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Documentary following a farmer who practices organic farming in the middle of a residential area in Setagaya, Tokyo.

"The Cheonggye stream runs through the center of Seoul. Today a popular urban recreation area with clear water, promenades and leafy plants, the Cheonggyecheon was, until only eight years ago, a filthy rivulet under a busy freeway. In the years following the Japanese occupation and during the Korean War, part of the area around the stream was taken over by merchants who made use of the military war scrap, thus helping to lay the foundations for the country’s economic recovery. With the renaturalization of the stream, the neighborhood is now threatened by gentrification.

In the pre-dawn hours near a temple are the homeless people with nowhere to go and nothing to do. People pass by without seeing them, police cite and release them over and over, politicians make hay out of issues, and poor people keep exploiting other poor people by playing the lottery. Surveillance cameras are everywhere on the streets, coldly recording everything, devoid of emotion.

The story is that of Taiwan’s history, revisited through a man, Mo-lin Wang, founder of the Taiwan Artist Theatre. The film is made up of two alternating scenes composed of two visual and narrative registers.

In the village of Doupo, Pianxian Township, Pengyang County, Ningxia Hui Autonomous Region, there is a villager named Xu Wenwen. He is a Feng Shui master and who goes by the name “Yin Yang.” Due to the drought in the mountainous areas, it is difficult for farmers to use water for both domestic and agricultural purposes. In order to solve the problem of farmers' water use, Pengyang County Water Conservancy Bureau plans to help farmers repair the water cellar through government subsidies, so that the rainy season can be stored in the cellar and then used for farming, but due to limited funds, it is not Every family can receive subsidies, so everyone decides the right to play in the cellar by grasping the way. The cellar is laid, the water storage is increased, and the corn is also planted. The life of the mountain people seems to have hope.

A documentary on the suicide of manga author Chiyomi Hashiguchi, commonly known as Nekojiru.

Kenji Onishi films Takahiko Takayanagi, journalist of Yomiuri-paper, local TV. Ibaraki prefecture prefectural assembly member election. The barefoot election district.

In 1956, the U. S. Naval Medical Research Unit No.2 built a pure white building in Shuilin Township, Yunlin County, and began a seven-year research project. The building was white, clean and bright, so that local residents call it the "American White House." The various things in the research process made the residents quite curious and suspicious of this mysterious building. The adults even reminded the children not to approach it. However, Taiwan didn’t know much about this project. After the project ended, all relevant materials were taken to the United States and stored at Johns Hopkins University. So the team went to America to find research materials and bring them back to Taiwan. The director’s father was one of the members of the research project then. Therefore, the shooting process is not only to dig out the past, but also to evoke the youthful memories of those elders.

Reframing the farmers’ movement in Jeon-Nam Province with a reconstruction of interviews and events.

As a young man, Zheng was a wild boy: he’d rather spend his time gambling and dancing than studying. But his exuberant way of life came to an end when, during the Cultural Revolution, he was charged with counter-revolutionary behavior and sent to prison. Now, he lives in the boarding house of Shuanglin Town, and is a silent witness to the last chapter of his own, lonely Life. Unyielding to his neighbors, to his society, to its History, as well as to the omnipresent Chinese system, he realizes that he is even almost independent of himself. This intimate and respectful portrait of a striking 83-year-old Chinese citizen offers us an inside view into the way China treats its Seniors and gives us the opportunity to better understand China’s contemporary History.

A star of the Taiwanese student movement, a celebrity Chinese student who loves Taiwan, and a Taiwanese documentary filmmaker passionate about politics. Each of them shared dreams of rebellion and building a better country. In the wake of the biggest social movement in Taiwan in recent years, they reflect on how close they came to realising their goals, how they were let down, and whether it is still possible to continue fighting for ideals.

Punk bands in Korea get invited to biggest hardcore punk festival in Tokyo. This movie shows how one of the loudest and most active punk bands in Asia live and deliver message very closely and pleasantly.

Nobuko Shibuya's Japanese volleyball documentary

A short documentary about the behaviour of Japanese primary school students.

On May 18, 2017, the Busan International Film Festival’s Program Director Kim Jiseok died suddenly and unexpectedly from a heart attack while on a business trip to the Cannes Film Festival. In the face of his unexpected demise, his old friends and colleagues in the film industry recall what tormented him in his last days.

Wang Bing is one of the greatest documentary-makers alive today, and his films offer a very insightful overview of the transformations occurring in Chinese society. Here, Dominique Auvray conducts an interview that, in addition to the biographical information, focuses above all on the relationship with things unsaid: Wang Bing attempts to do justice to his theme and the testimonies he’s gathered, but he stumbles over the words, struggling to keep his emotions in check. The pain of tackling history shows through the awkward speech.

There is a story circulating among Zen Buddhist monks about two types of monks. First ones are settled and spend all their life in a monastery, they are identified with the blue mountains, while others are like white clouds – constantly traveling from one place to another. In the film, the filmmaker and Won Bo Sunim, a Lithuanian woman who decided to go to South Korea more than 20 years ago and become a Zen monk, embark on a journey in the mountains of South Korea.

Visualizing the 2030 Bangkok from the eyes of an activist who dreams of "the new imagination". Along with the generated images of the city by the AI Midjourney.

A documentary showcasing a series of tributes to deceased D-beat legend, Kawakami.

He has to leave the tribe for entering the next grade. This is a must challenge for the kids at the tribe. For YUKAN, besides this challenge. He still has to leave from his favorite mountain life. YUKAN’s ambition is to be a hunter from his childhood. Can he achieve his dream? The old spirits inside his heart will be obliterated gradually in the city life?

A Yi and A Bing are both working in the same company, living in the basement 4 of a luxury building with both business and residence attributes. A Yi went back to his hometown at Sichuan before Chinese New Year, so he could earn double wage for the Chinese New Year duty. The movie records the whole process of him back to home. His home is at a mountain, has elders and kids at home, has many trivial things waits him to settle. A Bing married when he is forty. After finish the marriage outside Beijing, he came back to company. He has no feel to his newly married wife, A Jiao. He still thinks of his ex-girlfriend who has cohabited with him for 3 years.

A documentary style animation of an apiarist at work in combination with scenes of a seaside village, overlapped with images of a boy trying to escape from fetters.

A documentary film about the U2 surveillance planes that were flown by the secret 35th Squadron of ROC Air Force.

Born from the feelings I experienced throughout 2023 – a year filled with moments of mixed emotions. It is a collection of footage I've captured, blended with other videos that resonate deeply with my emotions.

Biography of Yuri Saito, who was blinded after contracting measles at the age of three and became a social activist for the blind

For the first time in the history of Korean Buddhism, nine monks ceased hostility by staying in a tent throughout winter. Inside the cold tent, ninety days of meditation begins with seven strict rules. Crisis comes to the monks who had to endure the tent without a heater, and with only a single set of clothes, and a single meal a day, but never once did they groan.

This documentary portrays the delicate relationship between nature and the Karen ethnics in Maekhong village through the enchantment beliefs, cultures and traditions which are intertwined to the sacred forests, fogs and rivers. Captured by the simplified perspective of an observer who witnessed their life as it is.

Feature documentary debut of 29 year old director Kei Tanaka. In the Japanese town of Kawasaki, elderly residents who have lived hard lives are now facing their own death at a public housing complex called “Danchi“. The young director explores and depicts the ageing population in Japan by focusing on the personal lives of few individuals who live quietly on the outskirts of society. While some of the protagonists chose to interact and establish friendships with their fellow elderly residents, others prefer to spend the rest of their years in solitary.

The story of the ancient and sacred Gureombi Rock. The story of the people of Gangjeong Village who rise up against the construction of a US/Korea Naval base on their holy and precious land. The winds of peace, like the winds of Jeju Island, are blowing.

In 2011, Alison Chow participated in the 38th Berlin Marathon. She finished the marathon in 2 hours 49 minutes and 57 seconds, 7 minutes slower than the Olympics entry requirement, thus the name of this documentary, Breaking 7. Alison gave up on her stable teaching job and left her comfort zone at the age of almost 30 just to follow her dream. She went through countless challenges with her coach, good friends and family, and was further inspired in life.

Nine years ago, Liu and her family were asked to move out of the place that they rented for ten years in fifteen days. This documentary examines how they become separated and the importance of home to the family.

Aspiring Chinese athletes and their international coaches arrive in the island of Hainan. Together, they attempt to become the country’s first Olympic surfers. Surf Nation follows this team and two of China’s top surfers, Alex and Lolo, as they train, compete and discover what they want their lives to be.

A young man who is poor at foreign languages and doesn't have enough money for travel just leaves from South Korea only with his backpack and camera. While wandering about eight countries of Asia like China, Vietnam, Cambodia, Laos, Thailand, Malaysia, India, Nepal, what kind of people does he meet and what dreams does he have?

About the Japanese artist Takashi Murakami. We get an unique look at the creative process before a solo exhibition in Tokyo during 2024.

Around the 1990s, as video media became popular, a personal movie watching culture had been formed. The video culture of various layers, such as watching movies of various countries, by genre, and repeatedly, has influenced film making and its community directly and indirectly. Film directors, film researcher, broadcast producer, cameraman, Blu-ray producer, and video art curators who have directly experienced this culture talk about the meaning and value of video culture of the times.

Karakorumu documentary film

Intense interest in Japan by the West made it a favourite destination for filmmakers from the earliest days of film. This selection of films from 1901 to 1913, newly restored by the BFI National Archive, takes us on a fascinating journey through Meiji Japan.

150 underprivileged and orphaned students in the remote jungle of Thailand attending the country's first democratic school prepare a special celebration to honor their remarkable adoptive mother on Mother's Day.

It’s been 10 years since the landlord sold the house and the family lived apart. A portrait of my imaginary family having a reunion dinner in my old home awakened my longing for this lost space. A journey of reunion with my old home and a journey of saying goodbye.

This documentary explores the cinematic magic of Bangkok's last remaining stand-alone movie theater through the eyes of its long-serving staff.

Kazumi Murose was designated a holder of Important Intangible Cultural Property for his maki-e art by the Japanese government in 2008. He followed in the footsteps of his father, urushi artist Shunji Murose, and studied under such modern urushi masters as Gonroku Matsuda and Yoshikuni Taguchi. They taught him to “learn from people,” “learn from objects,” and “learn from nature.” This advice became the basis of the processes Murose employs in the quest to produce works in new materials. In addition, he learns from traditional Japanese lacquerwork by conserving cultural works and incorporating their materials and techniques into his contemporary pieces. This film presents how Murose achieves this, his views on creating works, and how he shares and passes on the values of Japanese urushi work, both at home and abroad. It is a meticulous record of the method and spirit behind the creative endeavors of Kazumi Murose, an urushi artist living in the present day.

A college student, along with her peers in Japan, rally to change the country’s hostile immigration laws that have incarcerated asylum-seekers in deadly detention centers. Meanwhile, over a century since the 1923 massacre of Korean people during a massive earthquake in Imperial Japan, young activists today take on the torch to seek justice under a government that continues to deny this history. A filmmaker documenting these young activists on the ground begins to excavate the underlying history of discrimination that connects the massacre of a hundred years ago and the draconian refugee system in Japan. Through the process of listening to voices from the past and present, the landscapes in Tokyo begin to echo the unfinished business of the nation’s reckoning with its colonial history.

The late Kim Dong-il, a Jeju April 3 refugee in Japan, left behind over 2,000 crocheted items and pieces of clothing that preserved her memories, identity, and history. As the film traces the redistribution of her belongings, it illuminates the still-unhealed lives of various Zainichi Koreans who lived through the same era, sharing and connecting their intertwined memories.

I’ve been to your old neighborhood. It was wonderful.

During the Cold War, three Korean women left for the United States to succeed as a pop group. They show off their capabilities by absorbing all the images of Asia. The director connects the story of the Kimsisters and the director herself who is studying abroad, and reveals the voices of Asian women that were ignored by men and Western centered power. When the United States and Russia competed with each other to capture the back side of the moon, three Korean women left for the United States to succeed as a pop group. They show off their capabilities by absorbing all the images of Asia to succeed in the United States. The director discovers the history of other Asian women that took place in 1959, and connects the story of Kim Sisters and the director herself, who is studying abroad. She crosses language, power, history and culture, and reveals the voices of Asian women that were excluded from men and Western centered power, through archived images and collage images of the director.

Capturing life of a family with a disabled father and deaf mother in a Chinese village during the lunar New Year. Yao, a successful businessman in Beijing, left home young. Now middle-aged, he returns to face demons from the past and fulfill his parent's dying wish to settle down and complete the family.

First graders in a Tokyo public elementary school are presented with a challenge for the final semester: performing "Ode to Joy" at the ceremony for the new incoming first graders. Ayame, who often struggles to keep up with the group, is determined to play a major part — the big drum.

Literalising the titular term roughly translatable as 'body politic', Kokutai explores the fascist aesthetics of Japan's biannual national high school baseball tournaments.

If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.

A documentary about the continuing case of Samsung semiconductor plant. The film is a story about nameless people wearing white coat, hat and mask worked in a clean room exposing eyes only.

A Chinese boyfriend suddenly faces the risk of deportation from South Korea for an absurd reason. His girlfriend embarks on a desperate search to find a way to protect their peaceful life together.

Japanese two female singer-songwriters, Kazumi Nikaido (also known as Nika Soup) and Saya Source (of Tenniscoats, Maher Shalal Hash Baz). Nika is known for her chameleon-like ability to transform her voice, while Saya has a melancholic and straightforward singing style. Both have distinct voices that can be identified immediately, but when they sing in unison, they create melodies that are truly sublime. They have released charming album IPIYA (2005) features playful pop songs reminiscent of nursery rhymes, repetitive mantra-like tracks. The two went back and forth from their homes in Hiroshima and Tokyo to create beautifully diverse songs for this record. This is the documentary of "how" and "why" and also "where" they had made the very original music. Many interviews, rehearsals, free sessions, live performances are included. There is a childlike innocence to this documentary, and offers a peak into the unique world of how they make music.