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Living and Knowing You Are Alive

Novelist and screenwriter Emmanuèle Bernheim and filmmaker Alain Cavalier have been friends for 30 years. They are preparing a film based on the former’s autobiography, “Tout s’est bien passé” (Everything Went Fine). In it, she tells how her father asked her to “end it” in the wake of a heart attack. Cavalier suggests that she plays herself, and that he plays her father. One winter morning, Emmanuèle calls Alain; they will have to postpone the shoot until the spring, as she needs an urgent operation.

Living and Knowing You Are Alive

6.1 2019
Push

Housing prices are skyrocketing in cities around the world. Incomes are not. PUSH sheds light on a new kind of faceless landlord, our increasingly unliveable cities and an escalating crisis that has an effect on us all. This is not gentrification, it’s a different kind of monster.The film follows Leilani Farha, the UN Special Rapporteur on Adequate Housing, as she’s travelling the globe, trying to understand who’s being pushed out of the city and why. “I believe there’s a huge difference between housing as a commodity and gold as a commodity. Gold is not a human right, housing is,” says Leilani.

Push

7.9 2019
Froth

From the Barents Sea, a chill wind seems to blow constantly across a semi-deserted town at the edge of the world. Nevertheless, a little community holds out here. In a flawlessly filmed portrait of this extraordinary place, the theme linking the residents is their determination to chart their own course. Bardak was a marine, but his garrison broke up and his comrades sought a better life elsewhere. He stayed behind among the many empty buildings that are slowly but surely being consumed by the elements. Meanwhile, Dima, a young poacher​, flouts as many rules as he can, but gives friendly directions to lost tourists and reads lovingly to his little daughter. Ferryman Alexander is locked in a silent generational battle with his teenage daughter Masha; her eyes are on the outside world. Further along, a little team of ships from the Second World War turns up, and a woman steadfastly runs a weather station.

Froth

NR 2019
Sanctuary

Looking at how the Creation stories of the Hopi, Nahua and Maya give them a special connection to maize/corn, synthesized in the statement, “We are corn”. There are many songs, displays and ceremonial practices that affirm this connection. Waaki looks deeper into the world community and how it is connected to maize/corn – what are the interrelationships that exist and celebrates the human capacity for tolerance and compassion in a time when people are becoming more intolerant of difference.

Sanctuary

NR 2019
9/11: Cleared for Chaos

On September 11, 2001, the unimaginable transpired when devastating attacks on the World Trade Center forced the shutdown of the entire U.S. airspace. Thousands of kilometres away in Gander, Newfoundland, a group of Nav Canada air traffic controllers suddenly had the lives of 33,000 people in their hands and had to think fast to find a place for them to go. Discovery uncovers how these unsung heroes managed to safely land 224 planes in four hours, without incident.

9/11: Cleared for Chaos

4.0 2019
Grandir

Prin was born in Jarai community in Vietnam's Central Highlands. She is six years old. In North Myanmar, teen years old Myu Lat Awng lives in a camp for Internally Displaced Persons because of border war. 14 years old Phout lives in kingdom of the million elephants. Deaf and mute, she has a whole different perception of life. 17 years old homeless Pagna dreams of studies and travels. Thookoloa is 21. Without any Thai identity papers, she left her mountains to find work in Bangkok. 34 years old Juliet lives happily with her husband and her four children in the Philippines. A grown-up orphan in Cebu’s trash dump site, she did everything to make her dreams become a reality. She is currently a primary school teacher. All these destinies tie, meet and assemble like pieces of one giant puzzle for one big adventure : Grandir (Growing up)

Grandir

8.0 2019
Emocean

Emocean started out as a surf film but quickly turned into something so much more than wild waves and barrel rides. This is a documentary with soul; a salty blend of stories by the eclectic assortment of people sharing tales of adventure, adrenaline, inspiration, love and loss and their relationship with the ocean. Some are well-known like Hawaii's Pipeline and California's Mavericks and others are remote spots tucked high up in North West Australia and deep in South Australia. This film, underpinned by inspiring surfing, is also a love letter to the sea woven through with experiences from surfers, filmmakers, fishermen, marine scientists and watermen.

Emocean

NR 2019
All Male, All Nude: Johnsons

Journey into the unique world of male stripping at a small gay strip club located in America's Second Gayest City per capita in this follow up to the popular 2017 feature documentary All Male, All Nude. All Male, All Nude: Johnsons is set in Florida's newest gay strip club, Johnsons, located in Wilton Manors, Florida and new home to the creator and owner of Johnsons - Matt Colunga, an award-winning body builder, who has been in the male entertainment industry for 23 years and was introduced in the first film. From 42-year-old Matt, to 26-year-old Alexander, who spends his days dressed as Spider-Man creating early memories for children at kid parties and spends his nights stripping down to his G-String for gay men, to single fathers and young men putting themselves through college with their stripping income, to entertainers in the adult film world - the men who compose the heart of Johnsons are diverse, unique and captivating.

All Male, All Nude: Johnsons

3.7 2019
Gauguin: A Dangerous Life

Gauguin’s vivid artworks sell for millions. He was an inspired and committed multi-media artist who worked with the Impressionists and had a tempestuous relationship with Vincent van Gogh. But he was also a competitive and rapacious man who left his wife to bring up five children and used his colonial privilege to travel to Polynesia, where in his 40s he took ‘wives’ between 13 and 15 years old, creating images of them and their world that promoted a fantasy paradise of an unspoilt Eden in the Pacific. Later, he challenged the colonial authorities and the Catholic Church in defence of the indigenous people, dying in the Marquesas Islands in 1903, sick, impoverished and alone.

Gauguin: A Dangerous Life

NR 2019