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The Challenge of Change

"Today the rate of change and the areas of life molded by it are increasing astronomically ..." states the introduction to this film. Impressions of all that constitutes the environment of modern man are conveyed in the film in a kaleidoscope of movement and sound -- a montage of pictures from the urban and industrial scene, reflecting the creativity and inventiveness of which people are capable but which in turn demand adaptation and adjustment if we are to survive.

The Challenge of Change

NR 1969
Farm Family in Winter

Shows family life on a modern farm in winter. Describes the care and feeding of livestock kept on a farm in winter. Here, farm life continues at a vigorous pace, in spite of restrictions of inclement weather, as a farm family complete the work of harvest and prepare for the renewal of the growing cycle in spring. The story is told in first person by the grandfather, at Gerald "Red" Markham's farm near the town of Whitewater, Walworth County, Wisconsin. He tries to get the "snow buggy" working, brings in a veterinarian to treat a sick calf, etc.

Farm Family in Winter

NR 1967
Her

"Her was shot as my contribution to a collective film of the Italian Film-makers' Cooperative, "Tutto, tutto nello stesso istante", which started out as a Dadaist protest against police brutality. I used a "Newsweek" cutting about the Chicago Convention riots, about a woman being beaten up, and isolated in every line a symbolic word, which returns in the second part with an extension of its original meaning. I remember showing it with an 8mm projector at the USIS Rome Library in winter 1970 as part of a concert of American music." Massimo Bacigalupo

Her

NR 1969
Army (Newsreel #36)

Shot in 1969, this film documents the building anger of draftees in the U.S.military, and the growth of the anti-war movement within the military. Soldiers are interviewed and seen as they face brutalizing treatment and indoctrination in bootcamp, military training that made the war atrocities of the Vietnamese War all too possible as "just following orders". The film blasts the U.S. presence and forsees its future in Vietnam, while comparing the South and North Vietnamese armies and their reasons for fighting.

Army (Newsreel #36)

NR 1969
Noticiero Perú en Provincias

The Chira River, the carob groves, the monument to the Hero Miguel Grau Seminario—among other images of a progressive Piura—serve as a prologue to the founding of the University of Piura (UDEP), established at the initiative of Saint Josemaría Escrivá de Balaguer, founder of Opus Dei. The opening ceremony of the Academic Year on April 7, 1969, was attended by its Rector, Engineer Ricardo Rey Polis, Dr. Agustín de la Puente Candamo, and the Archbishop of Piura, Monsignor Erasmo Hinojosa. Noticiero Perú, Lima, April 1969

Noticiero Perú en Provincias

NR 1969
Palestine Will Win

“Palestine Vaincra (Palestine Will Win)" is regarded as the first French documentary film made in support of the Palestinian liberation movement. Shot in 1969 by Jean-Pierre OLIVIER de SARDAN in a student dorm, the film blends historical testimonies by Palestinians, photographs, stock footage, maps, and music. The documentary centers on the 1968 Battle of Karameh, while also tracing the complex story of the past five decades of Palestinian resistance against oppression and colonialism.

Palestine Will Win

10.0 1969
Our Lamb

The kindergarten children receive a gift from the kibbutzs shepherd a small lamb. A little girl named Michal feels a special connection to the lamb. During a special celebration, the lamb is given the name Pamonit and as a gift, it receives a red ribbon with a bell around its neck. One bright morning, the lamb disappears. Special search groups are organized, but without results. Time passes, but Michal cannot overcome her longing, and she continues her search in hopes of finding him.

Our Lamb

NR 1960
Giocattoli

A sophisticated visual essay that delves into the "ambiguously fascinating world of toys", drawing direct inspiration from the semiotic theories of Roland Barthes, the work approaches childhood objects not merely as playthings, but as a dense microcosm of cultural meanings and social constructs. Originally presented within the "Woman’s Gaze" section of the Kinomata showcase, Faloja’s lens acts as an analytical tool, peeling back the layers of everyday symbols to reveal the ideologies embedded in domestic life. It is an intellectual and cinematic reflection on language, education, and the subtle ways in which our material world shapes human behavior.

Giocattoli

NR 1964