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Il terribile inganno

First-person story of Maria, fifty, wife, mother and worker, who through the encounter with today's feminist practices of the "Non Una Di Meno" movement in Milan, takes stock of being a woman today. Intrigued by the "global women's strike", proclaimed on March 8, 2017 by Non Una Di Meno, Maria participates in the Milanese demonstration. Here for the first time she hears about the "Feminist Plan Against Male Violence Against Women and Gender Violence" that the movement is writing. The plan describes the directions of a necessary change in several fields where a stereotypical and sexist perspective of genders and the power relations between them is replicated that is the basis of the violence that is intended to be overcome.

Il terribile inganno

NR 2022
Le Colonne della Colombo

On 12 October 2023, in a performative journey through the urban planning and fascist architecture of EUR and its colonial spectres, the present, the past and a utopian future led the public through a discovery of Via Cristoforo Colombo. EUR is the result of a fascist urban planning system which was meant to inscribe into the city’s road pattern straight trajectories of expansion toward the Mediterranean Sea, as a symbolic representation of the regime’s colonial project. On October 12th, a day celebrated in many countries as Columbus Day, such references were poetically and irreverently subverted by Feel Good Cooperative, as a collective and desiring body of more than one hundred people was guided on a performative journey to re-signify those sites of exploitation and power through a polyphony of voices.

Le Colonne della Colombo

NR N/A
The Truth: Lost at Sea

This film reveals the Israeli attack on the 2010 Freedom Flotilla, a convoy of humanitarian ships which tried to highlight the suffering of Palestinians in Gaza, and break its blockade. Shot from aboard the Freedom Flotilla, directed and narrated by one of its survivors and following up on subsequent media coverage, the film shows how the dead activists & their comrades who defended their vessels were portrayed. The film reveals what really happened and how it was spun in traditional and online media outlets.

The Truth: Lost at Sea

NR 2017
[Lavagna – The Beach – Blind Man’s Buff – Le Grazie]

A brief amateur silent film (1'54", DCP from 9.5mm reversal, 16 fps) without intertitles, sourced from Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna. It forms part of a larger group of 27 amateur 9.5mm films attributed to Nena Lavello, who was 16 years old at the time of filming. Shot during the spring and summer of 1925, the collection documents a range of domestic and travel scenes, including visits to Sicily, Campania, and northern Italy. This particular film captures moments of leisure and companionship on the beach at Lavagna, reflecting the filmmaker’s early engagement with light, composition, and movement. As noted by Michele Manzolin in the 2025 Pordenone Silent Film Festival catalogue, the footage serves as a visual record of youthful play and friendship, offering insight into the personal and expressive potential of early amateur filmmaking.

[Lavagna – The Beach – Blind Man’s Buff – Le Grazie]

NR 1925
The Cell: Antonio Negri and Prison

For Antonio Negri, renowned political philosopher and author of the international bestseller "Empire" (co-authored with Michael Hardt, 2000), a 17 year long chapter of repressive Italian politics of detention, exile, and imprionment recently ended. The question for Negri is how one can preserve the freedom of spirit within a penal structure that focuses more on the interior than exterior life of the prisoner. For Antonio Negri, the cell of resistance from which he wrote became an enclosure of peace.

The Cell: Antonio Negri and Prison

NR 2008
Le Grand Viveur

Mario Lorenzini was a working class man, a hiker, a hunter, and a member of the Italian Walser community. In the 70s, he bought a super8 camera and started shooting home-movies with it. Through his lens we experience the seasons passing by in Priami, a small village on the Swiss-Italian border. With his cinematic eye, he explores the people around him, while a second point of view emerges, giving an interpretation of his world, his life and his sense of cinema. His relationship with masculinity and the missed relationship with the "other sex" is often highlighted, enhancing the conflict between the expectations of his community and the reality of not fitting in.

Le Grand Viveur

NR 2020
An Anthropological Television Myth

An Anthropological Television Myth is a gloriously jagged collage of fragments culled from an independent Sicilian TV station's output in the mid-90s – the period just before the 'Berlusconi era'. But whereas the Milanese media mogul's spells as president were notable for the cynical degradation of his nation's television output, with its bawdy game-shows earning much overseas derision, the small broadcaster showcased here evidently foregrounded and documented local grass-roots political shenanigans. With no commentary or captions, the film plunges us into a lively day-before-yesterday epoch when the authorities' battles with the Mafia produced an atmosphere akin to Civil War on the streets. Virtuouso editing knits together a dizzyingly wide range of sights and sounds that consistently fascinate and impress.

An Anthropological Television Myth

6.3 2011