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A beautiful 7-year-old girl Fuyao is devastated when her parents are arrested and thrown into prison for their faith. Bullied and humiliated, Fuyao refuses to be crushed by the gigantic repressive regime. She and her mom find extraordinary means to connect through the iron bars and grow together.
Colorless Odorless follows the work records and archival materials of victims of semiconductor biohazards, tracing the smells and effects of substances that cameras cannot capture. Testimonies of the past overlap with current symptoms, and the disaster repeats itself in other bodies and places.
Just prior to entering her long professional career, Kaede Hatashima discards her masculine form and comes out to society as a transgender woman. In the brief respite between graduate school and her new job as an architect, she tests her wings as a woman for the first time. Through competing in a beauty contest and by giving lectures, Kaede gains attention as a gifted and talented transgender woman. While in the media spotlight, she seeks an active role in expanding the prospects for other trans people. Internally, however, Kaede cannot shake the self-image of a son rejected by his father, which remains with her from childhood. An ambitious trans woman aiming for social achievement and a son secretly wishing to be loved and recognized. Grappling with these two identities, what kind of woman will Kaede design?
This film is about a lawsuit seeking state compensation for asbestos-related damage in the Sennan area of Osaka. Filmmaker Hara Kazuo records the eight-year struggle of the plaintiffs and their lawyers. A dogged and dramatic depiction of their intense battle.
Moo is from Phatthalung, a province in southern Thailand. In his childhood, Lampam was a place he often visited with his family. He believed it was the 'sea.' One day, he discovered that it was actually a 'lake.' How will he come to terms with the belief he had held all along?
A 28-year-old girl, In-hi Hwang, experiences paralysis in her upper body to which she does not know the cause, and her family continues to get into accidents. She saw this as some kind of curse and visits Hae-kyung Lee, the female shaman. In-hi finds out that she is destined to be a shaman and falls into dilemma. Korean Shamans are the intermediary that link living humans to the world of the spirits and the world beyond, between reality and a non-realistic world. They have sometimes played a role as an advisor of life, sometimes as cursed messengers of weird gods. They are a group of people who are usually despised by others, but they have been around for the past 5000 years, carrying the burden of the gift that god has bestowed upon them.
Edited together from materials taken from Caochangdi performances and activities between 2012-2013 and Wu Wenguang's own body camera record, this film can be regarded as a kind of "story follow-up" version of "Because of Hunger". In short, it is a kind of "remembrance".
In 1982, the socialist researcher Ishidō Kiyotomo organized a round table with women activists who had participated in the rise of the labor movement, from the Taishō era (1912-1925) to the Shōwa era (1926-1989). At his request, Haneda records this meeting. Stimulated by her desire to " preserve the history of these women ", the director adds additional sequences to the recording. In the film, the discrimination and domination suffered by these activists are told in the first person.
A brief journey and a glimpse into a man's heart and his simplicity. In the mountains of Huizhou, Mr. Fang, a wise elder, craftsman, and poet, shares his world with the person behind the camera, a foreigner, from his backyard. Through deep convictions and a connection to their roots, an interaction of culture and humanity flourishes between them, organically and without barriers, inviting us to savor the essence of life's simple pleasures. This poetic documentary embodies the truth that life, in its purest form, is often found in quiet moments, celebrating profound connections that transcend language, culture, or money, and the timeless lessons of a life well-lived.
Childhood is a dagger lodged in the throat. Spending childhood under the pressure of academic success, there was no happiness to be found. It wasn't until I grew up and started filming my family that I discovered my mother's body and mind had long aged and shattered. As my heart broke with each merciless verbal attack, who could return to my mother her lost youth? A mother and daughter, loving and clashing, after over twenty years together, finally willing to face the long-standing issues between them.
Oh Minwook’s Eternal Brightness, adapted from Jo Gapsang’s novel Eye of the Night, narrates the past and the present lives of the characters who have lived through the contemporary history of Korea, from the Korean War in the 1950s to the Busan-Masan Democratic Protests calling for the Park Chung-hee administration’s Yushin regime in October 1979.
The third part in Wu Wenguang's Autobiography film series.
A documentary sharing the story of five women captured and enslaved by the Japanese military as "comfort women" during World War II.
The film opens with the words of Taebaek's last miners: "I had to earn a living." These are the first words, spoken over the shot of a cage descending endlessly into a mine—the place that the miners of the soon-to-be-closed Jangseong Mining Station call hell. They began working out of poverty, needing to make a living somehow. Though they planned to quit after three days, they ended up staying for over 30 years, and in all that time, they saw nothing good.
A documentary film produced by the Central Newsreel and Documentary Film Studio of China in May 1971 in support of the just struggle of the Palestinian and Arab peoples against American imperialism and its Zionist running dog.
A documentary about a man who continues to document the "Yokkaichi Asthma", caused by the pollution in Yokkaichi City, Mie Prefecture, which became a social problem in the 1960s and 1970s. Together with Mr. Yoshiro Sawai, who published the book "Record of Pollution" and has supported the victims not only in court but also mentally, this book brings the problems of Yokkaichi, past and present, into sharp relief.
He has tattoos. He writes poems. He paints. He has done a few dirty jobs. When he was in prison for the second time, he received a literary award. He always looks for work, friends, love, but gets lost again and again... He is Weiming, a pen name he adopted when he was in junior high school.
A documentary on the maker movement and its impact on society, culture and economy in the U.S.
Even in the push and pull era which is full of flour and sugar, rice firmly protects the table of the rice bowl nation! There are farmers who grow the rice in different ways. Nam Ho-hyeon, a young farmer who continues his father's family business, challenges farming with agricultural drones that spray coated rice seeds in large quantities, but new technologies that seemed to bring a rosy future leave only endless homework in a series of trials and errors. Lee Geun, an urban farmer who started farming on weekends and fell in love with farming, lives a life of small farmers who touch and cultivate them with their hands rather than machines, and studies and protects the world of traditional native rice that has disappeared in history. Our rice, which grows with sincerity, is filled with happiness, and conveys the power of life presented by nature for a long time! The moving journey begins now!
The village elders of Long Bow recount tales of famine, drought, disease, and exploitation before explicating various shifts in the political line - from the land reforms of 1949 and the collectivization of the early 50s, through the Great Leap Forward, the Cultural Revolution, and the current Four Modernizations.
Three representatives of today's young generation: a young man who works at a motorcycle factory, a woman who works at a department store in Tokyo, and a young man. A work for overseas that depicts Japan in an era of steady economic development.
The sequel to Naomi Kawase's Katatsumori. The film revisits Kawase’s relationship with her "grandma", capturing their love and attachment towards each other.
A semi-documentary film about the violence and conflict of unfairly dismissed workers from the Heungnam fertilizer plant and their efforts to fight the production owners.
Kua, a film student who shares his experiences, reasons, and ways of thinking that shaped his love for cinema, as well as what cinema has brought into his life, told through the eyes of Aaron, his close friend and future cinematographer.
A documentary film following the daily life of director's grandfather in the winter of 2011. At 80 years old with five sons, the grandfather insists to live by himself in the rural area of Hebei
A son films his elderly mother as she cares for his ailing father on his deathbed.
The majestic mountain scenery of the town of Ubuyama-mura in southern Japan serves as the setting for this exploration of an inexhaustible cultural legacy. With the arrival of summer, Masae goes house to house collecting traditional songs in a search for poems dating back over one thousand years.
Where Has All The Pollution Gone? exposes air pollution caused by Japan’s largest Kawasaki Steel Corp. on a scale of ten times the size of Disneyland. Since the steelworks started running, almost every local resident has been suffering from severe asthma which resulted in a 17-year long court battle with the company. Filmmaker KORE-EDA Hirokazu traces one civil servant’s involvement in the growth of pollution administration that took place during the height of Japan’s economic surge in the 60s and discloses the connection between air pollution and state policy.
Documentary about Japanese pearl fishers.
A playful portrait of designer Ryoichi Enomato, a former collaborator of the Shuji Terayama and the Tenjō Sajiki theater troupe. Kyoko Michishita: “…when I asked Enomoto, the king of parody, to let me film him at the Japan Graphic Exhibition, an event that has become the gateway to success for commercial artists, he gracefully took his clothes off for me. But he asked to wear sunglasses to hide his embarrassment.”
This film traces Arizona’s desert as it is reshaped into a hub for data centres and semiconductor manufacturing. Moving through altered waterways, the film exposes tensions between technoutopian visions and drought-stricken ecologies. Guided by offscreen voices and Tohono O’odham poet Ofelia Zepeda’s ‘Cloud Song’, ancestral knowledge counters the rise of industrial ‘cloud’ infrastructures.
Senso Daughters focuses on the legacy of the Japanese occupation of Papua New Guinea during the Second World War. It is a legacy that arises from rape, starvation and terror. Sekiguchi's documentary lets the residents of Papua New Guinea, especially the women, tell the story of their three years under Japanese Army rule.
In China’s Northeast, there is the Fuzhou Folk Music, a country music played with suona, big suona, double pipe, Zheng and percussion instruments. Song Xiping, a suona professor, is one of the main inheritors of this music.
As a videographer of the villagers, I felt that this year's epidemic could be recorded, so I held the camera at the village's epidemic prevention duty post and spent it with the villagers.
The Buddhist tale Twelve Sisters forms the basis of this speculative folk tale that scrutinises our existence on this planet, depicting a generation adrift between mythical and earthly realms. Parinda Mai questions the effects of globalisation, technological progress, and humanity’s place within an endless cycle of exploitation and destruction. Blinded by Centuries captures the confusing times we are living in, culminating in a synergy of image and sound.
Duriban, a humble noodle restaurant visited often by lonely indie musicians in a bustling city of Seoul, Korea, was brutally evicted and demolished by greedy construction company and pro-conglomerate-only city government with mere $3,000 as a moving expense. Outraged by the situation and related to their disadvantageous performance and poor contract conditions, 51 and plus indie bands in the area join the long 500 and more days of protest till Duriban receives socio-economically reasonable and acceptable compensation and reopens its new venue in a new in the area. A striking social activism demonstrated among the young indie musicians and their growth as artists through unity in modern day in Seoul, Korea.
Four years later, Hong Kong’s 2014 democratic Umbrella Movement has been nominated for a Nobel Peace Prize, yet political backlash against protesters has intensified. Repeatedly the target of censorship*, Raise the Umbrellas traces the lineage of the massive Hong Kong protest to the global Occupy movement, 1989 Tiananmen, and its democratic struggles since British colonial days. Highlights range from the Umbrella Movement’s eco-awareness and its burgeoning aspiration for independence, to its empowerment of women -- “umbrella mothers” -- and the rainbow-bridging activism of LGBTQ iconic artists. Incisive and intimate, driven by stirring on-site footage in a major Asian metropolis riven by protest, Umbrellas includes anti-Occupy views that lay bare the sheer political risk for post-colonial Hong Kong’s universal-suffragist striving to define its autonomy within China.
JAEJAE, the witty host of variety shows. Gabee, a powerful performance artist. feellikefeel, an introverted musical genius from YouTube. Three artists from entirely different corners of the stage—brought together by a chance project. Their team? JAESSBEE. No clear plan. No concept. No defined identity. And a production budget of just 3 million won. But they made a choice—to step onto the stage with sincerity. Through trial, tension, and trust, their journey leads to the birth of a debut song: "Every Moment with You."
Stark though it is, the roof terrace with its low ochre-red wall and washed turquoise abstract seems the nearest thing to a garden among the forbidding cliffs of mass housing that rear up all around. Like bold tendrils of organic life, three young girls appear with jump ropes and show off some individual fancy licks, before switching to a stately coordination mode. Their bright white ropes make squiggles in the air like waved sparklers at night, while wrists and feet maintain a rock-steady beat. The joy of skilled movement, of pure synchrony, illuminates their faces.
Based on declassified US military documents and archival footage, as well as testimonies from those who participated in bombings and civilian victims, director Lee Mi-young thoroughly illuminates the reality of the US Air Force’s indiscriminate bombing that resulted in numerous civilian casualties during the three-year Korean War.
This work tells the story of the daily lives of two ticketing cinema staff during two incidents that sparked the birth of democracy in Jakarta in 1998 and Gwangju in 1980. They never experienced it directly or went onto the streets to face the soldiers, yet the stories they heard and the voices that reached them felt like an endless war film replaying in their minds.
In August 2022, a 59-year-old female truck driver set off alone from Xi'an to Aksu, to start the arduous transportation. She thought she could earn a big order as usual. But unexpectedly, the news of the destination’s lockdown began to spread on the first day on the road. Thus, she experienced an unpredictable week on the truck...
This year is 2017 and South Koreans are baffled by news reports about growing numbers of stray dogs gathering in packs in the capital Seoul. Sightings of these packs have been reported in hillside areas. A film crew investigates, heading to Baeksa Village. The village is one of Seoul’s last remaining hillside communities. It had been earmarked for redevelopment, but plans stalled. The crew discovers a village full of mainly abandoned houses whose owners have long since moved away. In many cases, the crew finds, owners have left their cats and dogs behind to fend for themselves. The film-makers capture the lives of these strays – as well as the efforts of musicians who hope a thrilling concert will make a difference. What will become of these poor cats and dogs – and the people trying to help them?
A Tibet mountaineering school recruits qualified residents from the two counties at the foot of Mount Everest only, and trains them to be mountain guide of the Everest.
Adi vividly remembers the moment his mom left home. He was four. She cut off a lock of her hair, tied a red thread around it, and walked out with a luggage bag. For 11 years, she didn’t return. Now fifteen, Adi resents his mother as much as he misses her. He roams the streets with a biker gang and pours his energy into streaming in drag on social media.
The Meaning of 1/24 Second is Korea's first experimental film and was filmed in 1969. This 16mm film in color and black and white is composed of hundreds of inconsistent scenes. Taking the basic structure of the film, which consists of 24 frames per second, The Meaning of 1/24 Second expresses the steep reality faced by modern man, and the sense of alienation that comes from uncontrollable speed. The video file that remained only in digital format since it went missing in 2001 was restored to 16mm film for screening for his retrospective exhibition , which has been held at Seoul Museum of Art, Republic of Korea in 2013, thus providing an opportunity to look back on its meaning.
Anti-trafficking training video for Unicef-China to provide young village girls with practical and applicable knowledge about high-risk behaviors and to advise on how to protect themselves being tricked while looking for a job.
A documentary about Nogami Teruyo, who for nearly half a century stood by Akira Kurosawa as a screenwriting collaborator, a script supervisor, and a companion.
Debut of 5 young winners from the program "Project Alpha" who have the ability to sing, dance and become a new artist.
Roads criss cross our landscape, making it convenient for human beings to travel. However, countless creatures also die as a result of these roads. This piece documents South Korea`s first in-depth study of “road kill.” It shows how drivers, who race along these roads, destroy animals` natural habitats and kill them in road accidents. Adopting an environmentalist point-of-view, this film questions the economic logic that girds development.
In the sound of rice huller, the rice falls to the jar; and in the booming sound of thunder, the rain drops falldown on the ground. Witha shovel on shoulder, we're farming under the sky. -- This is a children's folk rhymes used to be very popular among the Hakka people lived in the westernpart of Fujian Province, China. While farming is not an easy work, rice hulling is an even more laborious work. Rice-huller is a tool used by the peasants in southern China to hull the rice for thousands of years in theirfarming history. This documentary films the making of probably the last rice-huller ever made by mankind.
Two orphaned teenage brothers leave their remote mountain village behind to seek their fortune in two separate major cities. Meanwhile, their young neighbors anxiously await the return of their father, a migrant worker who left the village a year ago. This is the story of four boys from the Chinese countryside, their hopes and dreams, and the challenges they face.
After I died from suicide, I was punished for this deadly sin, to live alone in the spirit world deep in the sea, but He gave me a chance to redeem my sin by shooting a film of a philanthropist's afterlife to ask and get the merits, I've been waiting for overly time to see a philanthropist's spirit.
