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A rare film by the legendary filmmaker Mustafa Abu Ali, one of the founders of the Palestine Film Unit, the first filmic arm of the Palestinian revolution. Shot by a French news team, the footage was edited by Mustafa in Lebanon to produce one of the earliest films on the occupied territory in Gaza. Scenes of the Occupation from Gaza employs experimental editing tech- niques to produce a cinematically and politically subversive film. The film won the prize as best film at the Damascus Film Festival in 1973 and was screened at multiple festivals. It was the only film produced by the Palestine Cinema Group, which in 1974 became the Palestine Cinema Institute.

Short documentary by Aleksandar Ilić.

Andrees’ graduation project approaches the perky 14-year-old Jacki mainly through her social environment: the stressed patchwork family mother, the solitary long-distance truck driver father, the eclectic neighbourhood. The closer the film gets to its protagonists, the freer the movements of the camera become, gliding through a studio as if in a trance or flying over the nocturnal motorway as if over a UFO landing strip.

In this satirical rendering of the history of American intervention in the Philippines following the Spanish-American War, the silent movie format with lively ragtime piano music is combined with a dramatically understated narration and excerpts from "newsreels" of the period to reveal the nature of American attitudes toward Third World peoples and significant parallels with contemporary American foreign policy.

Palestine in the Eye chronicles the profound impact of Hani Jawharieh’s death for the PLO Film Unit. The film reflects on his life through interviews with family, colleagues, and his own cinematography, including the moment of his death while filming for the Unit in 1976. Although the film has later been attributed to Mustafa Abu Ali, the Unit’s method of work was to describe everyone as a collective of “workers,” and we see this in the film titles, which collectively list the names of all those who participated as a non-hierarchical collective. Through this reflection on Jawharieh, we are offered an understanding of the workings of the Palestine Film Unit and its international connections.

An audio-visual film by Klaus Wyborny that focuses on various houses, their patterns and structures.

In Thailand, three Japanese soldiers, left in the jungle more than a quarter of a century after their country's defeat, come together to discuss what their life was like during and after the war. Part two of Imamura's quest for Japanese soldiers who stayed behind after the war.

A particular method applied in Yugoslavia in group therapy for alcoholics served as basis for this film.

This film focuses on the approaches that several cities have taken to one problem. Through various examples, it examines the implications and options for a pedestrian-oriented city core. Ninth in Régnier's ten-film Urba 2,000 series.

A BAFTA award winning documentary. Locations for the film range from Alaska and the southwest of the USA to the Eastern woodlands. It depicts geologists, archaeologists, anthropologists and scientists from other disciplines piecing together the clues to man's rise from ice age hunter to builder of complex societies more than 2000 years before Columbus set sail for the New World.

Shot in Lebanon in 1975 just before the civil war. The director delivers a nuanced account of the complexities surrounding the Palestinian issue.

About a painting workshop with children aged 7 to 12 who create artwork inspired by the sea and sand.

The graffiti covered walls and trains of the New York City subway, superimposed on the images of a woman ultimately claimed by the graffiti artists.

Experimental documentary that reflects the historical and socioeconomic situation of rice cultivation in Valencia and its crisis, while researching the material production process, both of this agricultural product and of the means of expression used: cinema.

In the next episode of the series "America of the Seventies" political observer Valentin Zorin travels through the most "European" city in the USA, the capital of jazz - New Orleans. Throughout the country from the northern borders to the Gulf of Mexico, the mighty Mississippi carries its waters - a river toiler, a river that feeds many generations of Americans who have lived and now live on its banks. At its mouth, at the confluence with the Gulf of Mexico, is New Orleans. However, this New Orleans is not so new. In the past, the center of the possessions of the French kings in a new light, and now the largest city, port in the south of the United States.

A documentary exploring the mysteries of the Bermuda Triangle, an area of the ocean between Bermuda, Miami and Cuba into which many boats and planes have mysteriously disappeared over the years.

1975: Alan Evans, aka the Rhondda Legend, was making decent money for playing darts.

Something of a formal and thematic template for his subsequent work, Frank Cole’s first short film brings a terrifying mixture of intimacy and distance to bear on his aging grandparents.

At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.

An interview with Ernest Mandel directed by Frans Buyens in 1972.

Alan Watts talks about our perception of the world, and how we derive metaphysics from it. Watts recorded this video in 1971 as a pilot for a public television series in the United States.

In addition to music by Family and Procol Harum, you can hear a composition of percussive natural sounds—rain drumming on the window—and...

Filmed in 16mm during 1978 - to highlight the sophisticated social, medical, educational infrastructure that the PLO built during the 70ies in the refugee camps in Lebanon. The documentary is a cinematographic testimony of the Palestinian effort to build a secular and pluralistic society, based on the participation of the people and thus strengthening their feeling of national identity and dignity. PRCS was shot in practically all the Camps in Lebanon, from Nahar el Bared in the North to Rashidiye in the South, from Nabatiye to Beirut - Sabra, Shatila and Burj-el-Barajneh. Among the personalities in the film are Abu Ammar (Yasser Arafat), Dr. Fathi Arafat (President of PRCS), Dr. Sait Dajani, Yusuf Iraki, Abdelaziz Labadi.

A documentary film about the remote island of Grímsey, the people that live there and the islands copious birdlife.

An exploration of the nature of journalism that focuses on Fukuoka Nichi Nichi newspaper reporter Kikutake Sunao, with reenactments of scenes from his life, in which he is portrayed by the actor Mikuni Rentaro.

F*** Off! shows no false respect towards the authorities in its impudent and candid reportage of the developing country/welfare state Finland. It is a cinematic parallel to Donner's New Book of Our Land (1967). The travelogue focuses especially on Finland's outsiders, low-paid workers and the unemployed. In desolate provinces, the inhabitants of a cold and barren country either humbly abide their fate, choose to move to Sweden or take refuge in excessive drinking. These images are accompanied by protest songs based on Donner's own prose and the lyrics of poet Jarkko Laine. Perkele is embodied in big business and the political elite.The jagged (anti)aesthetics of the film correspond to the underground movement and the radical politics of the time. The camera agilely penetrates everyday life. Though opposed to censorship, Fuck Off! itself transgresses the boundaries of privacy.

After two months of a hard-fought strike, accompanied by a day-and-night occupation of the premises, Jeune Afrique's workers were the victims of a court order authorizing their CEO, Bechir Ben Yahmed, to have them removed by the police. If they resisted, they risked falling foul of the law against rioters. To avoid the African comrades being deported from France, the strikers decided to leave. But before leaving, they organized a demonstration of solidarity with hundreds of journalists from the traditional and revolutionary press.

Writer and pedagogue Fernand Deligny influenced a number of artists and French intellectuals. His work on autism influenced Deleuze and Guattari's theory of the rhizome. Francois Truffaut turned to his ideas to complete Les 400 Coups. Throughout the film Deligny plays with the possibilities of the camera to live and think closer to the human subject, offering with Le Moindre Geste a unique film to the world, one of most fascinating in French cinema. Situated [visually] between mountain western and integral neorealism, the film tells the story of two teenagers, escaped prisoners of an asylum, running away through the Cevennes.

Friends of Luis Buñuel discuss the director while Buñuel mixes drinks and entertains friends in his home.

A documentary report on the tragic fire at Rex Cinema in Abadan in 1978, featuring interviews with survivors and witnesses and footage from the immediate aftermath.

Based on the material of the village of Vylegzhata, the film tells about the psychological difficulties that a person faces when leaving the land where he lived a long life.

In the early 1970s, Toronto filmmaker Keith Lock moved to Buck Lake, where members of the Toronto art scene were undertaking an experiment in communal living. Lock filmed the achievements and daily rituals of his fellow communards, his camera bearing witness as a community assembled and dispersed. The resulting film uses poetic strategies, including logograms and other graphic disruptions, to extend its themes of renewal and rebirth, and to mark the encounter between reason and imagination, the concrete and the abstract. A landmark work of Canadian underground cinema, a film diary with mystic and symbolic overtones.

The film was shot in an old, decrepit building where dozens of guest-workers' families live. The owner, a local influential politician, has avoided paying for the maintenance of the building under the legal standards by using his connections to proclaim the building a national cultural heritage. However, the rent he has been charging was as if the building were an object that offered standard comfort. The only German tenant takes the crew around and speaks of his battle against the landlord’s manipulation.

A short documentary capturing Fernando Arrabal at work on creating Viva la Muerte!

Documentary on the food shortage in India.

Filmmaker Ralph Arlyck interviews his neighbor, Sean Farrell, a 4-year-old living on San Francisco's Haight Street in 1969. Sean gives his thoughts on life in his home, a hippie crash pad, and casually mentions that he smokes pot, which caused this short film to become a national sensation.

The role of work in the evolution of human intelligence according to Engels' theory.

Sequel to the documentary ‘Dave Allen in Search of the Great English Eccentric’.

Short documentary by Ebrahim Mokhtari

The laugh-out-loud adventures of a drug dealer and his customers struggling with a joint, filmed in the hippy commune of Terrasini, near Palermo.

Documentary film about early years of Russian cinema: its first directors, cameramen, producers and actors. Includes rare fragments of pre-revolutionary feature films, newsreels and Starewicz's animation.

The Tide of Traffic is a 1972 British short documentary film directed by Derek Williams, made by British Petroleum as a contribution to the UN Conference on the Human Environment, Stockholm 1972. It was nominated for an Academy Award for Best Documentary Short.

A re-creation of some of the confrontations and sketches in the remarkable background of the Windscale Enquiry. The dialogue is taken from the Official Verbatim Transcript of Proceedings. It was filmed on location in the Lake District and at Whitehaven Civic Hall where the Enquiry took place.

Documentary about the obstacles handicapped people face when looking for love

A documentary by Armando Robles Godoy.

A short documentary film about an unnamed engineer who achieves a good property position through hard work, stubbornness and consistency in his actions. Scenes from the workplace and everyday family life are interspersed with monologues by the protagonist, in which he expresses his opinions on attitudes towards superiors, conflicts or the qualities of a good professional. He thus invites us to polemicize and reflect on the life of a careerist and the concept of success.

An investigative documentary that focuses on political activities in the 47th Ward of Chicago and on the relationship between party politics and the park district. Originally aired on local Chicago news station WBBM-TV in 1979, the documentary details machine politics, patronage, clientelism and bribery that ran rife in Chicago's 47th Ward under the helm of Democratic Party Committeeman Ed Kelly. The digitization of this program was made possible by a grant from The Brinson Foundation.

About the joint Soviet-Bulgarian space flight under the Interkosmos program.

Crystal Pillar, White Lady, The Whale—these are the names given by ice-climbing enthusiasts to the spectacular ice formations surrounding Quebec's Montmorency Falls. Ice Birds shows two experienced climbers scaling the breathtaking wall of the Crystal Pillar with precision and considerable daring, appearing from below as black spots on the vast landscape of one of nature's masterpieces.

A short film dedicated to the conductor and children's choir "Shchedryk", which shows that being a conductor of a children's choir is not just a job, but a calling and destiny. Director Ihor Minayev conveys through the film the unique talent and patience needed to teach children to love music.

Recovered Zulueta short.

Portrait of Japanese youth. Produced for the Japan Foundation.

This film is about the Moroccan Jews who have come to Québec since 1956. It explodes the myth of Jewish unity, showing the Moroccans caught between the Ashkenazy Jews, English-speaking and long established, and the French-speaking Québécois. The film asks whether the Sephardic Jew can be Jewish and Québécois at the same time.

The filmmakers spoke to ex-political prisoners who had been tortured by the military government who were at that point supported by the US government.

Calvin Black was a folk artist who lived in California's Mojave Desert and created more than 80 life-size female dolls, each with its own personality, function, and costume. He also built the "Bird Cage Theater," where the dolls perform and sing in voices recorded by the artist. The film works on two levels. One is the documentation of the artist's legacy and commentary on women: grotesque female figures moving in the desert wind and the theater with its frozen "actresses," protected by his widow from a world she views as hostile. The other is the re-creation of the artist's vision through the magic of film, as the camera enables the dolls to move and sing and brings theater to life as the artist imagined it.

A film based on a collection of reported miracles of Mary, mother of Jesus, written around 1260 by Spanish poet Gonzalo de Berceo.