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Warsaw, Poland, end of the Seventies. Following the workers’ revolt against the rise of prices violently repressed by the communist power, a group of opponents create the KOR (Workers’ Defense Committee). Heir to the currents of opposition to the Communist regime since the end of World War II, sponsored by intellectual and moral personalities who had been standing up against social injustices since the Twenties, the KOR tries to break the information monopoly of the State and to set up an autonomous labor organization.The action of the KOR leads in 1980 to the birth of Solidarnosc, first independent trade union of Eastern Europe.Three members of the KOR remember and tell us the story of a victory against communist power in Europe.

Episode of the French television series "Cinéma Cinémas" which documents the discovery of the negatives that led to the completion of the color version of Jacques Tati’s 1949 film "Jour de fête".

They were going to become heroes, but they didn't know it. Most of them were not yet twenty years old in June 1940, when France found itself on the ground. They were starting careers, studies, had families, friends. None had heard General de Gaulle's call on June 18, but all listened to Marshal Pétain's speech on the 17th, asking to stop fighting. They immediately rebelled and joined London or the Resistance. Through the testimonies of seven of the last Companions of the Liberation (made in 2013), this film tells us about their unwavering commitment and takes us in their footsteps until the Liberation.

An investigation about three scientific enigmas. The shroud of Turin, an unexplained image of a pregnant woman on a tunic of the 16th century, and unique writings in the history of mankind.

Driven by the desire to understand her inner truth as a marginalised woman in Iran, Negin Ahmadi embarks on a self-exploring precarious adventure to meet the Kurdish women fighters in the war zone of North Syria.

For one night, Kika collects audio recordings of orgasms. The acoustic phenomena generated by this hypnotic trance reveal the form that had remained hidden in the shadows.

More than 15 years after leaving the country, Eugène Murangwa, the former goalkeeper of the most popular club in Rwanda and national team, returns to his native land to pass on the values of a sport which saved him in 1994 to the young people of an association that he created with former football players. Illustrated with previously unseen archives, the film throws a new light on the history of Rwanda through football, a sport which served the “civilizing” mission of the colonizer, allowed the Hutu Power to mobilize the youth and helped the reconstruction of the country after the genocide.

Ten survivors from the nazi camps speak about their struggle.

Valérie Jouve is a weel-known photographer, and Grand Littoral is her first film. Out the outskirts of Marseille, in a landscape criss-crossed by motorways, railways and srubland paths, some figures that seem to be from her famous photos passby and bump into each other. They act as our guides in a tour without beginning or end. How do you look at a place without taking possession of it? How do you describe characters without confining them within a given plot? How do you make the transition from still shots to moving pictures? this brief, musical film leaves us asking these and other unresolved questions.

A contemporary history of Korea(s) from a unique point of view that embraces the inner history of both South and North Korea in a single narrative.

Hayat, an expert sailor in the Arctic, navigates far from humans and her family's past in France. But when her little sister Leila gives birth to a baby girl Inaya, their worlds are turned upside down; we witness their journey, guided by the polar star, to overcome the family’s fate.

In this documentary, director Mariana Otero looks at the daily life of a college in the "difficult" commune of Saint-Denis in the suburbs of Paris.

Filmed in 1988 on the occasion of the parties at the house of Marie-Noëlle Delorme. Shot with camera in hand to small bursts of frames and almost image by image, but then slowed down.

Immigrated to the Paris region since 1964, Kader decides to spend the summer holidays with his family in his native village, not far from Algiers. These few weeks, so eagerly awaited by both sides, constitute a special moment full of strong emotions. The camera follows the family in their meetings, their reunions, their difficulties, their visions of the country and its region, the celebrations, the weddings, their return to France… This film raises many questions. Within this family itself, between those who stayed in the country and those who emigrated to France, how do we perceive the situation in Algeria? What hopes do each of them have for their country? What about the Franco-Algerian relationship? Contemporary immigration? The desire for exile of Algerians today? Different discourses on both sides of the Mediterranean? The desires of each of them…

Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.

Akerman films her mother Natalia, an elderly woman of Polish origin, in her Brussels apartment. For two hours, we will see them eating, chatting and sharing memories, sometimes accompanied by Sylvaine, Chantal's sister. Also, and to show how small the world has become, Chantal remains in contact with her mother at other times of the year via Skype from lands as far away from Belgium as Oklahoma or New York.

Film in memory of the workers of the Lille company Massey-Ferguson, who manufactured tractors and combines, and closed its doors in 1984.

Filmed in his home in Paris one late summer, the philosopher and political figure Antonio Negri takes as a starting point a short story — a parable written by Marine Hugonnier — and transforms it into a political hypothesis. It is the story of a community of children who live in roofless houses in a world where two suns shine permanently. When an eclipse is about to take place, the children get scared. They are terrified as they do not know the darkness, they’ve never seen the stars. To cope with their fear, they decide to burn their houses to generate light. From there Antonio Negri weaves anecdotes, evokes Alexis de Tocqueville and Saint Francis of Assisi, protests against biopolitics and formalises arguments which reveal his unconditional engagement for activism, absolute democracy, the need to recreate communities, and his restless quest to find joy in the heart of “the multitude”.

A documentary by Marie-Claude Treilhou.

In this economic war, promised to us many years ago and which advances like bulldozer, does there still exist a surge of imagination offering resistance ? Ordered to choose between the breadcrumbs of precarious employment and the meager charity still offered by the system, some abandon the society of consumption to claim back their lives. “Neither exploitation nor handouts!” many of them exclaim. They’ve chosen another path, that of autonomy, of consciously choosing to undertake certain activities, and of uniting together with other like-minded people.

This documentary is a portrait of Proust composed of recollections by those who knew him. Intercut with reading from his works.

Explores the life and work of the composer George Gershwin. The film celebrates Gershwin's unique contributions to blending classical, jazz, and popular music.

Very brief view of Man Ray and his friend Ady Fidelin while at a seaside resort

The twenty-four hours that liberated Paris. Far from history lessons, men, soldiers or resistance fighters of yesterday, testify of these days of August 1944 which they lived with their impulses, their modesty but also their humor.

If love is a universal phenomenon, it is never the same: the animal world experiences brutal and rapid unions, or, on the contrary, slow and difficult approaches, followed by sometimes interminable embraces.

How did a young artist at the beginning of the 20th century, rejected by the Academy of Fine Arts in Germany because she was a woman, always seen in the shadow of her companion, Vassily Kandinsky, become an eminent painter in an unprecedented artistic movement? With the support of several contributors and personal writings, Gabriele Münter - Pionnière de l'art moderne, retraces the life of one of the most illustrious figures of the German expressionist movement of the Blue Rider and draws up the portrait of a singular artist, whose work, intimate and human, testifies to the complexity of her time as much as that of her own existence.

Sabine is looking for a missing image: a day that has left its mark forever and that everyone remembers but her. But maybe this absence is what allows her to move on with her life?

Two years in a clown school. Against all odds and trends, learning how to make people laugh out at the human condition.

A documentary that focuses on Hayao Miyazaki’s deep connection to nature and the environmental themes expressed through his films.

The Misfortunes of Luis Buñuel shows the ravages of time on the rushes of the film The Golden Age that Luis Buñuel shot in 1930. By isolating and slowing down the most damaged parts of the rushes of the Spanish master's film, I managed to to create an object with abstract shapes and, insidiously, to give another life to a leading artistic work.

From her life in Cairo to being a discor star, from success to suicide, Dalida reigned over the hit parades throughout the world. Although the artist's career began at the same time as popular music emerged as an industry and was acclaimed everywhere as "la marchande de bonheur" (the merchant of happiness). She encountered unhappiness ; she experienced many deaths and rebirths. Her forced march towards fame resembles a frantic search ending in despair.

A certain look at America... From the Institute of Sex to the Hamburger University through belly dancing lessons and bio-energy courses: a civilization is discovered through the teachings it offers...

This is the story of a tiger setting out to conquer the love of his life. It's the story of a tiger to whom his buddy absolutely must say something. It's the tragicomedy of a paper tiger.

Five black and white minstrels dancing and playing musical instruments in Rupert Street, London.

Beijing, China, 2020. Empty streets, mandatory masks, checkpoints, the entire state apparatus used to impose severe restrictions on population movements. An entire country quarantined to fight a fierce epidemic…

One evening, my friend Alyssa confides in me: she has just started a new relationship, but it is already off to a wobbly start! Over the following months, I meet up with her to hear the latest developments. Little by little, her sister and our friends join in, each sharing their takes on the situation.

During the summer of 2020, Belgian climbers Nicolas Favresse and Sébastien Berthe set themselves the challenge of completing the Alpine Trilogy, three of the most difficult routes in the Alps. But the two friends, accompanied by their cameraman Damien Largeron, intended to have a fun and lighthearted experience: what better way to connect the three legendary routes than by bike and in the company of their dogs?! In just two weeks, a veritable caravan of joy embarked on one of the greatest climbing feats of recent years.

The film documents Ho Chi Minh's life with unique film material. It is not a portrait of a private man, but a documentation of the theory and practice that Ho Chi Minh developed and which led to the construction of socialism in North Vietnam. General Giap and Prime Minister Pham Van Dong are also interviewed.

On May 23, 1971, a French expedition led by Robert Paragot successfully climbed Makalu via its west pillar. Makalu is one of the five highest peaks in the world, located in the Himalayas on the Nepalese-Tibetan border. Jean-Pierre Janssen and Lucien Bérardini filmed this expedition, where Robert Paragot spoke about the expedition conditions, life at altitude, and his state of mind as expedition leader. On the return to base camp, Jean-Pierre Janssen interviewed Lucien Berardini, Georges Payot, Jean-Claude Mosca, François Guillot, and Jean-Paul Paris, all of whom played a key role in bringing Bernard Mellet and Yannick Seigneur to the summit. Expedition members: Robert Paragot (expedition leader), Georges Payot, Yannick Seigneur, Claude Jager, Jean-Claude Mosca, François Guillot, Bernard Mellet, Lucien Bérardini, Jean-Paul Paris, Robert Jacob, Jacques Marchal (surgeon).

A documentary that follows the story of Baptiste, a young man who, through drag, explores a new side of himself as he undergoes both a physical and emotional transformation. The art of drag becomes a means of expression, resilience, and self-affirmation. Through his perspective, the film questions the notions of identity, performance, and metamorphosis, while celebrating the liberating power of drag.

It was aboard the legendary and sturdy Peugeot 504 and Renault 12 that most North African families made the "route du bled," a ritual return to their homeland for summer vacations in Morocco or Algeria. The film chronicles a summer migration across the Mediterranean from the 1970s to the 1990s. The memory of these epic journeys punctuates the history of North Africans in France with bittersweet nostalgia, where travel stories blend industrial automotive heritage with personal memories.