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A Farm

Magda and Paweł seem to have different expectations of life: she needs a bit of craziness, and he needs a bit of normality. Even though Magda cannot imagine living in the countryside, following Paweł's will, they decide to buy a farm near Serock. Magda and Paweł, not without problems, buy the farm from old farmers. The youngsters start to manage the homestead, at the same time they undergo some mental changes. Paweł's father dies, his mother decides to be an adviser to her son and Magda. The girl begins to trust life, however, she loses her first baby. Paweł finds it difficult to get along with the local farming club. The spouses share with us their fears, hopes and reflections.

A Farm

NR 1979
Little Godard

The production of a film requires recording equipment and financial resources, if nothing else. Hellmuth Costard places these basic prerequisites at the centre of his film: using a Super 8 camera system he developed, he films himself as he tries to raise funding for his film project. This creates an unconventional experimental setup, which reveals how the economics, politics, technology, and aesthetics of filmmaking relate to each other – with the ‘great’ Godard being called up as a kind of chief witness.

Little Godard

10.0 1978
Night 'n' Day

First of all, the music. The music in Night and Day by Gianni Castaglioni is in the repetitive rhythm of the images, usually very rapid (with some suddenly slowed down, figements, yet with a fiery intensity). And as each shot, (brief like those of Mekas or Brakhage), moves,; as the camera moves to the nervous rhythm of a wrist, the music becomes a sort of Free Jazz — and not only visually, since the soundtrack is composed of piano frenzies à la Elton John. The extreme close-ups that sprinkle this sort of intimate journal and which are among the most admirable - as well as the most rapid - ever made in cinema, don’t float adrift like the film’s music through a hundred flowing veins.

Night 'n' Day

NR 1976
Rapport från Stockholms sexträsk

Stockholm in the 70's. A shady world of sex clubs and porn shops. "Report from the red light district of Stockholm" might as well been called Mondo Stockholm. It is a Swedish pseudo documentary designed as cruising the underbelly of Stockholm, with a unhealthy mixture of authentic and faked scenes. The street scene of the night. An entire striptease number. A dark drama shot from a car driving through the central Stockholm, while the reporter interviews a prostitute in the backseat about her tariff.

Rapport från Stockholms sexträsk

4.0 1974
Frank Sinatra: In Concert at Royal Festival Hall

Frank Sinatra: In Concert at the Royal Festival Hall was an CBS musical television special starring Frank Sinatra broadcast on February 4, 1971, of a concert given by Sinatra at London's Royal Festival Hall on November 16, 1970. The special was directed by Bill Miller, and produced by Harold Davison. Sinatra was introduced on stage by Grace Kelly. Kelly had starred alongside Sinatra in the 1956 film High Society, the last film she made before her marriage to Rainier III, Prince of Monaco. Sinatra had been follicularly challenged for many years, hence all the hats in publicity stills, album covers etc. TV directors were forbidden to photograph him from the back because of this. However, at this concert, Sinatra had completed a very successful hair transplant and deliberately turned his back on the main audience a couple of times to acknowledge the audience sitting backstage, along with running his hand over the back of his head to draw attention to his new coiffure.

Frank Sinatra: In Concert at Royal Festival Hall

7.0 1971
It Is Necessary to Be Among the Peoples of the World to Know Them

The use of any language other than French in Quebec, particularly when separatist fervor is high, often serves to incite protests and even legal action. This French language documentary examines separatist feeling in parts of Quebec, and reviews language grievances. Among the conflicts examined is one with General Motors. It must be stated that the documentarian are clearly in favor of the separatist cause, and are also in favor of Quebec's "encouraging" companies doing business in Quebec to do it (at least officially) in French. From the evidence of this documentary, the attempts of Canadians outside of Quebec to pacify the Quebecois with "bilingualism" seems unlikely to succeed.

It Is Necessary to Be Among the Peoples of the World to Know Them

10.0 1971
We Can Only Help Ourselves

Gardi Deppe’s film follows women completing a six-week course of treatment in a health clinic (unique in West Germany at the time) for ‘working girls and women between the ages of 15 and 21.’ The film shows striking differences between the perception of the patients and the approach of the clinic and its exclusively male doctors. The women attribute their health problems to social and labour policies. The health clinic responds with medication, sports programs and occupational therapy. The film underlines the need for self-organization and ends with the realization that these women must develop their own strategies.

We Can Only Help Ourselves

NR 1974
In Marin County

"IN MARIN COUNTY approaches the subject of America's ecological disaster as a comic yet bizarre vision. The tradition of Old MacDonald's farm has long since disappeared and in its place are bulldozer and insect sprays. Our fascination with these mechanized wonders of civilization may well prove to be more lethal than we would have imagined. Peter Hutton has succeeded in making an important statement on ecology and the strange delight Americans take in destroying things." - Whitney Museum of American Art

In Marin County

7.5 1970
Dare, You Are Talented!

A film about an innovative method of learning a foreign language in just 24 sessions in Galina Kitaygorodskaya‘s method: "The method of activating the capabilities of the individual and the team", allows to activate mental processes (memory, perception, thinking, imagination) and emotional resources of the individual, which releases enormous creative energy, allowing students to easily and effectively process huge amounts of new information in a short time. It is a system of language teaching as a means of intercultural communication. The film shows the dynamics of two groups that started learning French and Russian from scratch. G. O. Kitaygorodskaya proved to be a fan of her work. She was not bothered by the camera, but she was not going to make up for it or pose for it: "No takes. I came to teach people the language." Here, every lesson is like a live script.

Dare, You Are Talented!

NR 1978
San Gottardo

In this docudrama, the real star is a railroad tunnel. First built, at the instigation of a banker and an engineer, in 1872 under appalling conditions, it was widened to accommodate automobiles in 1972. The tunnel links the Rhineland in Germany with Italy and goes through the Swiss mountains. The many lives lost in the building of the first tunnel were considered to be one of the costs for economic progress. In one re-enactment, a strike for better conditions is severely dealt with by the military. Even in 1972, though working conditions were better, most of the men working on the tunnel were poor immigrant workers, with almost no power to negotiate better treatment.

San Gottardo

9.5 1977
Kinder sind keine Rinder

The film documents the work of an anti-authoritarian and self-organized school store in Witzlebenstraße in Berlin-Charlottenburg, which emerged as a critique of the development of children's stores. The film shows how the teachers discuss the conversion of open spaces into playgrounds with the children and how the children jointly prepare the publication of their newspaper "Radau". The concept of the children's stores was developed by the Action Council for the Liberation of Women, which emerged from the Socialist German Student Union (SDS), at the Free University of Berlin (FU) and was organized as self-help from January 1968. Helke Sander was one of the co-founders of the Action Council.

Kinder sind keine Rinder

NR 1970
The Cousteau Collection N°8-1 | In Search of Atlantis (Part 1)

The myth of Atlantis has only one source: Plato. He described, some 2,500 years ago, a country overflowing with wealth, located beyond the Pillars of Hercules, whose capital would have been destroyed by an earthquake, then engulfed in the depths of the sea. Following a miraculous aerial photo, Commander Cousteau finds himself on the trail of the lost civilization of the legend of Atlantis. Near the island of Dia, the team makes an extraordinary discovery…

The Cousteau Collection N°8-1 | In Search of Atlantis (Part 1)

5.5 1978
The Red Gate: Magellan at the Gates of Death, Part I

"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins

The Red Gate: Magellan at the Gates of Death, Part I

NR 1976