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Lord Thing

Produced at the height of the black power movement in the early ‘70s, Lord Thing is an insider history into the genesis and transformation of the Conservative Vice Lords gang, one of Chicago's oldest street gangs. Partially shaped and told by by CVL members who also appear in the film, Lord Thing is a unique and powerful tool that expresses an effort in self-transformation during a volatile and violent time in US race history. Gritty and rhythmic, this unusual film reflects an under-told chapter in gang history as members from the West Side neighborhood of North Lawndale try to become viable and political agents in their community. (Chicago Film Archives)

Lord Thing

NR 1970
The Third Door

One of the first (and perhaps therefore ambiguous) approaches to homosexuality in Spain at the time. The film narrates in cinematographic form the problem of the third sex, its justification and its existence within a real environment that is society itself. Two parallel worlds are shown to us; one, the hard and professional life of some artists who try to put on a 'music-hall' show. The other world is independent but it shows us what the life of an old glory was like, of an old man who was an artist in his time. Comparing one era with another is the intention of the film and ultimately its plot.

The Third Door

7.0 1976
Children in Crossfire

For five years now, the children of Northern Ireland's most troubled areas have grown up on the battlefield of guerrilla warfare. What is the effect on their growing minds? This is a casebook of children who live in the fear of sudden death, who believe they hate, some of whom are trained and prepared to kill. The story is told through their songs, their games, their paintings. It's told in their words, and the words of adults mostly concerned with children - parents, teachers, doctors and the Army for whom the children are becoming a tragic, insuperable problem. When the Troubles stop, will the troubles end for these children? We don' know the answers, because there has never been a war, never a casebook quite like this one. (Radio Times, 1974)

Children in Crossfire

NR 1974
On the Critical Path

Nuclear power plants are not exactly sold on the same scale as wheat, but that they can be manufactured as an exportable commodity is well illustrated in this film. For those familiar with nuclear power generation, and even for the lay audience, this is a lucid exposition of how a nuclear power plant is put together. The film shows the machining and assembly of principal components, and the "on power" operation of the Canadian plant at Pickering, Ontario. Produced by the NFB for Atomic Energy of Canada Limited.

On the Critical Path

7.0 1971
Protected Area

Ahmad Agha Shahr-e Farangi is facing a market slump. The existence of cinema and television has greatly reduced his customers. In order to earn a living, he goes to an unfamiliar village at the beginning of the protected area of Semnan province, which is not far from Tehran. Upon arrival, he encounters extreme poverty and sad stories in the village. The behavior of village’s children is not predictable for Ahmad Agha. Their fear of this stranger and his strange device does not prevent them from approaching it to arouse curiosity….

Protected Area

NR 1971
Die Brücke: The Birth of Modern Art in Germany

This movement marks the beginning of modern art in Germany. It is the German equivalent of French Fauvism, from which it draws its main inspiration, but it carries an Expressionist and social emphasis that is characteristic of Nordic 'angst.' The artists of Die Brucke were restless creatures, over-sensitive, haunted by religious, sexual, political or moral obsessions. Dramatic landscapes and nudes, mystical and visionary compositions, scenes of the countryside, the streets, the circus, the cafe-dansants and the demi-monde were their principal subjects. Their pure colours blaze in acid stridency, encompassed by rough, dry contours which show the influence of African art and primitive woodcuts. The work of the following is shown: Kirchner, Fritz Bleyl, Erich Heckel, Schmidt-Rottluff, Otto Muller, Emil Nolde and Max Pechstein.

Die Brücke: The Birth of Modern Art in Germany

NR 1972
American Art in the 1960s

During this critical decade in American life, artists built on the styles of the 1950s. An explosion of artistic energy produced Pop Art, Minimalism, color-field painting, and hard-edged abstraction. Sculptors and painters on both coasts explored new methods and new subject matter. American Art in the Sixties examines the key figures of that decade including Rauschenberg and Johns, two crucial transitional figures between Abstract Expressionism and the sensibilities of the new decade. The art of that time mirrors the optimism and the affluence, and the technology and the vulgarity of those boom years.

American Art in the 1960s

NR 1972
Frits Van den Berghe

A compilation film, divided into four separate segments, that explores the life and work of the Flemish expressionist painter Frits Van den Berghe (1883–1939). What makes this inspired art film special is that director Buyens does not use a voice-over or commentary text, a deliberate choice intended to give the viewer the opportunity to discover and interpret the painter’s world on their own. Another striking feature is its stripped-down soundtrack, featuring music by Arsène Souffriau.

Frits Van den Berghe

8.0 1977
Remember

The gradual opening-up of Romania during the 1960s continued with the reorganisation, in 1972, of the national strategy for culture and tourism promotion, and the establishment, as part of the new Council for Culture and Socialist Education (CCES), of a special commission in charge of the national strategy for incoming foreign tourists. It was in this context that the National Tourrism Office (ONT) strategically commissioned, via its media arm Publiturism, a series of films meant to persuade various communities from the Romanian diaspora to spend their holidays – and their money – “back home” in Romania.

Remember

NR 1973
From the Notebook of...

Shot in Florence, the film draws on Leonardo da Vinci’s notebooks and Paul Valéry’s essay on da Vinci’s creative process to explore parallels between Renaissance space and the moving image. Beavers employs rapid pans and tilts along the city’s facades, interspersed with glimpses of his own face, linking camera movement to the filmmaker’s investigative gaze. The work marks a turning point in his practice, foregrounding presence and perception as central to his method. (Note: The film was re-edited and re-released in 1999.)

From the Notebook of...

6.3 1972
Tragedy or Hope

Contrasting radical mobs, anarchy, and 1960s counterculture with footage of American manufacturing and innovation, this film celebrates the concept of American exceptionalism and argues that anti-Vietnam War protesters were influenced by communism, atheism, and immorality. Set mostly in a university library, this political debate between a medical student, his 1770s ancestor, and a history professor is a sequel to the 1972 National Education Program film, Brink of Disaster! Two additional characters appear in this drama: a 19th-century steamboat captain, and the student’s grandfather - an early 20th-century automobile worker. The National Education Program at Harding College in Searcy, Arkansas created a variety of widely-distributed anti-communism films from the mid-1940s to the early 1970s.

Tragedy or Hope

NR 1972
Bart LaRue's The Ark of Noah

A ship half the size of the Queen Mary, made of hand-tooled oak, lies frozen in a glacier on Mt. Ararat in northern Turkey. In this documentary, producer-director-actor Bart LaRue advances the theory that this ruined ship is Noah's Ark. LaRue became so obsessed with this theory that he risked his life to photograph every scrap of evidence he could glean, even bribing an entire company of Turkish soldiers on the Russian frontier to "look the other way" while he took a team of 17 pack horses and his film crew up the mountain. The legend of Noah and his magnificent ship has endured for centuries; now there is scientific proof that the legend is indeed reality. Now you can decide for yourself. Is this the real ARK OF NOAH?

Bart LaRue's The Ark of Noah

5.0 1975
Pine Barrens

Pine Barrens is concerned with evoking through film a barren wilderness in south-central New Jersey. The camera is always in motion — tracking, pivoting, and walking through the landscape. Though they are never seen in the film, the voices of the local people, the 'Pineys,' are heard relating their feelings about the land, their attitudes about city life, their myths of the area, etc. their voices and the music of 'Bill Patton's Pine Barrens Trio' add a psychological dimension to the landscape.

Pine Barrens

NR 1975