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Hell on Wheels

Year after year hundreds of thousands of fans line the route of the Tour de France, cheering on their heroes and willing them to victory, while millions of viewers worldwide tune in on their televisions. Academy Award-winning director Pepe Danquart, fascinated by the spectacle of the three week race, chose to focus on the courage, the pain and the fear of the riders of the Tour. Training his lens on German superstar sprinter Eric Zabel and his loyal domestique Rolf Aldag, Danquart captures the thrill of the race and the teamwork behind the stars of the peleton. He also shines light on the Tour's supporting cast - the director sportifs, masseurs, and, of course, the wildly enthusiastic fans. Reveling in the stunning landscape - from the Alps to the Pyrenees to the Massif Central to Paris - and with a nice dollop of Le Tour's history, HELL ON WHEELS transcends the sport it celebrates to reveal an astonishing human endeavor.

Hell on Wheels

8.0 2004
Pedal the World

"What is the meaning of life?". I posed this question almost daily a year ago, so I decided to get to the bottom of the mystery. I wanted to explore the world by my own power - on a bicycle. Untrained, I set off in June 2013 with over 55 kg of luggage and a video camera. 18,000 kilometers through a total of 22 countries with the goal of fulfilling a dream: the dream of absolute freedom and the discovery of our globe. Now experience together with me a really great adventure - a documentary that is not a script, but life itself. A unique challenge - with nature as an ally and the world as... opponent.

Pedal the World

5.2 2014
Volunteer

A film about the unprecedented Swiss grassroots movement of regular citizens who rise to aid thousands of refugees stranded at the European borders. In rich and safe Switzerland people from all backgrounds leave their regular life behind to support people in need. There is a Swiss farmer and his wife who keep cows in the Swiss Alps, a former commander of the Swiss Army, an elder rich lady residing at the lakeside, and a successful comedian and entertainer. These unexperienced volunteers take on an adventure that will change their lives forever.

Volunteer

10.0 2020
Ski-Faszination

With his first film "Skifascination", Willy Bogner junior composed something unprecedented: a ski symphony of ski races, sketches and ski ballet. The world had never seen such an aesthetic combination of choreographed ski turns, brightly colored ski suits and emotional music in 1966! Shot in Ultrascope in the mountains around St. Moritz, the idea, script, production and camera shots were all the work of Willy Bogner. The spectacular images opened up completely new perspectives on skiing, which at the time was primarily seen as a high-speed sport. Willy added a romantic touch to skiing by combining it with beauty, harmony and fun. He didn't even need a continuous plot - snow, mountains and dancing on two boards were all he needed as the main characters!

Ski-Faszination

7.0 1966
Respite

Respite consists of silent black-and-white film shot at Westerbork, a Dutch refugee camp established in 1939 for Jews fleeing Germany. In 1942, after the occupation of Holland, its function was reversed by the Nazis and it became a 'transit camp.' In 1944, the camp commander commissioned a film, shot by a photographer, Rudolph Breslauer. “By exhuming the scattered fragments and traces of the phantom film (intertitle cards, ideas for the scenario, graphic elements), Harun Farocki inscribes the Dutch footage within the genre of the corporate film.

Respite

6.3 2007
Habitat

Sami culture in the Soviet Union and today's Russia is a source of life tests and struggle. The film moves in the free-flowing memory tracks of a small indigenous people and tries to create a common memory image of the past 100 years from the diversity of the protagonists. The focus of the film narrative is the Russian territory of their homeland "Lapland", which is now divided between four countries. Grandmother of Zoya Mikhailovna was born in Finnish territory. In 1937, this was sufficient reason to upset the father of the little Zoya. Together with Zoya 18 Sami people of Kola Peninsula recall their past life memories in film. The past and the present flow into each other. However, you can feel a huge gap between "today" and "yesterday".

Habitat

NR 2020
Serengeti Shall Not Die

The film tells of the beginnings of the Serengeti National Park in Tanzania. At the end of the 1950s, the Tanzanian National Park Administration wanted to fence in the protected area around the Ngorongoro Crater. Bernhard and Michael Grzimek were invited by the national park administration in 1957 to get a precise picture of the animal migrations and to provide the national park administration with the values ​​they needed for their project. Using a new counting method with two airplanes, the Grzimeks found out that the migration of the herds was different than assumed.

Serengeti Shall Not Die

6.5 1959
Bürglkopf

The film captures the ambivalent nature of the Tyrolean landscape around the Bürglkopf mountain. The idyll of Alpine nature, grazing cattle, babbling brooks, and breathtaking panoramas is disrupted by the knowledge that there is a refugee centre at the top of the mountain. Unauthorized entry is prohibited, contact with people inside is undesirable, and cameras are completely denied access behind the walls. The strict regime that asylum seekers must adhere to guarantees them only one thing: a minimal chance of remaining in the safety of Austria.

Bürglkopf

8.0 2025
Nature

While it was long thought that his filmography had concluded with the film Life in 1993, Peleshian has now returned with a new film, simply titled La Nature, through which he once again observes the delicate cohabitation of human communities with their environment. Gathered from the internet, most of the images that compose the film are fragile, amateur-shot traces from within nature and its tremors that regularly rock these communities. Volcanic eruptions, earthquakes, and tsunamis form the film’s visual fabric, and are set against images of grandiose natural landscapes. A visual elegy, the film resolutely acknowledges the superiority of nature, with its unrelenting force, capable of transcending all human ambition. With this, the filmmaker seems to remind us that humankind will not emerge victorious from the ecological havoc that it has created.

Nature

6.5 2019