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Happy Lamento

On the one hand, the beyond-Tropicália surreal, wild, ecstatic universe of Khavn de la Cruz, the Philippines’ internationally most venerated underground filmmaker. On the other, the Frankfurt School dialectics of Alexander Kluge, self-proclaimed arrière-guard eternal of 1960s modernist moviedom, Gandalf of all essay cinema. For Happy Lamento, Kluge mixed some of his weirder TV skits on electricity, the circus, revolution and early cinema (featuring Fassbinder-regular Peter Berling, theatre genius Heiner Müller, and DaDaism’s last man standing, Helge Schneider, among others) with some of the more outrageous scenes from Khavn’s 2016 Ang Napakaigsing Buhay Ng Alipato. Some 2017 G20 shots of Merkel and Trump et al inject the already heady brew with current affairs urgency.

Happy Lamento

NR 2018
Why Me?

The Chernobyl disaster was one of the most terrible man-made disasters to occur on the European continent in the last century. The disaster had many appalling consequences, both physical and psychological, and affected people all over the world, including in the Balkans. In Macedonia, the Chernobyl disaster affected different people in different ways. The documentary Why Me? Includes interviews with people in Macedonia who have been affected by radiation. The documentary illustrates the negative effects of nuclear energy and shows that its consequences affect people of all ethnicities and religions.

Why Me?

NR 2018
Rerun

What does absence mean to you? From this question, Emina Suljovic, a Bosnian hematologist, shares the first thought that comes to her mind to create a mental map that reveals both herself and the relationship she has with Sarajevo, her native city. In short, Rerun is an internal dialogue carried out through the memories and reflections of Emina, who works with terminal patients, who grew up in the midst of the Sarajevo war between 1992-1995 and who devoutly practices the Muslim religion in a contemporary world. All this in the same way that we repeat a past event in our minds.

Rerun

7.4 2018
The Painter

This is the tale of a voyage which began one morning with a Skype conversation between the musician Mikel Urdangarin and the artist Alain Urrutia. The painter will give Mikel one of his paintings as a gift, but on one condition: the musician will have to go and fetch it in London, by ferry, crossing the sea. Taking the journey as an excuse, we will enter the everyday life of an artist committed to living from his work until reaching the key hidden in the centre of every artist’s labyrinth, since all searches are in fact a voyage; the creation process in itself is a voyage.

The Painter

NR 2018
Reginald D. Hunter's Songs of the Border

Against the backdrop of President Trump's much-trumpeted wall, Reginald D. Hunter takes a 2,000-mile road trip along the US-Mexico border to explore how romance and reality play out musically where third-world Mexico meets first-world USA on this broken road to the American dream. Classic American pop and country portray Mexico as a land of escape and romance, but also of danger; Hunter explores the border music as it is today, much of it created by musicians drawn from the 36 million Mexican-Americans who are US citizens.

Reginald D. Hunter's Songs of the Border

NR 2018
Cuando respiro en tu boca. La creación de Peces

Santiago de Chile, 1994: financed by mysterious textile entrepreneurs, the rock band Lucybell enters the Sonus Studios to record their first album, by the hand of the famous Argentine producer Mario Breuer. The budget is enough for only eight days. Santiago de Chile, 2017: after being disappeared for twenty-three years, the videotapes with the chronicle of those eight days come to light. This was the creation of Peces, one of the most important Chilean records of the '90s.

Cuando respiro en tu boca. La creación de Peces

6.0 2018
Harmony

Set against the backdrop of one of Russia's most industrially brutal and polluted cities, Harmony explores social and gender dynamics of Russian youth through the paradigms and preconceptions of the country’s most prominent sports: ice hockey and rhythmic gymnastics. The two respectively embody Russia’s nationalistic interpretation of hyper-masculine and feminine ideals. Here, sport and everyday life gather broader meaning — reflecting the traits and obsessions of society as a whole.

Harmony

4.0 2018
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias

For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinema, which he always seeks to break and extend in new ways. One example of his tireless search and research are the Geschichten vom Kübelkind, which he co-directed with Ula Stöckl in 1969/70, 22 absurdly funny, subversive and anarchistic short films of different lengths, which consciously oppose all conventions, with incredible success. The films remain unrivalled in their Dadaistic inventiveness.

Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias

5.5 2018
Ode to Muir: The High Sierra

Teton Gravity's newest film Ode To Muir pairs professional snowboarder, adventurer and founder of Protect Our Winters Jeremy Jones with two-time Olympian Elena Hight as they embark on a 40-mile foot-powered expedition deep into California’s John Muir Wilderness. Their journey balances the challenges of winter camping, grueling climbs up the Sierra’s biggest mountains, and aesthetic first descents with personal reflections on the importance of the natural world and those who first traveled it generations ago, and sharing perspectives gleaned from what it truly means to explore a great American Wilderness.

Ode to Muir: The High Sierra

7.0 2018
L'Algérie de Gustave Guillaumet (1840-1887)

Born on March 25, 1840, Gustave Guillaumet discovered Algeria by chance when he was about to embark for Italy. Over the course of his ten or eleven trips and extended stays, he established a familiarity with this space. Traveling through the different regions from north to south, he never ceases to note the differences. He is also the first artist, apart from Delacroix's Women of Algiers, to penetrate into female interiors and reveal the reality, far removed from the harem fantasies that reigned in his time. Fascinated by the country, its deserts and its inhabitants , going so far as to live like the Algerians, Gustave Guillaumet devoted his life and his painting to this country, breaking with the colorful and exotic representations of the time. The painting The Famine in Algeria, restored thanks to exceptional fundraising, was dictated by the events of the years 1865-1868, and well illustrates his knowledge of the country, in a manner that is at once demanding, sensitive and serious.

L'Algérie de Gustave Guillaumet (1840-1887)

10.0 2018