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A tree is a tree

Old Tjikko: a 9.550 years old tree standing alone in the Swedish tundra. Surtsey: an island born only 63 years ago on the coast of Iceland. Lotus Gomeritus: the last and only known specimen of a plant species discovered in the Canary Islands. Through these three main subjects of observation, and many other images collected through a process that took over ten years, photographer Aleix Plademunt and filmmaker Carlos Marques-Marcet set up a meditation on how we construct our world through looking and the complex relationship between images and the spoken language.

A tree is a tree

10.0 2026
¿Quién mató a Mariano Ferreyra?

The journalist Andrés Oviedo must write about the murder of a young political activist Mariano Ferreyra for the magazine where he works. Oviedo performs a series of interviews and dialogues with familiars and friends of Ferreyra. The search for the truth and the motifs of the crime lead him to confront his publishers, who removed him from the case. In front of the arising complications, Andrés doubts to proceed with the investigation, but the support of his daughter, of the same generation as Mariano, helps him to continue. (FILMAFFINITY)

¿Quién mató a Mariano Ferreyra?

5.0 2013
La familia Figueroa: una dinastía musical

Documentary on the life and accomplishments of the members of this uniquely talented musical family. The film focuses on the Figueroa family’s history within the context of its creative universe, dating back to the 19th century. Through the use of photographs, historic film footage, recordings, sheet music, newspaper clippings, and posters, the musical trajectory of the family is brought to life and their role in transforming the musical history of Puerto Rico and the world is portrayed.

La familia Figueroa: una dinastía musical

NR 2015
Ficción

This is a movie about Uruguayans who want to make fiction films. We visited various filmmakers seeking to capture the enormous diversity of stories, realities, and sensibilities through the scripts they are writing. We get to know their neighborhoods and homes, and then we get closer to the ways in which each of them adapt the fantasies that have been born in their minds and hearts. In this way, we portray how they experience cinema and what would mean for them to make their film come true.

Ficción

NR 2021
La celosía

The film is the book and at the same time it is not. The transposition of the work on paper to the screen is, in this case, the occupation of the conceptual artist Isidoro Valcárcel Medina. Through on-screen texts and a succession of voices that read different passages, Medina presents the filmic adaptation of Alain Robbe-Grillet's book. The novel is a tremendously optical reading of objects and landscapes made by a jealous husband who deforms and subjectivizes reality. The film objectifies the texts in the same way by putting them as they are on the screen, but so is the reading of free texts and languages ​​and associations. As the poster that the artist himself made says: “In 1957 Alain Robbe-Grillet published La Celosía. In 1972 Isidoro Valcárcel has taken it to the cinema.” A film that is an exercise on dissociation and the duration of the shot.

La celosía

7.0 1972
Ashes

The nephew of a Republican exiled during the Spanish Civil War is pushed to discover the fate of his uncle by a forgotten letter. Meanwhile, a researcher tries to discover what happened to another deportee after reading the novel "El impostor" by Javier Cercas. When the two coincide, they discover that the lives of their two ancestors are intertwined and end up unearthing the story of František Suchý and his son, who risked their lives and defied the Nazi regime from the Prague crematorium to save the ashes of more than 2,000 victims.

Ashes

8.0 2025
No Place in Anywhere

No Place in Anywhere can deal with many issues. It is a personal journey through image and time. It is the portrait of the "La Matriz" neighborhood in Valparaíso. It is the encounter between reality and fiction. It is the constant search to find a truth within the documentary. It is a musical rehearsal. It is the constant preparation of a documentary. It is a documentary of questions more than answers. A silent face, an empty road, a winter landscape, the wind moving the leaves of a tree, a wall, the sea, the street of a neighborhood, all of them intend to "create through the record" a unique truth for each viewer.

No Place in Anywhere

10.0 2003
Romancero marroquí

The young farmer Aalami leaves his family to find work elsewhere. He gets to know the country and its people, customs and traditions at Küste in North Africa: Market life in Tetuan, the art of craftsmanship, the life of the Moors, dances and festivities in honour of the caliph, white mosques, the call of the muezzin of the minaret and the music of the shepherd flutes. Aalami also follows Franco's call and flies from Morocco to Spain to fight at Bürgerkrieg. In the end Aalami comes back to his wife and children.

Romancero marroquí

NR 1939
Cromosoma Cinco

This story begins with Andrea being born. She is premature, beautiful and different. Her parents start a search that lasts more than a year, trying to get a response and a diagnosis. Lisa Pram, her mother, writes the Little Black Book, a very personal book with texts, drawings and photographs. Chromosome 5 is based on this intimate diary. This is a story of loss and encounter. Andrea is later diagnosed with a rare syndrome called 5p or Cri du Chat. She has lost a small part of her Chromosome 5 and Lisa finds a new way of seeing and accepting light and life.

Cromosoma Cinco

NR 2013
The Designer is Dead

The Designer Is Dead follows Miguel Adrover, the groundbreaking New York designer who reshaped fashion with bold statements on multiculturalism, sustainability, and politics. Once hailed as the future of fashion, he faded from the spotlight and sought new inspiration in Mallorca. The documentary revisits his rise, fall, and creative rebirth through rare archival material, unseen shows, and interviews with collaborators like Jennifer Hoffman and Pulitzer-winning critic Robin Givhan.

The Designer is Dead

NR 2026