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In July 2024, record-breaking rains caused the levee to collapse, swallowing Jeongbaengi Village in an instant. Amid the ruins and cold bureaucracy, residents endure their hardships by relying on one another. Cooking meals together in the mud, they begin a journey of recovery. Can the resilience of a community, born from disaster, rebuild lives swept away by the current?

The film explores the hidden face of poverty in one of the world's most affluent and capitalistic cities. Directed by CHEUNG King Wai (KJ: Music and Life), the film follows five Hong Kong families of different backgrounds that receive government subsidies. How do the poor get by in a glossy city that flaunts conspicuous consumption and hides poverty in cavernous public housing estates? All's Right With The World shares the different stories of these low-income families, their daily living conditions, and their ways of celebrating Chinese New Year.

A documentary about Taiwanese legislator.

After "Old Tang Tou", Xu Tong continued to film the family of Old Tang Tou's son, Tang Laosan, in Northeast China. Tang Laosan was sent to prison for a murder case, and Tang Laosan's son, Xiaobao, unexpectedly encountered such a change in the year of his high school entrance exams, which made the fates of father and son both unpredictable.

In the summer of 1921 (Taisho 10), a major labour dispute broke out at the Kawasaki-Mitsubishi shipyard in Kobe. The Kawasaki-Mitsubishi dispute is said to be the largest labour dispute in the pre-war period, with an unprecedented scale of 30,000 participants. The dispute, which had been fiercely fought for more than 40 days under the scorching sun, ended with the declaration of defeat by the workers. This live-action film, only nine minutes long and silent, provides a glimpse into the grand demonstration on July 10th, when the dispute was at its peak. Filming was done by the Nikkatsu film crew at the request of the Ohara Institute for Social Research.

Chinese photographer Weicheng Hua meets the vagabond Zhighuo Sun in 2015 at an amusement park just outside Chongqing. Hua’s first film is an affectionate portrait of the drug-using, possibly psychotic, sensitive and always cheerful Sun, who moves through the amusement park like a kind of shaman, holding forth about mystical concepts such as “the principle of zero” and “understanding the self.” The central figure seems to fit perfectly into this odd environment.

The sensation of forward movement is taken for granted. Lateral motion, however, is a more recent phenomenon. Due to the inventions of the mechanical age, our perception of speed has grown faster. Now with visual information taken over by increasingly powerful computers, a strange spectacle arises. (Image Forum)

To infinity and Beyond combines documented footage with fictional narratives. The film consists of two parts made up of the same footage but narrated from two different, yet related, perspectives. The footage captures the activities of villagers in a Thai ceremonial tradition called 'Boon Bung Fai'. The objective of the ceremony, though quite forgotten, is to worship the sky and beg for the rain. The film explores juxtaposition between documentary and fiction; silence and sound; folk tale and modern-day news reporting, as well as relationships between man and nature, earth and sky, dream and reality, east and west, and most importantly, the past and the present that will lead us to the future.

Luo Bing went back to Luo village, where he was born and grew up, and interviewed older people to know what happened during famine from 1959-1961. His neighbor, Ren Dingqi wrote a memoir, but he didn't really show it to Luo Bing. Luo Bing knew the history of this village much more after getting close to Ren Dingqi every time

Two Japanese women, who have lived in Korea with a difference of a half century, go to Japan. They are Yoko in Kawashima Watkins’ [So Far from the Bamboo Grove] and Masako living in Korea after the marriage with a Korean. The audience will follow their journey through the views of the two women.

Author Han Kang mourns everything that fades and perishes in the world, including her sister, who died just two hours after birth. Her mourning transcends writing; she composes music, sings, and even holds rituals for the dead at times. This documentary spotlights Han Kang as a unique artist who communicates with the world through diverse forms like art, music, and documentary. "Han Kang Chronicles: A Tale of Seven Lives" sensuously captures her literary world through dance and theater.

A short essay on the hidden realities beneath the surface of Shanghai.

Sayaka ONO created a painful and deeply moving portrayal of her own vulnerable soul, based on the tense relationship with her parents. Left alone for a entire year at the age of five, she had to grow up with the constant fear of getting abandoned again. Her difficult childhood and youth resulted in depression, frustration and anger, that she now shares with the world.

In Shenzhen, Guangdong province, Yu Liang Yuan (21 years old) and his father, Yu Ting Yong (45 years old), on the occasion of the celebration of the Chinese New Year, are getting ready to begin their annual journey from the industrial colony where they work and live to their hometown in Henan. This year, however, appears to be crucial for the future of both of them.

In 1973 the Kino Arsenal – then in its Welserstraße location in Berlin-Schöneberg – showed a programme of videos by the Japanese artist Takahiko Iimura. At the time, it was not yet possible to project the video images on the screen at the Arsenal, so employees brought in their own televisions from home, which were then synchronised to facilitate a collective experience of the then novel medium.

The Check Fun Store is an innovative business model. Every store is divided into hundreds of small checks to display and sell a wide range of creative products provided by people who rent these checks. Thanks to its risk diversification nature, the Check Fun Store business model proliferated in Taiwan when the financial crisis hit in 2007 to carry people through the global economic downturn.

When he was a child, Junya promised his maternal grandfather that as the eldest grandson, he would take over the family Shinto shrine. However, this did not come to pass as Junya did not share the same family name and he grew estranged from his family over time. To escape this tension, Junya ventured overseas to pursue other dreams and distanced himself from the hometown where he grew up. One day, while working in an izakaya, he meets a foreigner with the same birthday researching a new dance piece for a film. His fateful encounter leads him to confront a family history that he has left behind and gives the dancer inspiration for her work. Together in the midst of winter, they revisit Junya's hometown to reconnect with his childhood and let go of a promise he cannot fulfil.

A documentary capturing the recording process of singer Yano Akiko's 1992 cover album, Super Folk Song.

It’s just the matter of different stage, why look us down?” It’s the question of Dudu and Barbie, the pole dancers. Everyone usually focuses on the gorgeous side of the pole dancer, but ignore the effort they need to pay. Not only the instable income, but the pole dancing is also high-risking. Furthermore, the society stereotypically values the job with pornography.

Wang Wo’s experimental documentary takes the direct cinema approach to the realm of avantgardism, immersing the viewer in a non-narrative, highly sensory experience of urban China in its visual and aural splendor.

Documentary film of Zhou Enlai's life.

After 28 years of serving as the governor of Ishikawa Prefecture, Masanori Tanimoto had to finally cede his position in 2022. By observing the struggles of the people from diverse communities in Ishikawa, such as Muslims and van-lifers, the film attempts to expose the ubiquitous patriarchy in Japanese society.

In 1845, the first Korean to ascend to priesthood was born. His first name is Andrew Kim Tae Gon. Despite all the persecution and suffering against Catholicism, he wanted to practice equality and philanthropy. Arrested during an expedition, he chooses martyrdom after bitter torture. He was 25 years old. Kim Tae Gon, a young man who took a journey toward hope until the last moment, asks young people in 2021. "Are you a Catholic?"

In the mountains of Northern Thailand lies a boarding school. The students come from different tribes in the area and live together with their Thai teacher, grow their own crops and cook their own meals while continuing their education. The biggest question on their mind, having spent all their lives in the mountainside, is where the rivers running down the hills end. If they pass the final exams their reward is a trip to the end of the river, to the ocean itself. The children are poor, some orphans, and most of them only speak their tribe's language, but all try their best to pass the exams to be able to take the long-awaited trip. This trip is not only a journey from the children's villages to the ocean but also a journey that symbolizes the change from childhood to adulthood.

A visual diary of a short trip to the Fishing City of Hechuan, China. An elementary school teacher tells her students her impressions of that distant place she visited and the people she met. One of them is the poet Lin, who tells her about the history of this place through stories and legends.

The United States celebrates its bicentennial. The film depicts the history of a rebellious nation that has been overshadowed by the authentic history of the U.S., including slums, Vietnam veterans, incarcerated Nikkei, and indigenous peoples.

Serial murder examines how seemingly rational choices can perpetuate inequality, challenging viewers to reconsider workplace structures and their societal implications. The Footprints of the Invisible Man Walking on the Sand explores diverse mourning processes, documenting memories, testimonies, and funerals of those for whom death is as close as life. Chores of one's own revisits a construction site 31 years later, exploring the impact of a young worker's death.

Documentary focusing on japanese wrestling promotion Tokyo Joshi Pro Wrestling

Taiwanese entertainment star Takeshi Kaneshiro accepted an invitation from a Japanese TV station to go on an 11-day expedition to the Antarctic continent.

In this vivid portrait of China's musical heritage, Sichuan Opera performers strive to keep a centuries-old artform alive. After thriving for 300 years, Sichuan Opera is an endangered art form. Having survived the Cultural Revolution, state-sponsored opera troupes now face extinction in the era of private enterprise. Opera master Li Baoting began his career at eight, but now performs pop songs with showgirls in cheap bars. His colleague Wang Bin performs in travelling tents, trying to resist the massive cultural changes threatening to wipe out this artform.

An independent film director visits his family's home in Taiyuan, where he discusses love, marriage, and family with his mother and shows Pasolini's DECAMERON to his father. He returns to Beijing after the Chinese New Year celebrations and pursues sex and love.

First held in 1975, Comiket has long shaped Japan's creative culture from manga and anime to games and cosplay. The committee, exhibitors, volunteers, fans, and cosplayers share their devotion to it.

At the age of thirty, Lin got tired of the secure and yet repetitive life within the system. Therefore, she decided to leave her comfort zone and went to Nepal, firmly believing that what she wanted was to establish long-term collaboration with a local group in some place. Lin’s sensitivity and thoughtfulness led her to discover the difficulties and mistreatment brought upon the Nepalese women by menstruation, the local environment and the culture. As a result, Lin aimed to make changes by promoting cloth menstrual pads, the menstrual education and the environmental protection. She set up a workshop and hired the women in the village to produce cloth menstrual pads. By doing so, Lin has provided the local women with work and established a social enterprise of cloth menstrual pads.

Principal Audrey of Hilltop, a kindergarten in Kuala Lumpur, shares the concept of Waldorf education and the extended teaching model that aims to inspire each child`s unique capacities, providing them a space to be creative and have fun - and letting children enjoy exploring with nature, freestyle and non-instructional play through their learning processes.

A depiction of everyday life at the House of Sharing, and document of the testimonies of women who were taken as "comfort women" by the Japanese Army during the war. The second part is about Kang Deok-yeong, who depicted her experiences during the war through painting.

A young filmmaker, once skeptical of incense rituals, sets out to explore faith through his lens. From street vendors to temple youth groups, his journey captures how belief quietly answers life's questions. A heartfelt documentary bridging gods and people, offering hope and reflection in a post-pandemic world.

A documentary of underground music culture in Beijing

As coronavirus begins to sweep the globe, Zhang returns to her father’s village with her camera, seeking to understand where the extraordinary phenomenon might sit in the grand palimpsest of China’s history. As with all of Zhang’s work, this is a committed, reflective, formally assured non-fiction film, grounded in collaboration and blessed with an uncanny sense of unhurried time.

"Sex in a typhoon", a depressed pianist AV actress Nana Honda and Katsuyuki Hirano.

A regular Wednesday night in Tokyo's subway. The train is filled with more and more people...

Park Yong-woo decides to embark on a journey to "the forest." Located on Yakushima Island in southern Kagoshima Prefecture, Japan, the Unesco World Heritage site is home to the renowned forest that is said to have inspired the Miyazaki Hayao animated film "Princess Mononoke" (1997). For his ten-day journey, Park finds the young and beautiful Tagaki Rina to keep him company.

Planet A is a metaphor for human arrogance, in which humans destroy nature and other beings, justify their behavior as "development", evaluate themselves as "good"(A), and are flattered to be on top of Earth. An experimental musical documentary project, presented as an omnibus of 15 music videos, was created with the goal of challenging the status quo and revealing the truth that lies behind what is happening on this "fantastic" planet right now, along with fighting against all discrimination within it.

A group of small-town boys has prepared to beat up on this boy named Haoran for a long while. Belligerent and energetic. They tried every trick to catch him in vain including hunting him in the classroom and ambushing him on his way home. These little rebels fooled around each day, smoking, running away from their homes, and chasing after an impossible target. But who is this mysterious Haoran?

Kingdom of Chiang Mai has been annexed into the centralized country of Thailand in 1894, Chao Doungduen - the princess, now without a kingdom, has staunchly held onto her royal status through her own means. Now, at 89 years old, She diagnosed with Alzheimerʼs disease, her symptoms cause her to live further in the past. She live in a bubble without much interaction from the outside world, while her family move out to live in a big city. Her niece, this documentary filmmaker visit her from time to time. It become somewhat surreal experience like walking into living museum. With her memories fading, will her belief in her superior ʻbloodlineʼ and ʻtitleʼ bring Chao Doungduen any solace in her final years?

After being transported into a 19th century Edo painting, a university student discovers everyday sustainable practices from history to bring home to modern Japan.

Mariko Miyagi's documentary about everyday life at the school she founded, Silktree (Nemunoki).

Captain Kang is a story about a man who happened to live a dreamlike life and another man who lost his dream by an accident that changed the lives of both men forever. With two aging fishermen, KANG goes on fishing every day and night as if only the weight of a fishnet proved his existence in the world. KANG's teenage son Jong-Jae, a promising baseball talent is now living with his parents while unenthusiastically supporting his father's business. Having lost his dream, Jong-Jae feels that his life in a small harbor city is suffocating while KANG moans inwardly for the son, as he feels responsible for it. The two men's respect and affection toward each other is not spoken outweighed by the guilt and responsibility for each other. As the winter nears, hiring a sailor becomes hard and Jong-Jae is forced to be on his father's ship. In the middle of the sea, the father and the son realize that there is nobody else but each other to rely on.

This is a documentary on "Tai-ke" male-bonding, and a story about the lost and found of life. The director uses black humor in depicting the lives and encounters of each person through out a period of ten years.

On April 28, 1986, two students, twenty-year-old Kim Se-jin and Lee Jae-ho, immolated themselves to death, shouting slogans, “No war, no nuclear weapons, Yankee go home,” “U.S. sign the peace treaty with North Korea,” and “Expel American imperialists.” This took place in the midst of a public demonstration against the forced conscription of students, joined by approximately four hundred students and held at the Sinrim crossroads facing the Seoul National University main gate. The manner of their deaths, the radicalness of their slogans (they were the first overtly anti-American statements to be heard in public since the conclusion of the Korean War) deeply shocked Korean society at the time. Twenty years have since passed. The world has changed.

The severe acute respiratory syndrome (SARS) broke out at Heping Hospital in Taiwan in 2003. The government decided to isolate the hospital and asked all staff member to return. Dr. Chou defied the return order. Following Dr. Chou's lawsuit against the government, an inconvenient truth in this affected hospital was discovered.

In 2014, the remains of soldiers from the first 437 chinese volunteers who went to fight in Korea against the United States were returned to their homeland. Through the real-life narratives of veterans from different military branches and different periods, the film presents their youth and dreams in blood, and restores the most realistic battlefield, bringing a shock and resonance to the hearts of young people today. The best way to remember is not to forget.

Fragmented coastal scenes scattered across the Guangdong–Hong Kong–Macao Greater Bay Area: a security guard on duty at a Shenzhen beach, a woman posing for bridal photos along the West Kowloon Waterfront Promenade, children playing in the shallows beneath a bridge, the transparent glass interior of the M+ Museum, the rooftop of Sky100, the upper reaches of the Pearl River, and the waterfront of Victoria Harbour in Hong Kong, among others. Most of these filming locations were chosen from lists of photogenic sites popular on Xiaohongshu (RedNotes), i.e. places that have become “internet-famous” through a single viral post, attracting waves of photographers and tourists. Yet the artist deliberately diverges from these original images, turning away from the sharply defined details and edges of these celebrated sites. Instead, the camera retreats into marginalized zones at the limits of visibility, areas suffused with blinding halos of light.

After a 15-year hiatus, The Yellow Monkey, one of Japan's greatest rock bands, reunites in 2016 and goes on tour. They vow never to break up again. Director Daishi Matsunaga of Pieta in the Toilet and Pyuupiru captures them on and off stage examining what they did during their absence and where they are going.

Woman’s body bleeds regardless of her will. Through untold ages, this bleeding has been the symbol of secret, mystery, fervor and disavowal. The process of bleeding which has been taken care of with any absorbent materials, however, has undergone changes through critical moments of human history. NPR, the public channel in USA declared the year 2015 as ‘The Year of the Period,’ and ‘Free Bleeding Movement’ arose also in Korea. Numerous startup companies launched products for “New Bleeding.” Over a million viewers are visiting pages of sanitary-products-reviewing youtuber, and politicians start to talk about the blood. The walls of information collapse, and women choose their own way of “how to bleed.”