of women in East Germany". It's a subject she continues to pursue in her photography. She considers the stereotype of superficial nude photography anachronistic, and talks vividly about being at pains to develop a relationship of trust with the women she photographs. Schulze wants to show what makes up the "whole woman", living up to her position in East Germany. Scenes of women in the professional world have been edited into the film.

Nude Portraits – Gundula Schulze

8.0 1984
The Belmont Report: Basic Ethical Principles and Their Application

This short film describes the three basic ethical principles that underlie research involving human subjects: respect for persons, beneficience, and justice. The film illustrates their application in case studies of biomedical and behavioral research; it also shows the principles at work in the resolution of ethical conflicts. These guiding principles are intended to protect research subjects, even as medicine and research continue to change over time.

The Belmont Report: Basic Ethical Principles and Their Application

NR 1986
One Day in the Life of Television

One day in the life of television is a documentary that was broadcast on ITV on 1 November 1989. Filmed by over fifty crews exactly one year earlier, it was a huge behind-the-scenes look at a wide range of activities involved in the production, reception and marketing of British television. The project was organised by the British Film Institute and produced and directed for television by Peter Kosminsky. A book by Sean Day-Lewis was published to accompany the documentary. It contained the thoughts of people throughout Britain, including industry professionals, who recorded their feelings and experiences of television viewing on 1 November 1988, the day that the documentary was filmed.

One Day in the Life of Television

NR 1989