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Torre Bela

The rise and fall of a revolutionary cooperative movement established in a large private farm in Ribatejo, Portugal, from March to December 1975 (most part of the land occupations occurred in Alentejo, promoted by the communist party). In direct speech, sometimes to the camera, sometimes among themselves, the uneducated rural workers expose their misery, their suffering, their hopes, and ultimately their despair - when a socialist government orders the restitution of the land to their primitive owners, and these transform the land into a hunting reserve.

Torre Bela

6.5 1977
Rock-a-Bye

The rock music scene of the early 1970s--the Rolling Stones, the Stampeders, Whiskey Howl, Alice Cooper--they're all here! Along with classic footage from concerts and recording sessions, Rock-A-Bye looks behind the scenes at record companies and radio studios. The stars also have their say. Ronnie Hawkins chats from the back seat of a Rolls, and Zal Yanovsky of The Lovin' Spoonful tells hilarious anecdotes of his rise to fame, which lasted only 18 months. The camera also goes into a small New York club where Muddy Waters sings and plays guitar, the bluesman who inspired so many great rock musicians. The film ends with Alice Cooper, the first shock rocker, singing "Dead Babies" with a doll and a hatchet. This classic, entertaining rockumentary captures an era!

Rock-a-Bye

7.0 1973
Tennessee Williams' South

The brutes and the belles. The gadflies and the good ol' boys. The taboos and the profound truths. They're all part of a tennessee state of mind -- a realm of places, personalities and ideas. Williams is front and center for this exploration, reading from his works, placing them in the context of his life, and serving as guide in visits to his career-shaping refuge in New Orleans and his later-day writing quarters in Key West. Also, dramatizations by distinguished actors -- including Jessica Tandy, Broadway's original Blanche DuBois, in a recreation of her A Streetcar Named Desire triumph -- give flesh-and-bone immediacy to some of the writer's famed works. In his own words. In his own places. The resilient character and memorable characters of one of our greatest writers reside in Tennessee Williams' South.

Tennessee Williams' South

10.0 1973
Braços Cruzados, Máquinas Paradas

São Paulo, May 1978. Three slates compete for the leadership of the Metalworkers' Union of São Paulo, the largest in Latin America, with 300,000 associate workers, and presided over by a platoon since the military coup of 1964. In the midst of the Union electoral campaign, the first workers' strikes that would change the country began. Braços Cruzados, Máquinas Paradas reveals, in an engaging narrative, the Brazilian trade union structure of fascist inspiration.

Braços Cruzados, Máquinas Paradas

8.5 1979
Eddie Kidd

At the age of 18, stunt cyclist Eddie Kidd had already broken world records, been a stunt double for Harrison Ford and released a couple of singles. Yet this profile piece for the COI cinemagazine series “This Week in Britain” offers glimpses that his high life had both its ups and downs. A record-breaking jump of 24 cars was to be the big attraction of a May bank holiday at the National Motor Museum in Beaulieu but torrential rain scuppered plans. Kidd returned on the 4th June for a second attempt but with a shoulder injury that you see aggravated here, which prevented a planned second jump and again disappointed audiences. The person tasked with turning all these travails into a light-hearted snippet for overseas audiences was Peter Greenaway, who edited hundreds of stories like this before making arthouse feature hits such as The Draughtman’s Contract (1982).

Eddie Kidd

6.5 1978
Where Dreams Come True

Directed by African American William Greaves and narrated by actor Ricardo Montalban, Where Dreams Come True is a 1979 NASA film highlighting the contributions of women and minorities and encouraging more to consider a career at the agency. The documentary includes interviews with astronaut-scientists Kathryn Sullivan and Ronald McNair, research psychologist Patricia Cowings, engineer Ruben Ramos, and former astronaut and deputy administrator Frederick Gregory. Much of the work depicted in this film relates to the fledgling Space Shuttle program - which was two years away from its first mission.

Where Dreams Come True

NR 1979
I Don't Know

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

I Don't Know

4.4 1971