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Edgard Varèse died on 6 November 1965, a few days before the filming of the rehearsal of his work "Déserts" which he had to attend.

Documentary with beautiful black-and-white CinemaScope shots, which combined impressive scenes from a trip to the Ukraine with historical reminiscences. The censors criticized the "too narrow and too intimate view" of the Soviet Union; they didn't like the fact that bells were ringing, that a chauffeur from the film crew or an elderly peasant couple recalled the horrors of war or that Nikolai Gogol and Yevgeny Yevtushenko were quoted - that was considered backward-looking. Without the knowledge of the filmmakers Karlheinz Mund and Christian Lehmann, the film was shortened and mutilated; the seventeen minutes that were allowed for a public screening are only the torso of a large draft.

This short piece for the television station Sender Freies Berlin (SFB) is highly relevant to Farocki's later work. Zwei Wege is a cheeky description of a picture; Farocki shows us an image, a religious allegory showing the 'right' and the 'wrong' path for a Christian. The one path leads to heaven, the other to hell. Farocki uses the camera in effect to dissect the picture; he shows close-ups of the paintings various motifs, which he underscores with rhymes. This method of breaking down an image with the camera reminds us of similar sequences in his essay films, namely Wie man sieht and Bilder der Welt und Inschrift des Krieges.

After getting help from some Boy Scouts, two friends become curious to just what it is that the Boy Scouts of America do and decide to join to find out.

Documentary about the VISTA (Volunteers in Service to America) program.

The legendary press conference in San Fransisco at KQED studios on Dec. 3rd 1965. This was a pivotal year in Bob Dylan's career. In the early part of the year he released "Bringing It All Back Home", the first album that saw him move distinctly away from his folk music origins. In the summer he followed it with "Highway 61 Revisited", an out and out rock 'n' roll album, and the single "Like A Rolling Stone" hit No.2 on the US charts. His appearance at that year's Newport Folk Festival saw him use an electric guitar on stage, a hugely controversial move at the time that saw him booed by much of the audience. Against this background, Dylan went into the studios of TV station KQED in San Francisco for a broadcast press conference hosted by Ralph J. Gleason, his only one from this era ever to be filmed.

The camera shows the vivid paintings by late Júlio Régio, with a narrative by his brother, while guitar tunes underline the mood and rhythm of the cinematography.

The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.

A fun look at skiing on the famous slopes in the Haute Savoie District of France.

Every year in May several thousand 'Lords of Little Egypt' meet for festivities in the Camargue. Mai Zetterling stays with the gypsies and reports on how they live their lives.

Intended for military personnel and civilians in sensitive positions abroad, the film shows three playlets involving foreign agents maneuvering Americans into passing valuable intelligence to the Soviets or Red Chinese. It emphasizes the need to be wary of seemingly friendly strangers, whether one is in Europe or Japan.

The collection of TV series based on Albert Maltsa’s stories. Action happens at the time of the Great depression.

Robert Altman recounts the life of his wife Kathryn Reed, using the format of a documentary, with funny reenactments played by Reed's friends and family.

Biography of ski instructor, mountain guide, mountaineer and filmmaker-lecturer Lionel Terray. Film-portrait of an emblematic figure of French mountaineering in the 1950s and 1960s, reconstructing the life, the great races and the expeditions of the "conqueror" of the most difficult walls and summits of Europe, the Himalayas, the Andes and North America. Marcel Ichac produced in 1966, the day after the Gerbier accident, this illustrated tribute by bringing together personal archive documents, unpublished animated sequences or extracts from expedition images as well as comments taken from the autobiographical texts of Lionel Terray " The Conquerors of the Useless" and "Battle for Jannu". This film, presented at the Cannes Film Festival, has won numerous awards at specialized film festivals, including the Trente Festival and the Banff Festival.

This film profiles Canadian actor Christopher Plummer of the Shakespearean Theatre, Stratford, Ontario. As the minutes tick by, cameras register the transformation as he dons his make-up for the title role in Cyrano de Bergerac. We also see Toronto actress Kate Reid as well as actors Len Birman and Martha Henry.

This 1963 documentary, released less than a year after Marilyn Monroe's death, showcases the star in memorable scenes from her 20th Century Fox films, including wardrobe tests and clips from her last, uncompleted project, "Something's Got To Give". Hosted and narrated by Rock Hudson.

This movie takes a unique look at Baghtcheban School, the special school for deaf children, how it deal with teaching the kids and how they lives are effected by it.

Throughout his long singing career, Artur Rinne went hand in hand with his audience who appreciated simplicity and heartfelt folksy songs. Singing, meeting audience like old acquaintances in large concert halls or in modest village clubs - this is the essence of his work. Artur Rinne talks about his life as a singer and as a person.

The film shows the conductor Witold Rowicki during a rehearsal of Krzysztof Penderecki's piece entitled "Threnody to the Victims of Hiroshima" with the National Philharmonic Orchestra in Warsaw. The outline of a perfectionist and brilliant musician emerges from a few-minute picture.

A short documentary about the making of David Lean's LAWRENCE OF ARABIA. A 1970 documentary with a similar title uses some footage but is otherwise a different film.

This short film "Torerillos 61" is one of the first works of the master Patino, which tries to portray the Spanish society of the time outside the state convention and dodging the hand of censorship. Social commitment is the brand director throughout his long career, starting with short films such as this one, made in the early sixties, in the wake of the statements in Talks Salamanca. The sadness off the characters portrayed is bleak, "Maletillas" (aspiring bullfighters) in search of luck to pull them out of poverty.

A quick look at Auvers-sur-Oise, the place where Vincent Van Gogh spent the final months of his life and where he and his brother were both buried. Produced as part of the "Chroniques de France" TV series.

Short 1964 black-and-white documentary featurette hosted by Sean Connery and featuring the real-life inspiration for the character of Q, Major Geoffrey Boothroyd with a discussion of the gun weaponry used by James Bond.

Apocalipopótese documents a public art happening organized by Rogério Duarte with Hélio Oiticica and Lygia Pape. Duarte coined the event’s title by fusing the words apotheosis, hypothesis, and apocalypse, in order to describe a series of artistic actions that distanced themselves from artistic institutions to approach the streets as the main stage. Apocalipopótese shows a search for the margins as creative methodology.

Documents the evolution of the Jefferson National Expansion Memorial Arch from concept drawings, to fabrication of its stainless steel sections, to assembly and completion. Innovative structural techniques and brilliant design show why this avant-garde monument is among the greatest civil engineering achievements of the twentieth century. Oscar Nominee: Best Documentary Short

Produced in collaboration with Malcolm X and narrated by Ossie Davis, this call to arms layers revolutionary text from multiple sources with gritty, shot-on-the-streets-of-New York footage of African-American struggle. A forgotten masterpiece from radical filmmaker, theorist and founder of Cinéma Éngagé, Édouard de Laurot.

The film, set almost entirely in New York, tells of the life of some young people of the late Sixties: of the use they make of various drugs, including the terrible LSD, of their sex life and their freedom of costume and thought.

The film shows the life of prostitutes in Tehran's city brothels, an area known as Shahre Now. The film closely follows a number of women and communicates how the burden of social constraints led them to surrender in the face of their common fate. The film does explore the possibility of re-education and development for these women, but in no way does it paint over the hard and brutal reality. The film was produced on behalf of the Organization of Iranian Women and was immediately banned while shooting was still going on. After the revolution, a portion of the material was found, and Shirdel decided to finish the film using photos by the late Kaveh Golestan that were taken more than ten years after the film itself was shot.

A film about Alexander Trocchi. Scottish born poet, writer, translator and author of "Young Adam" and "Cain's Book". Part of the film was made at the old Arts Laboratory and includes a discussion with William Burroughs. A portrait of Alexander Trocchi, covering his history as a writer, his interest in drugs, his family life, and ‘Sigma’, the organisation he founded to bring together like-minded people.

A portrait of jazz saxophonist Sonny Rollins during a period of self-exile, filmed practicing and reflecting on music, politics, and artistic independence across New York City.

The work of strippers in the Phoenix Club of Old Compton Street, Soho. Includes interviews with the girls, the stage show and backstage scenes.

This short documentary draws on the photographs of Robert French from the William Lawrence Collection held in the National Library. The photos illustrate the Dublin of 1904 which served as a backdrop to James Joyce’s Ulysses. The film traces Joyce’s childhood and adolescence, his meeting with Nora Barnacle on June 10th, 1904, and the highways and byways which Leopold Bloom wandered through on June 16th, 1904. The music in the film references some of Joyce’s favourite songs, many of which appear in Ulysses.

Follows Francis Essex as he puts together a variety special for television.

The insane government bureaucracy at a state pension window.

Documentary about the jazz festival held in Tallinn, Estonia in the spring of 1967. Numerous musicians and music collectives from both Soviet Union and abroad took part in the festival. Arrival and reception of the festival guests. Concerts in Kalev Sports Hall, among the performers there are vocal instrumental group led by G. Zarh, G.Tšoheli, music group "Crescendo", dixieland jazz group from Leningrad and many others.

Light begins to illuminate the small, nipple-like end of a lemon on the right edge of the frame and gradually spreads until the entire lemon is clearly visible. Then the light recedes across the frame.

Witness devilish rituals from around the globe. Satanism! Voodoo! Majicks Black and White! Shocking Truths, etc.!

Two narrators read the letters of unknown people and tell about the fate of individuals, their work, love and life.

Filmed in the town of Normétal in northern Québec, this short documentary provides a first-hand introduction to life in a frontier mining community where all roads lead to the pithead. Dweller of two worlds, the copper miner's life is one of contrasts. A mile underground are the rock face, the clattering drills, the dust of explosions; above ground, all the familiar activities of a small town. - NFB

This documentary, the final film directed by Frank Capra, explores America's plans for the future of space exploration. It was produced by the Martin-Marietta Corporation for exhibition in the Hall of Science at the 1964 New York World's Fair.

Processions during a holy week in Valladolid.

Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.

This documentary presents the Vietnam War as seen from within Vietnam, focusing on civilian life, industrial and agricultural labor, and organized resistance under sustained aerial bombardment. Introduced by Bertrand Russell, the film situates the conflict within a broader history of anti-occupation struggles, drawing parallels to World War II resistance movements. Footage includes interviews with Vietnamese leaders, scenes of air defense, and mass political mobilization.

In this documentary, we become acquainted with the Virgilian Bruegel of the vast landscapes and the sarcastic Bruegel of popular moral tales. We see the Bruegel of the peasants and the Bruegel of the humanists, Bruegel the earthy and Bruegel the thinker, the Bruegel of everyday life and the Bruegel who ventures into the boldest flights of imagination and fantasy. The Flemish version is narrated by Ludo Bekkers en Julien Schoenaerts and the French version by Daniel Gelin and Philippe Noiret

Andy Warhol is a lyrical exploration of Warhol's creative process by filmmaker, painter, and actress Marie Menken. Using a hand-held camera, Menken captures Warhol and his assistants, including Gerard Malanga, as they work at the Factory. The result is an intimate portrait of the artist in the process of creating some of his most famous works, including the Brillo boxes, the Jackie series, and the Flowers silkscreens.

Images and poems of the celebrated couple Louis Aragon and Elsa Triolet. Elsa’s youth as recalled by Aragon, with commentary by Elsa.

A documentary about men who are courageous enough to risk their lives undertaking challenges, sports-related and not, that are at the limit of human capabilities.

A two-part East German documentary tracing Russia’s transformation from the Tsarist Empire to the Soviet Union, from the 1917 October Revolution to the achievements of the space program. Directed by Andrew Thorndike and Annelie Thorndike, the film assembles extensive archival footage to chart political upheaval, ideological consolidation, and technological ambition in twentieth-century Russia. Produced by DEFA and first broadcast on East German television in 1963.

Darryl F. Zanuck revisits the places where 'The Longest Day' had filmed, with excepts from the movie and he tells the story of D-Day.

Recording of a tense discussion between three people around the question of "revolution". Steve Ben Israel (member of the Living Theatre), James Cellan (BBC director) and David Autie (sculptor) confront each other in a debate that provoked a strong political and radical awareness among the students of the Royal College of Art in London. The screening of the document led to the return to school of five students who had been unjustly expelled by the school administration.

We are all regularly under stress, because of modern life, of work, of family life and sundry other causes. But the parents of handicapped children have to undergo extra and permanent stress. The film offers an insight into the problem through the study of five families who express themselves candidly before Bernice Rubens's camera.

Filmed in Belgrade in 1962, Parade documents the city’s engagement with the annual May Day celebration by largely ignoring the formal procession. Instead, Dušan Makavejev records the informal moments surrounding it: workers, officials, wanderers, and organizers negotiating space, hierarchy, and appearance. Shot with a detached, humorous eye, the film assembles a mosaic of everyday behavior that reveals the contrast between official ceremony and lived social reality.

SFRJ is officially a place where everyone have a job and a house. The story follows hard labored workers who can't find a job, who bathe in public bathrooms and sleep in homeless centers.

The three eternal friends: Ficko the Vizsla, Pletyka the Dachshund, and Nimrod the northern goshawk add to the fun. Their exciting adventures in the woods were made into a "human" feature film story by the father of Hungarian nature filmmaking István Homoki-Nagy, after Kipling, with the help of many other trained animals.